Tír na mBláth
Irish Seisiún Newsletter
Thanks to our past editors - Mary Gallacher and Bill Padden Editor Tommy Mac Today's date and new proverb Monday, March 16, 2026

Mother’s Day in Ireland this year is March 15, so…..

And also……

Wishing you all a…..

And my Grandson says

Click here for his message.

This Week’s Session 3

Greetings Tom,
Today’s seisiún was a mighty one.  In attendance were: Pat, Grace, and Peter (a new musician) on accordions; Rosemarie and Jeanie on flutes; Emer, Bob, and Art on fiddles; Ben on banjo; Tom (yourself) on bodhran; and Randy (myself) on bouzouki.
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Tunes we played included: The Boyne Hunt, Merry Blacksmith, and Red-haired Lass; Wandering Minstrel, and Humours of Ennystimon; Donny Nolan’s and Follow Me Down to Milltown; Donnybrook Fair and Kesh Jig; Scotland the Brave and Minstrel Boy; St. Patrick’s Day in the Morning; Cameronian, Donegal, and Miss Monahan’s Reels; Banish Misfortune and Cliffs of Moher; Humours of Glendart, Saddle the Pony, and Blackthorn Stick; John Brennan’s, The Knotted Cord, and Tinker’s Daughter; Rolling Wave, Lark in the Strand, and Banks of Lough Gowna; Charlie Harris Polka, Finnish Polka, Jessica’s; Homes of Donegal (by request); The Old Bush, The Drunken Landlady, and The Duke of Leinster; The Foggy Dew (by request); The Banshee, Maid Behind the Bar, and Sligo Maid; King of the Fairies; Dennis Murphy’s slide, Okeefe’s slide, and Dingle Regatta; Haunted House, My Darling Asleep, and The Old Favourite; Boys of Bluehill, Harvest Home, and Off to California; Garech’s Wedding, Fig for a Kiss, and Farewell to Whaley Range; Lark in the Morning, and Connachtman’s’ Rambles.
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There were a few songs performed by Kevin Westley and myself.
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The crowd was grand, and we appreciate the support of our esteemed pub owners, Lisa and Noel Walsh, as they gear up for their big St. Patrick’s Day celebration.
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 All the best and have a safe, happy St. Patrick’s Day,
.

Randy

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Welcome Peter

Click on any image below to enlarge.

Special Treat

Andy Cooney sings

Slaney Valley

Click below to view….

When the video starts, click on the speaker icon to turn the sound on   


Click either link to visit the site

.

“That’s How I Spell Ireland”

Saturdays at 7 to 8 PM EST.

You can listen on 88.7FM or WRHU.org.

For a request please text me on 917 699-4768.Kevin and Joan Westley

Note: Show will be preempted whenever the NY Islanders have a Saturday game

Old Ireland

A tough life but a happy one.

Recent Mail

Great newsletter, Tommy! Enjoyable and informative!….Dan Russell

Thanks, Dan, glad you enjoyed it.

Travel in Ireland

Ireland In Focus:

Discovering Sligo’s Ancient Landscapes Through Photography

Dear Thomas

I hope this email finds you well and that a little touch of spring is beginning to appear wherever you are in the world. With St. Patrick’s Day just around the corner, I’ve been thinking a lot about Ireland, its landscapes, its stories, and of course its food.

Today I’m sharing three posts that celebrate Ireland in different ways. I’d love for you to take a few minutes, put the kettle on, make a cuppa, and click through to enjoy them.

First up is a beautiful journey through the landscapes of County Sligo. Many readers of Irish American Mom dream of visiting Ireland, hoping to truly experience the land of their ancestors. Today’s post introduces a thoughtful way to do just that with Ireland In Focus: Discovering Sligo’s Ancient Landscapes Through Photography

Sligo is a place where history, mythology, and nature seem to blend together. In this guest post, we explore this amazing corner of the world with Ciaran McHugh, who introduces his photography tours of County Sligo and beyond. He shares stunning images that capture Ireland’s rugged coastline, ancient monuments, and dramatic scenery. If you love Ireland’s wild beauty, I think you’ll really enjoy this visual tour, plus you may even be inspired to explore Sligo with Ciaran someday.

Home » Lessons for Tourists » Why Tourists Love Ireland » Ireland In Focus: Discovering Sligo’s Ancient Landscapes Through Photography

Ireland In Focus: Discovering Sligo’s Ancient Landscapes Through Photography

This post may contain affiliate sales links. Please see my full disclosure policy for details.

Many readers of Irish American Mom dream of visiting Ireland not just as tourists, but as travelers hoping to truly experience the land of their ancestors. Today’s post introduces a thoughtful way to do just that.

I’m delighted to welcome a guest contributor to the blog today, to share a beautiful perspective on exploring Ireland through photography, history, and a deep connection to place.

Collage showing rugged coastline along the Wild Atlantic Way and a historic tower house castle in the countryside of County Sligo, Ireland.

Our guest, Ciaran McHugh, grew up in County Sligo surrounded by some of Ireland’s most ancient landscapes, from the cairn of Queen Maeve on Knocknarea to the remarkable Neolithic tombs of Carrowmore. These powerful places helped shape a lifelong fascination with Irish history, heritage, and storytelling through photography.

In the article below, he shares how those early experiences inspired the creation of Ireland In Focus, a unique travel experience designed for visitors who want to slow down, immerse themselves in Ireland’s landscapes, and connect with its stories in a meaningful way.

From ancient ruins and sacred wells to encounters with local craftspeople, this journey blends creativity, history, and a deep appreciation for Ireland’s wild northwest.

If you’ve ever longed to stand quietly in a place where generations walked before you, camera in hand or simply taking in the moment, then this inspiring story of place, memory, and mindful travel will resonate with you.

Let’s dive into today’s guest post.

There’s something about the Sligo landscape that feels deeply familiar to me. It’s not just the scenery. It’s a sense of belonging.

As a photographer with a background in history, I’m naturally pulled toward the traces of the past that lie scattered across the region: ancient stone circles, fairy forts hidden in the undergrowth, crumbling ruins, and stories passed down through generations.

Aerial view of Queen Maeve's Cairn on the summit of Knocknarea Mountain in County Sligo, Ireland, overlooking Sligo Bay and the green countryside below.
Queen Maeves Cairn on Knocknarea Ancient Queens Tomb in County Sligo

Image Courtesy of Ireland in Focus

My childhood unfolded in the shadow of Knocknarea, home to Queen Maeve’s legendary cairn, just a mile or so from Carrowmore, the largest Neolithic burial site in Europe. It’s hard not to feel connected to time and place when you grow up surrounded by such markers of ancient life.

Both sides of my family are from West Cavan. Like so many Irish families from rural areas, much of our extended clan settled in the U.S., especially along the East Coast, during the early 1900s. As a result, I became the unofficial family greeter for visiting cousins eager to explore their roots.

Sheep grazing in a grassy field overlooking the rugged coastline of County Sligo, Ireland, with cliffs, the Atlantic Ocean, and Benbulben mountain in the distance.
Wild Atlantic Beauty The Stunning Coastline of County Sligo Ireland

Image Courtesy of Ireland in Focus

It was through these visits that I discovered how meaningful it can be to show people their ancestral landscapes, places they’d only ever heard about in family lore.

There’s a special kind of silence that falls when someone stands on the ground their grandparents once walked, and realises it’s no longer just a story.

Over the years, those visits shaped how I see the world. They deepened my understanding of how place, memory, and identity intertwine. Photography, for me, became a way of exploring those ideas, of paying attention, slowing down, and creating space for reflection.

Camera on a tripod photographing waves along the rugged Mullaghmore coastline in County Sligo, Ireland, with Classiebawn Castle visible on the distant cliffs at sunset.
Photograph Ireland Stunning Coastal Views of Mullaghmore County Sligo

Image Courtesy of Ireland in Focus

My creative journey also brought me into the Made in Sligo network, a community of makers preserving traditional crafts. Watching potters, woodturners, and other artisans at work, many of them using techniques largely unchanged for centuries, has given me a deeper appreciation for the cultural continuity woven through everyday creativity.

Even as they sell their wares in modern markets, the spirit of tradition remains alive in their hands.

All of these experiences gradually converged into what is now Ireland In Focus. The tours I offer are not typical photography workshops, nor are they formal history lectures. Instead, they are small-group journeys that invite participants to slow down, reconnect with their surroundings, and open themselves to a more grounded kind of travel.

Benbulben mountain rising above grassy fields in County Sligo, Ireland, with its distinctive flat summit and steep limestone cliffs under a clear blue sky.
Benbulben Mountain Iconic Tabletop Peak in County Sligo Ireland

Image Courtesy of Ireland in Focus

It’s about tuning into the landscape, the stories, and even your own creative instincts, whether you’re holding a DSLR, a smartphone, or simply taking it all in with your eyes.

Our tours are based at Temple House Estate, a Georgian manor set on a vast 1,000-acre private estate. Home to the Perceval family for generations, it’s a place that feels lived in and real, less like a hotel and more like stepping into someone’s family home.

Temple House, a historic Georgian manor house in County Sligo, Ireland, set on a grassy hill beneath dramatic clouds in the Irish countryside.
Temple House Estate Historic Georgian Manor in County Sligo

Image Courtesy of Ireland in Focus

The house is full of character, with an easy elegance, delicious meals prepared by an in-house chef, and plenty of quiet corners to relax.

Outside, the ruins of a 13th-century Knights Templar castle overlook the lake. It’s the kind of place that encourages you to settle in, unwind, and let the rhythm of the week unfold at its own pace.

Every tour is shaped by the people who come along. While there’s a sample itinerary available, the actual plan always adapts to the weather, the group dynamic, and whatever opportunities arise. That flexibility allows us to stay present, open, and spontaneous.

Elegant drawing room inside Temple House Estate in County Sligo, Ireland, featuring red walls, antique furniture, historic portraits, and tall windows overlooking the countryside.
Inside Temple House Elegant Georgian Drawing Room

Image Courtesy of Ireland in Focus

We explore castles and graveyards, visit ancient wells and scenic coastlines. We also meet local craftspeople and storytellers, real individuals sharing their time, their talents, and their tales. The result is something genuinely collaborative and personal.

Some of the most powerful moments come quietly. Watching a guest stand alone in a mossy ruin, not taking photos, not talking, just feeling the atmosphere of the place.

Rocky coastline and Atlantic waves at Mullaghmore in County Sligo, Ireland, with Classiebawn Castle visible on the distant green headland under soft evening light.
Mullaghmore and Classiebawn Castle Stunning Coastal Views in County Sligo

Image Courtesy of Ireland in Focus

Those are the experiences that linger long after the trip ends

Ireland In Focus isn’t designed for the tick-the-list tourist or the stress of DIY trip planning. It offers a slower, more intentional alternative. We prioritise presence over pace, curiosity over schedules.

Glencar Waterfall in County Leitrim, Ireland, cascading down a rocky cliff surrounded by trees and woodland along a peaceful walking path.
Glencar Waterfall Enchanting Waterfall in County Leitrim

Image Courtesy of Ireland in Focus

The response so far has been overwhelmingly positive. 2025 sold out early, and our 2026 dates are now open.

Many guests are solo travellers, especially women, looking for something meaningful, safe, and creatively inspiring. The balance between gentle structure and open exploration seems to resonate.

For me, creating Ireland In Focus has never felt like “work.” It brings together the things I care most about: the land I know by heart, Ireland’s layered history, the power of photography, and the joy of sharing this place with others.

If someone leaves feeling more connected to this landscape and to themselves, then I feel we’ve done our job well.

Woman beside a horse

Slán agus beannacht,

(Goodbye and blessings)

Mairéad –Irish American Mom

Pronunciation – slawn ah-gus ban-ock-th

Mairéad – rhymes with parade

Irish Language

Tír gan Teanga, Tír gan Anam:
A land without a language is a land without a soul.

Submitted by our own

Anita

 

Dia duit Tom. Seissiun iontach de Domhnach! Slan le beirt snowbirds, ochon! 😒
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It’s that time of year we all look forward to! St Patrick’s Day March 17th!!
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St Patrick’s Day honours St Patrick, Ireland’s patron saint, who died on March 17th in the year 461. St Patrick’s Day has been celebrated as a national holiday in Ireland since 1903, but many people in all parts of the world also come together on March 17th to celebrate Ireland’s rich cultural heritage.
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         Here are some short phrases in Irish to try out at a St Patrick’s Day celebration!
  • Lá Fhéile Pádraig Sona Duit! – Happy Saint Patrick’s Day! (Law aila Paw-rig sunna dutch)
  • Cá mbeidh tú ag fliuchadh na seamróige? – Where will you be drowning your shamrock? (i.e. where will you be going for a drink?) (Caw may too egg fluck-ooh nah sham-row-ige)
  • Sláinte ‘s táinte – Health and wealth! (slawn-che iss tawn-che)
  • Pionta Guinness, le do thoil – A pint of Guinness please.
  • (punta guinness leh duh hull)
  • Go n-éirí an t-ádh leat – May luck rise to you.(Guh nigh-ree on taw lat)
  • Ádh na n-Éireannach – Luck of the Irish. (Awe nah hair-inn-ach)
Bain sult as an feasta! Enjoy the celebration, wherever you are!
Slan go foill,
Anita

 

What is your favorite seanfhocal?
Let me know, and I’ll write about it next week!

[email protected]

Free Irish Classes

The classes are over zoom and are held at 12:00 eastern time the 1 st Sunday of every month.

It is basic conversational Irish and open to learners of all ages, especially beginners.

All are invited.

Hope to see you there!

slan go foill. Le dea ghui,

Anita

click here to register

Travel Quiz

Can you identify this site 

and its location in Ireland

Send your guess to Tommy Mac at [email protected]

 

Answer in Next Week’s Newsletter

Last week’s answer

Carrowkeel Passage Tomb in Sligo is an extensive Neolithic passage tomb undisturbed since its excavation in 1911

This week’s Irish recipe

Lamb noisettes

with Ballymaloe Mint Jelly

Create the perfect springtime meal with this recipe for lamb noisettes with Ballymaloe Mint Jelly.

A perfect family meal.

A perfect family meal. Ballymaloe Cookery School

Spring has sprung!! Isn’t lamb the perfect Sunday family dinner? Why not try out a lovely traditional roast lamb dish?

This meal makes the most of mint jelly from Ballymaloe to create the perfect springtime meal.

Eating lamb around Easter and during spring dates back to the time of the Jewish Passover, when a lamb was sacrificed and eaten to commemorate the Israelites’ liberation from slavery in Egypt. In Christian tradition, the lamb represents the sacrifice of Jesus, who was crucified on the cross and rose from the dead on Easter Sunday.

Lamb is also a popular choice for Easter because it is a seasonal meat, with the best quality lamb being available in the spring. The young age of the lamb ensures that the meat is tender and succulent, making it perfect for a celebratory meal.

Lamb noisettes recipe with Ballymaloe Mint Jelly

Ingredients

Allow per serving:

  • Fresh white bread
  • Butter and olive oil for frying
  • 1—2 noisettes or boned loin roast of lamb
  • Salt and freshly ground pepper, to taste
  • 1 heaping tsp spring onions, finely chopped
  • 1 tbsp dry white wine
  • 1 tbsp chicken or vegetable stock
  • 1 tsp roux
  • 1 tsp Ballymaloe Mint Jelly

Method

Cut round croûtons of bread, about the same thickness as the lamb noisettes. Fry them in a bit of butter and oil, until golden brown. Keep warm while you cook the noisettes.

Melt a little more butter and oil in a pan, season the noisettes with salt and pepper then fry for 3 to 4 mins on each side until cooked. Remove from the pan.

To make the sauce, toss the spring onions into the pan sweat for a few minutes, add the wine and stock, and boil to deglaze the pan. Thicken very slightly with a little roux then stir in a tiny knob of butter and the Ballymaloe Mint Jelly.

Arrange each noisette on a croûton. Then spoon a little of the sauce over and serve immediately.

Love Irish recipes? Visit our recipe page!

 

Poem of the Week

The Lost Land
by Eavan Boland.

I have two daughters.

They are all I ever wanted from the earth.

Or almost all.

I also wanted one piece of ground:

One city trapped by hills. One urban river.
An island in its element.

So I could say mine. My own.
And mean it.

Now they are grown up and far away

and memory itself
has become an emigrant,
wandering in a place
where love dissembles itself as landscape:

Where the hills
are the colours of a child’s eyes,
where my children are distances, horizons:

At night,
on the edge of sleep,

I can see the shore of Dublin Bay.
Its rocky sweep and its granite pier.

Is this, I say
how they must have seen it,
backing out on the mailboat at twilight,

shadows falling
on everything they had to leave?
And would love forever?
And then

I imagine myself
at the landward rail of that boat
searching for the last sight of a hand.

I see myself
on the underworld side of that water,
the darkness coming in fast, saying
all the names I know for a lost land:

 

With St. Patrick’s Day on the horizon, it seems a good time to share the beautiful work of Dublin-born poet Eavan Boland.

Boland’s work often lingers in Irish tableaus but also deals with the experience of being an Irish-born girl elsewhere, as well as with the difficult experience of Irish women.

There is frequently an ache and feeling of loss in the way she writes of her native land.

This sense of love, land, and loss is made palpable in her poem, “The Lost Land,” where we have a sense of the poet as both mother of girls and daughter of a land.

 

Eavan Boland’s “The Lost Land” is a poignant meditation on loss, memory, and the intersection of personal life with national identity.

The speaker grapples with the departure of her grown daughters and the fading, idealized, or politically fraught memories of Ireland, ultimately identifying the lost land with three distinct elements: Ireland, Absence, and Daughter.

 

Where is the oldest St. Patrick’s Day celebration in the world?

One city in the US lays claim to the home of the oldest St. Patrick’s Day celebration in the world, research suggests.

Colonel Bill Donovan marches in the New York St. Patrick\'s Day Parade, at the head of the 69th Brigade, in 1918.

Colonel Bill Donovan marches in the New York St. Patrick’s Day Parade, at the head of the 69th Brigade, in 1918. Getty

 

The world’s oldest St. Patrick’s Day festival was in St. Augustine, Florida, some 420 years ago.

Boston and New York have long laid claim to being the centers of Irish immigration, hosting the very first St. Patrick’s Day parades before they had even begun in Ireland itself, with start dates of 1737 and 1762, respectively.

In truth, St Augustine in Florida beats them to the mark and is, in fact, home to the oldest St. Patrick’s Day parade in the world. (Waterford in 1903 held the first St. Patrick’s Day parade in Ireland.)

The sensational information was uncovered in December 2017 by historian Dr. J. Michael Francis in a gunpowder expenditures log in Spain’s Archivo General de Indias, or AGI. The documents reveal that spring festivities, which included a feast day of San Patricio (St. Patrick), were held in St. Augustine, Florida, in 1600.

“While artillery pieces often were fired to help guide ships safely across St. Augustine’s protective sandbar, they were also fired during times of public celebrations and religious festivals,” Francis wrote in his blog for PBS.

“In March of 1601, St. Augustine’s residents gathered together and processed through the city’s streets in honor of an Irish saint, who appears to have assumed a privileged place in the Spanish garrison town. Indeed, during these same years, St. Patrick was identified as the official ‘protector’ of the city’s maize fields.”

The professor and Chair of the Department of History and Politics at the University of South Florida, St. Petersburg, has studied the records on and off over the past 30 years, and he was certainly surprised to discover this information on a St Patrick’s Day celebration written in Spanish in Florida.

“It was certainly a surprise … it did not register the first time I looked through it. … It was written in Spanish, and it took a few seconds before it actually hit me that this was a St. Patrick’s Day parade/procession,” Francis explained to Renee Unsworth from totallystaugustine.com.

“I don’t know how much it will change the national perception (of St. Patrick’s Day) which has evolved into something so unique. … It certainly forces people to pause.”

The news was also welcomed by retired City of St. Augustine archaeologist Carl Halbirt, who was recently named Parade Marshal of the 2018 St. Augustine St. Patrick’s Day Parade taking place on March 10.

“The history of St. Augustine, its diversity, and place in American (U. S.) heritage is often overlooked by people who do not live in Northeast Florida,” Halbert said to totallystaugustine.com.

“Yet, it is a city of firsts and oldest in terms of the country’s European ancestry. The discovery of this particular cultural tradition only adds to the city’s mystique and place. The late historian Luis Arana stated that ‘we have only scratched the tip of the iceberg’ regarding the historical records (and I might add the city’s buried archaeological record). Dr. Michael Francis’s discovery of these documents adds to St. Augustine’s cultural heritage.”

From his research, Francis believes that the St Patrick’s Day parade in St Augustine was influenced by the Irish priest Richard Arthur.

“It is likely that Richard Arthur was responsible for the Irish saint’s short-lived prominence in St. Augustine,” he writes.

“When Arthur disappears from the historical records, so too do the references to the Irish saint, and soon thereafter, the memory of the St. Patrick’s Day celebrations and processions began to fade from public memory.

“Today, St. Patrick’s Day is one of St. Augustine’s most popular celebrations, but its early seventeenth-century origins have long been forgotten.”

While St Augustine could prove to be the oldest St Patrick’s Day parade in the world, as there was no continuation of the parade throughout the past 400 years, Boston and New York could still continue that they are the owners of the oldest continuous parade.

The first parade was held in New York on March 15, 1762, at Bowling Green in Lower Manhattan. Before this time, St. Patrick’s Day was honored as a Catholic feast day on which a special Mass was attended and nothing more, but in a show of national pride, Irish soldiers within the British Army marched through Bowling Green in honor of their patron saint, with New Yorkers claiming that this would spark a trend that would result in the worldwide festivities we celebrate today.

Boston, on the other hand, could claim the first celebration but not the first St. Patrick’s Day parade. On March 17, 1737, as a gesture of solidarity among the city’s new Irish immigrants, Boston’s Irish community joined together in the festivities of their homeland.

Either way, all three locations in the US were hundreds of years before the first St Patrick’s Day parade in Ireland, which was held in Waterford in 1903.

*This story was written in collaboration with Renee Unsworth, founder of totallystaugustine.com

* Originally published in 2018, updated in March 2026.

Stories and Tales

Céad Míle Fáilte, and welcome to your Letter from Ireland for this week.

March has arrived in County Cork, and with it the first real hints that winter is loosening its grip. The hedgerows are just beginning to show a faint blush of green, and the mornings carry a little more light than they did a fortnight ago. St. Patrick’s Day is only around the corner, and so there’s a quiet anticipation in the air. I hope the weather is treating you well, wherever you are in the world today.

I have a cup of Lyons’ tea at my elbow as I write, and today I want to mark a date in history that most people outside Ireland have never heard of, but one which quietly shaped the lives of almost every Irish ancestor contained in your family tree.

On this day in 1702, King William III of England, William of Orange, died in London after a fall from his horse. He was fifty-one years old. And while his death might seem like a distant footnote in history, the world he left behind him was one that your Irish ancestors would have to navigate for generations.

 

The King Who Shaped Your Irish Ancestor’s World.

One of the prompts for writing today’s letter was the following email I received from Len in Kansas:

“Mike, I’ve been going through Griffith’s Valuation and I keep noticing that my ancestors held tiny plots of land – a few acres at most, while other names such as Lord so and so, or Earl so and so, appear as the landlords on what I guess are huge estates. Why did land end up distributed so unequally? Was it always that way in Ireland? I’d love to understand what I’m actually looking at when I read those old records.”

Len, that is exactly the right question to be asking, and my answer leads us directly back to William of Orange and a war that defined Ireland for the next two centuries.

 

The World Before the Battle of the Boyne.

To understand what William of Orange changed, you have to understand what existed before him. In the seventeenth century, Catholic Ireland still held on to considerable land. Not easily, and not without conflict, Cromwell had already done enormous damage in the 1650s, but a substantial Catholic landowning class still survived. The hope, for many, was that a sympathetic monarch might restore what had been lost.

That hope had a name: James II. Catholic himself, James came to Ireland in 1689 to fight for his throne. The Irish largely rallied behind him, not simply out of religious loyalty, but because a Jacobite victory represented the possibility of land restored, of Penal Laws reversed, and hopefully of a different future.

But, it was not to be.

 

The Boyne and What Followed.

William of Orange defeated James at the Battle of the Boyne in July 1690. The war dragged on for another year before ending with the Treaty of Limerick in 1691 – a treaty that promised relatively generous terms to the defeated Irish, only to be almost immediately broken.

What followed was a sweeping transfer of land on a scale Ireland had never seen. By the early 1700s, Catholics, still the vast majority of the population, owned somewhere around fourteen percent of Irish land. Within a further generation, that figure fell to around five percent. The great Catholic estates were broken up, confiscated, or sold under duress and new Protestant landlord families took their place. The landscape your ancestors lived in, and the landscape subsequently recorded in Griffith’s Valuation a century and a half later, was the landscape that William’s victory created.

This is what you’re looking at, Len, when you see your tenant ancestors holding a few acres while a landlord is listed against dozens of these tenants on the page.

 

The Penal Laws and the Paper Trail.

To cement this new order of the 1700s, a series of laws – collectively known as the Penal Laws – were introduced over the following decades. Catholics were barred from buying land, from inheriting it on equal terms, from voting, from education, from public office, from the practice of their faith in any visible way.

For us family genealogists, this period has consequences that reflect in the records we search today. The suppression of Catholic parish registers means that records for your ancestors before the late-eighteenth century are often thin or absent altogether. The concentration of land in Protestant hands explains the landlord-tenant relationship that sits behind almost every lease, rent book, and valuation record from the nineteenth century. The poverty that drove the mass emigrations of the Famine era had roots stretching all the way back to the world William’s wars created.

Even the Flight of the Wild Geese, the departure of some twelve thousand Irish soldiers to Europe following the Battle of the Boyne, left genealogical traces. Many Irish families have ancestors who served in the Irish brigades of France, Spain, and Austria. If your family has a tradition of continental military service, or a surname that appears in French or Spanish records, those roots may go back to that time in 1691.

 

Reading the Records Differently.

Knowing this history provides context for reading the documents in front of you. When you see an ancestor listed as a tenant on a few acres in Griffith’s Valuation, you’re not just reading an economic fact. You’re reading the end result of a century of dispossession. When you find a great-great-grandmother baptised in a Catholic parish register that only begins in the 1810s or 1820s, you’re seeing the moment when the Penal Laws were easing and the Church could once again keep visible records.

This history isn’t just background colour, but the reason the records look the way they do.

William of Orange died three hundred and twenty-three years ago today. He never set foot in Ireland after 1690. But the world shaped by his actions is present in almost every Irish genealogical document ever written.

I’d love to hear from you, has understanding the historical forces behind Irish land ownership and tenure shaped how you read your own family records? Do HIT REPLY and let me know.

That’s it for this week,

Slán for now,

Mike.

Beyond the Pale: An Irish Expression With a Storied Past

Have you ever stopped to wonder where the phrase “beyond the pale” actually comes from?

It’s one of those expressions we use without thinking, to describe something shocking, outrageous, or simply unacceptable. But like so many familiar sayings, its roots run deep… and yes, they lead straight back to Ireland.

In this week’s post, “Beyond the Pale: An Irish Expression With a Storied Past,” I’m diving into the fascinating history behind this well-known phrase. We’ll explore:

☘️ What “the Pale” really was
☘️ How medieval Irish history shaped the meaning
☘️ Why the expression took on a life of its own
☘️ And how language carries echoes of the past into our everyday conversations

I always find it amazing how a simple turn of phrase can open a window into centuries of history. Ireland’s past is layered, complex, and deeply intertwined with its language, and this little expression tells quite a story.

If you love uncovering the hidden meanings behind Irish sayings (and impressing your friends with a bit of history along the way!), I think you’ll really enjoy this one.

 

Beyond the Pale – An Irish Expression with a Storied Past

Have you ever heard someone say that an action or remark was “beyond the pale”? It’s a phrase often used to describe behavior considered unacceptable, shocking, or outside the bounds of decency.

But did you know this curious expression has its roots deep in Irish history?

Today, let’s take a stroll back to medieval Ireland to discover how a wooden fence around Dublin gave rise to a phrase that still echoes in our modern speech.

Have you ever wondered where the old saying “beyond the pale” comes from? In this short video, I share the story of the Irish Pale, that corner of Ireland once under English control, and how folks living outside its borders inspired a phrase that’s still used to this very day.

Pour yourself a cuppa, sit back, and enjoy this little trip into Irish history.

In the late Middle Ages, when the English crown controlled parts of Ireland, their power did not extend far across the island. By the 14th century, English authority was mostly confined to a small area around Dublin and parts of eastern Ireland.

Map of Ireland with text overlay

The Pale in 1450

Image Credit

This region became known as “The Pale”, a word that comes from the Latin palus, meaning a stake or fence. In fact, the word “palisade” shares the same root. So, “the Pale” wasn’t just a metaphorical boundary. It was quite literally marked with ditches, fences, and fortifications in places, designed to protect English settlers from raids by Gaelic Irish clans.

Inside the Pale, English law, language, customs, and farming methods were enforced. Outside it, the old Gaelic order remained strong, with a world of different traditions, loyalties, and laws.

Life within the Pale looked quite different from life in the rest of Ireland. English settlers built stone towns, tilled the land in enclosed fields, and held tightly to their own system of government.

Meanwhile, beyond those borders lay Gaelic Ireland, where Brehon law prevailed, cattle were wealth, and poetry, music, and hospitality thrived.

Sketch map with text overlay
The Pale Around 1488

Image Credit

To the English, the world beyond their controlled zone seemed wild, dangerous, and uncivilized. To the Irish, of course, it was home, a place rich in heritage, community, and traditions that had thrived for centuries.

Over time, to say something was “beyond the Pale” meant it lay outside the boundaries of English authority, and by extension, outside the bounds of acceptable behavior.

wall placque with writing
Sign in Ballymore Eustace County Kildare

Image Credit

By the 17th century, the phrase had traveled beyond Irish soil into broader English usage, where it came to mean anything that was improper or outrageous. Even today, if someone behaves disgracefully, we might still say their actions were “beyond the pale.”

From an Irish point of view, this phrase holds a bittersweet resonance. It reminds us of a time when Irish culture was dismissed as uncivilized by those within the Pale.

The irony is that the richness of Gaelic traditions, so undervalued then, are now cherished worldwide, from our music and dance to our language and folklore.

Castle by a river and a bridge
Whites Castle was built in 1417 by Sir John Talbot Viceroy of Ireland to protect the bridge over the River Barrow and the inhabitants of the Pale

Image Credit

What was once considered “beyond the Pale” has become a wellspring of pride for the Irish people and their descendants across the globe.

I can still hear my granny’s voice when I think of this phrase. If one of us children misbehaved, say, putting a worm inside a cousin’s collar or sneaking the last biscuit from the tin, she would shake her head and mutter, “Ah now, that’s beyond the pale altogether.”

At the time, I hadn’t a clue what a “pale” was supposed to be, but I knew immediately I’d stepped out of line. For Granny, the words were less about history and more about setting boundaries in the home. Little did I realize then that her scolding carried with it centuries of Irish history. Our ancestors were definitely amongst the wild Irish who lived far beyond the pale.

Among Irish Americans, the phrase “beyond the pale” carried a special resonance. Many immigrants, especially those who left during the 19th century, knew firsthand what it meant to live outside accepted circles of power and privilege.

In America, they sometimes used the expression to describe unfair treatment, social exclusion, or even the mischief of everyday life in their communities.

Over time, it became part of the rich tapestry of sayings that Irish immigrants carried across the Atlantic, an echo of home that wove history and identity into the rhythms of their new lives.

Expressions like this connect us to history in surprising ways. Each time we use them, we echo the lived experiences of those who walked before us.

Wooden fence beside a castle with a text banner

So the next time you hear the words “beyond the pale”, remember the fields of Dublin, the wooden fences that once marked the edges of English control, and the resilience of the Irish spirit that flourished far beyond them.

Because sometimes, the most beautiful treasures of a people are found just beyond the borders that others try to set.

Woman beside a horse

Slán agus beannacht,

(Goodbye and blessings)

Mairéad –Irish American Mom

Pronunciation – slawn ah-gus ban-ock-th

Mairéad – rhymes with parade

March is Irish-American Heritage Month!

submitted by Lawrence Mahoney

Did you know that many of baseball’s biggest stars had Irish roots?

 – Ted Williams – Cork (Kennedy/Keefe)

 – Mickey Mantle – Dublin (Moore/Mullins)

 – Cal Ripken Jr. – Donegal (Oliver/McCoy)

 – Wade Boggs – Dublin (Donnelly/Magragh)

 – Nolan Ryan – Tipperary (Ryan)

 – Paul Molitor – Monaghan (Treanor/Callaghan)

 – King Kelly – Roscommon (Kelly)

This Week’s Question:

What Were Irish Secret Societies and How Do They Appear in Records?

Hi Tom,

Each week we take a reader question and share suggested approaches, resources and a little historical context to help answer that question.

Do feel free to reply to this email and let me know if it helped you in any way, it’s always great to get feedback.

Today we answer the question: What Were Irish Secret Societies and How Do They Appear in Records?

Let’s kick off with the following question from David:

“I found my great-great-grandfather in petty sessions records from County Tipperary in 1832, charged with ‘administering unlawful oaths’ and being part of a ‘Whiteboy conspiracy.’ He was transported to Van Diemen’s Land. I’d never heard of Whiteboys before. What were these secret societies, and how common was involvement in them? Should I be concerned about what this means for my family history?”

David, Melbourne, Australia

David, you’ve uncovered something that places your ancestor in one of the defining realities of rural Irish life in the late eighteenth and early nineteenth centuries – the world of agrarian “secret societies.” Rather than something to be embarrassed about, I think it opens a valuable window into the pressures, conflicts, and choices facing ordinary people at the time. Let’s look at what these organisations were, how they appear in records, and how to interpret them with historical balance.

What Were Irish Secret Societies?

Across rural Ireland, particularly from the 1760s through the 1830s, groups sometimes described as “secret societies” emerged in response to local economic and social tensions. Many participants were small farmers or labourers reacting to issues such as rent increases, tithe collection, evictions, or loss of traditional land rights.

They were not formal organisations in the modern sense. Most operated as loose local networks rather than structured national movements. Contemporary authorities viewed them as criminal conspiracies, while many communities saw them as forms of collective protest or enforcement of local moral codes. Understanding both perspectives helps us interpret the records without romanticising or condemning those involved.

Some of the better-known names you may encounter include:

The Whiteboys (1760s onward)

Originating in Munster, these groups opposed enclosure of common land, excessive rents, and tithe collection. The name likely came from white shirts or smocks worn over clothing during night-time actions.

The Rightboys (1780s)

Active mainly in Munster, particularly around tithe resistance during a period of economic stress.

The Defenders (1780s–1790s)

Strongest in Ulster, initially emerging as local defence groups amid sectarian tensions, later overlapping with wider political movements.

Ribbonmen (early–mid 19th century)

A broad label used for agrarian protest networks across several regions. The term was sometimes applied loosely by authorities and does not always indicate membership of a single organised group.

The Molly Maguires

The name appears in some Irish records, though historians debate how structured the Irish movement was. The more clearly organised “Molly Maguires” became prominent later among Irish emigrant communities in Pennsylvania.

The Terry Alts (1820s–1830s)

Especially active in Clare and Limerick, opposing rent increases and tithe enforcement – might be relevant David to your ancestor’s 1832 Tipperary context.

It’s important to remember that these labels were sometimes used broadly by magistrates or newspapers. Not every person described as a “Whiteboy” or “Ribbonman” belonged to a defined society.

Why They Formed: Social and Economic Context

To understand these groups, you need to picture rural Ireland at the time. Many families lived as tenants with little security, facing pressures such as:

Tithes paid to support the established Church of Ireland

Rising rents and competition for land

Eviction threats and subdivision of farms

Loss of commonage rights for grazing or turf cutting

Layers of middlemen between landlord and tenant

Catholic Emancipation in 1829 expanded political rights, but many rural tenants felt that legal systems still favoured landlords and established interests. In this environment, collective action, sometimes secretive, emerged as one way communities tried to assert influence over local conditions.

How They Operated

Rather than large hierarchical organisations, most groups were local and loosely structured. Activities recorded in contemporary sources include:

Threatening letters signed with symbolic names or figures

Oath-taking, which explains frequent charges of “administering unlawful oaths”

Fence or ditch destruction to reopen enclosed land

Intimidation, such as night-time visits or warning shots

Livestock attacks, often aimed at “land grabbers” or unpopular agents

Serious violence did occur in some periods and regions, though many incidents focused on intimidation rather than killing. Actions varied widely depending on local tensions.

You may also notice symbolic female figures (such as “Molly Maguire” or “Captain Moonlight”) used in letters or warnings. These were often fictional identities rather than real individuals.

How Secret Societies Appear in Records

For genealogists, involvement in agrarian movements can leave a surprisingly rich paper trail.

  1. Petty Sessions and Quarter Sessions

These courts handled many local offences. Look for charges such as:

Administering unlawful oaths

Unlawful assembly

Appearing armed at night

Sending threatening letters

“Whiteboyism” or “Ribbonism”

Records often include names, townlands, occupations, witnesses, and outcomes.

  1. Assizes and Crown Files

More serious cases went to higher courts. Surviving crown books or assize papers may contain detailed evidence or witness statements.

  1. Transportation Records

Agrarian offences were transportable crimes in the early nineteenth century. If your ancestor went to Van Diemen’s Land, explore:

Convict indents

Trial records

Prison ship lists

Petitions for clemency

These can sometimes reveal far more personal detail than Irish sources.

  1. Newspapers

Contemporary newspapers reported extensively on “outrages” — the period term for agrarian incidents. Trial reports, magistrates’ letters, and reward notices may name individuals or describe local tensions.

  1. State of the Country Papers

Reports sent to Dublin Castle officials by local magistrates describing unrest. They can provide valuable context, though they reflect official viewpoints.

  1. Prison Registers and Estate Papers

County gaol registers, landlord correspondence, and land agents’ reports sometimes preserve threatening letters or lists of “troublesome” tenants.

What This Means for Your Research

Discovering secret society involvement doesn’t automatically define your ancestor’s character, but it does place them within a community experiencing significant pressure.

It may suggest:

Local economic strain or recent disputes

Strong neighbour networks

Participation in collective protest as understood at the time

Authorities viewed these actions as serious crimes, while many rural communities interpreted them differently. Holding both perspectives in mind allows you to interpret the record without imposing modern assumptions.

Research Strategies

  1. Reconstruct Local Context

Look at what was happening in that parish or county at the time – tithe conflicts, rent disputes, or local disturbances reported in newspapers.

  1. Follow the Community

Check whether neighbours or relatives from the same townland also appear in court records or emigrant lists. Agrarian activity was rarely an isolated act.

  1. Use Transportation Records Fully

Australian convict sources can provide ages, occupations, physical descriptions, and later-life details that are missing in Irish records.

  1. Check Land Records

Tithe Applotment Books or later Griffith’s Valuation may reveal whether landholding patterns changed after prosecutions or transportation.

  1. Treat Labels Carefully

Terms like “Whiteboy” or “Ribbonman” were sometimes applied broadly. Always read the surrounding evidence before assuming formal membership.

A Balanced Perspective

David, finding your ancestor linked to the Whiteboys places him within a turbulent period of Irish history rather than outside respectable society. For some families, these records explain sudden emigration, transportation, or long-standing stories about “trouble with the law.”

Rather than viewing this as a moral judgement, consider it an opportunity to understand the pressures shaping your ancestor’s world – the tensions between authority and community, protest and punishment, survival and risk.

For genealogists, these cases often provide rare glimpses into personality, belief, and circumstance — moments when ordinary people briefly stepped into the historical record with unusual clarity.

Some Practical Next Steps

David for your specific case, you might:

Locate the full petty sessions or assize record for the 1832 charge.

Explore Van Diemen’s Land convict records for additional details.

Search contemporary Tipperary newspapers for trial reports.

Identify the landlord or estate connected to the dispute.

Look for neighbours from the same townland in Australian sources.

The trail left by agrarian cases can be surprisingly rich – and may reveal not just what happened to your ancestor, but the community story behind it.

Slán for now,

Mike

 

Opening paragraph

of St. Patrick’s Confessio

My name is Patrick. I am a sinner, a simple country person, and the least of all believers.

I am looked down upon by many. My father was Calpornius. He was a deacon; his father was Potitus, a priest, who lived at Bannavem His home was near there, and that is where I was taken prisoner.

I was about sixteen at the time. At that time, I did not know the true God. I was taken into captivity in Ireland, along with thousands of others. We deserved this because we had gone away from God and did not keep his commandments. We would not listen to our priests, who advised us about how we could be saved. The Lord brought his strong anger upon us, and scattered us among many nations, even to the ends of the earth. It was among foreigners that it was seen how little I was.

Was Saint Patrick really saintly or a criminal?

This collection of facts from Saint Patrick’s relatively hard-to-pin-down biography may mean he was not all as good and holy as we once thought.

An engraving of St. Patrick traveling to Tara.

An engraving of St. Patrick traveling to Tara. Getty Images

 

Saint Patrick is most famous for being Ireland’s patron saint and is celebrated around the world, even by non-Irish people, on St. Patrick’s Day. This is not only the date of his death, but a celebration of his life, and a celebration also of all that is Irish.

Although accepted as being active during the latter half of the 5th century, St. Patrick’s birth and death cannot be dated. Some records claim he came to Ireland in 432AD, and that he died on March 17 462AD, while others that he died in 492AD. The Annals weren’t compiled until the mid-6th century, and combine stories seen as both historical and mythological, and unfortunately, as such, they cannot be relied upon for accuracy.

Patrick himself wrote two letters which survived into present times, in which he recounts parts of his life. These documents are known as the Confessio and the Epistola and give us great insight not only into his life and motivations but also into life in Ireland at that time.

Patrick was born into a Roman British family in the UK, possibly at Ravenglass in Cumbria. His father was a deacon named Calipurnias.

When he was just 16, Patrick was captured by Irish raiders and brought to either Slemish (in Irish Sliabh Mis), a striking mountain near Ballymena in Co Antrim, or Fochill near Killala Bay (in Irish Cuan Chill Ala), the estuary of the River Moy, where he was sold as a slave, and subsequently worked as a shepherd for six years.

During this time, he seemed to go through some kind of spiritual epiphany, when he came to know God, praying up to a hundred times a day. (I would too if I thought it might help me escape slavery and find my way back home!) In his Confessio, he claims he heard a voice in a dream instructing him to leave Ireland in a ship that was waiting for him in a port two hundred miles away.

Some say this port was in Wicklow. When he got there, there was indeed a ship about to sail for England, but the crew refused to take him at first. Patrick turned to prayer, which God duly answered, for before he had even finished his devotions, the Captain had a sudden change of heart, and agreed to take him on board.

After three days at sea, they landed, not in another port as expected, but in a strange wilderness where they wandered for twenty-eight days without coming across any signs of civilization. At this point, they had run out of food, and the crew asked Patrick to pray to his God to provide for them. Clearly, their own pagan Gods had forsaken them. Patrick readily obliged, and immediately they came across a herd of wild boar. They killed many and feasted for two days, before continuing their journey.

Patrick returned home and devoted himself to Christianity. After a few years, he had a vision in which a man named Victoricus (probably Saint Vitricius, bishop of Rouen) gave him a letter that came from the people of Ireland, begging him to return and teach them the new religion. It was a calling Patrick could not deny.

Returning to Wicklow, Patrick was met with hostility from the locals, and sought refuge off the coast of Skerries, before continuing with his mission.

It is said that he founded his first church at Saul (in Irish Sabhall Phádraig, meaning ‘Patrick’s Barn’) in Co Down. Apparently, strong currents had swept his boat through Stranford Lough and into the mouth of the Slaney River. The local chieftain, Dichu subsequently converted and gave him the barn.

It was here that he was brought when he died, and was buried nearby at Downpatrick. St Patrick’s Memorial Church is reputed to be built on the site of his grave.

 

Downpatrick. Image: iStock.

 

The Confessio and the Epistola are fascinating because they seem to relate to some transgression for which Patrick was put on trial. It’s not clear exactly what happened, but it is thought that the writing of the Epistola resulted in Patrick writing his Confessio, perhaps whilst awaiting the outcome of his trial.

Apparently, King Ceretic Guletic had taken some Christian Irish converts and sold them into slavery. Enraged, Patrick tackled the King only to be confronted with ridicule. He, therefore, wrote the Epistola to Ceretic’s Warband, effectively excommunicating them all.

This leads to fellow Christians, once thought of as friends, making accusations against him which are not explicit in the letter, although he writes that he gave back all the gifts given to him by wealthy women, that he did not take payment for all the baptisms he made although he made many thousands, or for ordaining priests and that he himself paid for all the gifts given to the kings and judges.

These gifts may have been bribes intended to buy him the freedom to bring his religion to the masses. In any case, this protestation of innocence and denial of receiving gifts and money smacks of a financial misdemeanor. Perhaps St. Patrick wasn’t quite as saintly as once thought.

As well as his own letters, his life was recorded by two late 7th-century writers, Tírechán, and Muirchiu moccu Macthenni. Both drew upon the earlier lost Book of Ultán, written most probably by Ultan of Ardbraccan, who was Tírechán’s foster father.

Interestingly, they portray quite a different figure from the good saintly character we have been led to believe. They claim he was something of a tempestuous warrior, attacking druids and their idols, and cursing kings and their kingdoms. This ties in with some of the myths about him, which do not describe a peaceful benevolent man of God, but rather a zealous tyrant.

They also intimate that he targeted the conversion of females, preferably those of royal status and wealthy noblewomen, accepting gifts from them, and persuading them to become nuns and found religious orders, much to the chagrin of their families. He also targeted slaves and the poor, who were only too eager to find a way out of the drudgery and hardship of their lives.

Most famously, Patrick is said to be responsible for driving all serpents from Ireland. This is an interesting story, because, according to naturalist Nigel Monaghan, keeper of natural history at the National Museum of Ireland in Dublin, “at no time has there ever been any suggestion of snakes in Ireland, so [there was] nothing for St. Patrick to banish.” He should know, having searched extensively through Irish fossil collections and records.

Closer to home, for me, is the story of Patrick saving the Irish from the worship of Crom Cruach on the plain of Magh Slecht in Co Cavan. This is a grisly story involving the annual sacrifice of the nation’s every firstborn child by smashing their heads on the idol stone known as the Killycluggin Stone and sprinkling the blood around the stone circle in return for a good crop. Fortunately, Patrick showed up, smashed the stone, and banished the devil which flew out of it to hell.

As this was happening, ‘ three-quarters of the men of Ireland’ (the High King’s Warband), and the High King Tigernmas himself was mysteriously slaughtered as they knelt in their devotions, allegedly by their own god, according to Christian observers. Sounds like the work of an army sweeping down upon them, to me.

We already know how sacred the number three was to the ancient pagans; it is a pattern seen repeated over and over again in all things considered important and powerful to them, such as the maiden-mother-crone aspect of certain female Irish deities, birth-life-death, mind-body-spirit, and so on. The pagans had long considered the shamrock as a sacred symbol, its three heart-shaped green leaves representing rebirth and the cycle of life.

It comes as no surprise, then, that Patrick should choose to use it to illustrate the Christian Holy Trinity. Clearly, it was a symbol the pagans resisted giving up, and the church was very clever at adopting the pagan customs they couldn’t destroy and using them to illustrate their own beliefs.

Today, there are many places in Ireland that still bear Patrick’s name or legacy. Croagh Patrick is a mountain in Co Mayo where he was said to have fasted for the forty days and nights of Lent before vanquishing the serpents of Ireland. At 764m, it is the third-highest mountain in the county.

Curiously, Patrick has never formally been canonized by the Pope and therefore is not actually recognized as a saint by some. In the early years of Christianity, saints were made on a local level by a local church very soon after their death … which perhaps explains why there are so many in Ireland.

St. Patrick’s life is one of semi-historic, semi-mythological proportions. As with much of Ireland’s early past, it is impossible to pull apart fact and myth. There is no doubt, however, that he made a huge and lasting impact on the people of this land.

 

*Ali Isaac lives in beautiful rural Co Cavan in Ireland, and is the author of two books based on Irish mythology, “Conor Kelly and The Four Treasures of Eirean,” and “Conor Kelly and The Fenian King.” Ali regularly posts on topics of Irish interest on her blog, AliIsaacStoryteller.com

* Originally published in November 2015. Updated in 2025. 

For Mother’s Day: Things my Irish Mammy taught me

Celebrating the wonderful Irish mammy and her best bits of wisdom in honor of Mother’s Day.

Irish mammies are one in a million.

Irish mammies are one in a million. Getty Images

 

Mother’s Day in Ireland is Sunday, March 15! Here are some wise and hilarious one-liners that Irish Mammies tend to throw about to make you smile.

There is nothing like an Irish mammy and nothing better than her wit and wisdom. Inspired by Ireland’s Mother’s Day we had a whip-round the office and asked for some opinions.

There is no decency in vanity, stand tall and ignore the judgmental glare of others.

“Don’t leave the house without clean underwear, in case you get run over by a bus.”

There were not many buses in Roscommon, but I knew what she meant. what if you were in a traffic accident?

“Be grateful for your own lot.”

Possibly one of the most important and difficult lessons to learn, to be content with what you have, for there will always be greater and always those who are less well off.

“Your health is your wealth.”

Despite employing this mantra for life, the words usually fail to resonate until we find ourselves under the weather. Truer words could never be spoken.

“Sit down and have a nice cup of tea.”

In Ireland, tea is the solution to many of life’s great problems. Tea and sympathy when your Mom sees you are having a hard time with something.

Despite having an ample supply of both Barry’s and Lyons teabags here in NY, nothing compares to a hot drop of tea at home. There is nothing like hearing the click of the kettle before your mother drops the welcome words, “Tea anybody?”

 “I would give you the bit out of my mouth.”

Irish Mammies and most mams, in general, have to be the most selfless breed who inhabit the earth. Happy to give you the clothes off their back, their sense of giving is eternal.

“Be a good host.”

“Father Ted’s” Missus Doyle took it to a whole different level, but my mother and all of her sisters (and come to think of it my sisters) are the best hosts going. A bit also rubbed off on my brother too! If you invite someone to your home, make them feel welcome.

“Never go to a house with one arm as long as the other.”

From the other angle, if someone invites you to their home, never show up empty-handed (you should be carrying something, so both arms are not the same length!). It’s the gesture, even a pack of biscuits (aka cookies).

“I will wash your mouth out with soap.”

Still, something my mother catches me on, don’t be vulgar. There is nothing endearing about a filthy mouth.

“Eat everything on that plate.”

My mother taught me about stamina, endurance and stomaching things you don’t like. My brother taught me how to hide my leftover crusts behind the toaster.

* Originally published in August 2016, last updated in March 2026. 

On This Day: George Brent,

the Irish rebel turned Hollywood star, was born in 1904

George Brent, who as George Brendan Nolan in Ireland, was a doppelganger of Michael Collins, went on to enjoy a Hollywood career after Ireland’s Easter Rising.

George Brent was just one Irish rebel who went on to a successful career in Hollywood.

George Brent was just one Irish rebel who went on to a successful career in Hollywood. Getty Images

 

George Brent, one of the several Irishmen who fought in the Easter Rising 1916 and went on to enjoy a Hollywood career, was once known as Michael Collins’ doppelganger.

* In 2016, on the centenary of the 1916 Easter Rising, Dermot McEvoy looked back at Brent’s life, as well as that of the other surprising players in the cause of Irish independence who are more well known for other reasons. On the anniversary of Brent’s birth, we look back on these extraordinary people:

One of the odd coincidences of Ireland’s fight for freedom is that several key players went from the middle of a revolution to become prominent players in Hollywood.

Arthur Shields, the younger brother of Academy Award-winner Barry Fitzgerald (“Going My Way”), was a member of the Irish Volunteers. On Easter Monday, he retrieved his rifle from under the stage at the Abbey Theatre and went to fight in the GPO. He was active during Easter Week in O’Connell and Westmoreland Streets and eventually surrendered with the rest of the GPO rebels in Moore Street.

And not everyone who went to Hollywood was on the side of the rebels. In that famous picture of Patrick Pearse surrendering to General Lowe in Parnell Street on Easter Saturday, standing to the right of the general is his son, John Muir Lowe.

Ten years after the Rising, Lowe, now known as John Loder, was plying his new trade in Hollywood. Perhaps his greatest Hollywood achievement would be his marriage to screen siren Hedy Lamarr.

Hedy Lamarr and John Loder (Getty Images)

 

Ironically, both Shields and Loder, paces apart on Moore Street on that historic Easter Saturday, would appear together in John Ford’s “How Green Was My Valley” twenty-five years later.

Although he never spoke about it, one Irish rebel had a remarkable career both as a revolutionary and as a Hollywood matinee idol. As George Brendan Nolan, he worked as a courier and doppelganger to the legendary Michael Collins. In Hollywood, renamed as George Brent, he was to star in numerous motion pictures, teaming up with Bette Davis an extraordinary eleven times, including in such classics as “Dark Victory” and “Jezebel,” which earned Davis the Best Actress Oscar.

 

George Brent and Bette Davis in "The Great Lie" (Getty Images)

 

He also had a steamy off-screen affair with Davis which lasted over two years. And one could say Brent definitely “went Hollywood,” matching the stereotype by marrying five times, including a short union with Ann Sheridan, the legendary “Oomph Girl” of Warner Brothers fame in the 1930s and 40s.

Brent is probably most famous for his portrayal of Professor Warren, the affable, albeit cold-blooded killer, in the cinema classic “The Spiral Staircase,” opposite Dorothy McGuire as the terrified mute.

Several of Brent’s biographies mention that he belonged to one of the IRA’s Active Service Units (ASU). ASUs were squads put together by IRA leaders for a particular purpose. They were full-time jobs for which the members received a salary. For example, Michael Collins’ famed Squad “The Twelve Apostles” was an ASU unit charged with carrying out assassinations against the British Secret Service. Most ASUs were charged with harassing the British or doing such things as stealing munitions or automobiles.

I checked through the Irish Army’s pension and witness statements and did find a Gerald Nolan who was a member of an ASU. But it is not the same Nolan, as he was older than Brent and a veteran of the Rising. Brent was born in 1904, making him only 16 when he worked for Collins. He would have been too young to participate in 1916.

But I did come across an interesting piece written by Helena Mulkerns, granddaughter of Jimmy Mulkerns, the legendary “Rajah of Frongoch.” Published in the Irish Echo in 1997 “So, what did you do in the war, Grampa?” Helena recalls the colorful life of her grandfather and his connection to both Collins and Brent.

Mulkerns fought in the Church Street/North King Street area—one of the bloodiest locations—during Easter Week and like a lot of the rebels eventually ended up in the Frongoch prison camp in Wales along with such prominent future rebel leaders as Richard Mulcahy, Dick McKee, and Collins. Mulkerns became the Frongoch “Rajah” because of all the entertaining he did in the camp to keep up the spirits of the imprisoned rebels.

Mulkerns’ work is recalled by Lyn Ebenezer in “Fron-goch: And the Birth of the IRA”: “On the 8th of August, another concert was held…That night the chairman was Jimmy Mulkerns, who, in the words of Sean O’Mahony, appeared ‘in the flowing robes of an Oriental,’ and was introduced by Peadar O’Brien as ‘The Rajah of Fron-goch,’ a nickname that stuck. Before his arrest and internment, Mulkerns had led a troupe of traveling entertainers named Palmer and Rimlock. He was also a singer-comedian and wrote songs and poems.” (One of the songs which he copyrighted under the pseudonym “The Rajah of Frongoch” is “Come Along and Join the British Army,” a satirical ditty calling out Irish MPs John Redmond and John Dillon for supporting the British Great War effort.)

According to Jimmy Mulkerns’ application for a pension from the Irish Army in 1935, after getting out of Frongoch in December 1916, he “received direct orders from M. Collins to work for National Aid.” [The National Aid and Volunteers Dependants Fund was the charity that Collins was running for indigent families who had taken part in the Rising.] He also kept his day job at the General Electric Company at #13 Trinity Street, just off Dame Street. Here he kept several bikes for Collins, plus changes of clothes. This was a favorite neighborhood for Collins, a short walk away from several of his offices and the Wicklow Hotel where he was known to hang out. Soon Mulkerns, the entertainer, would become a mentor to the aspiring Hollywood actor, Brent.

Helena Mulkerns wrote about Brent as a courier for Collins, but also about his second job as Collins’ doppelganger. “In Dublin,” she wrote, “his most convincing double was a young actor George Brendan Nolan. A tall, well-built young man that fit Collins’s official description, Nolan was interested in the stage but was also a full member of the Fianna Éireann. For many months he played the dangerous but successful role of stand-in for Ireland’s most wanted man. He would conspicuously attend a public meeting or event as a ‘Big Fella’ in expensive suits, and since the authorities were never quite sure what Collins looked like, they would follow him, thereby leaving the real leader free to go about his business.”

Then, suddenly, in 1920, Brent disappeared. “…Dublin Castle issued a warrant for Nolan’s arrest,” wrote Helena, “that charged him with treason against the state, a crime punishable by execution, Collins’s spies immediately informed the leader who thus arranged Nolan’s urgent, secret escape out of Cobh harbor in County Cork. As the Black and Tans thundered through the quiet village of Watergrasshill, just 12 miles away, bent on arresting Nolan, he was already bound for New York and a new life. They had missed their quarry by only a few hours.”

Jimmy Mulkerns was arrested right after Bloody Sunday in November 1920 and spent the rest of the War of Independence in prison. He went on to lead a full life and is the father of Val Mulkerns, a celebrated writer and RTE commentator, and the late Jim Mulkerns, a noted Irish filmmaker. According to his granddaughter, Helena, the next time Jimmy Mulkerns saw George Brendan Nolan it was in the cinema, although now he wasn’t a 16-year-old kid running errands for Michael Collins. Now he was George Brent, a Hollywood star.

* Dermot McEvoy is the author of “The 13th Apostle: A Novel of a Dublin Family, Michael Collins, and the Irish Uprising and Irish Miscellany” (Skyhorse Publishing). He may be reached at [email protected]. Follow him at www.dermotmcevoy.com. Follow The 13th Apostle on Facebook here.

* Originally published in 2016, updated in March 2026.

News From Ireland

Government lash back at Connolly after comments on US attack

The Government has issued a statement reminding President Catherine Connolly of her role after she spoke out in strong terms about attacks in the Middle East.

The President of Ireland, Catherine Connolly.

The President of Ireland, Catherine Connolly. RollingNews.ie

 

Responsibility for Ireland’s handling of foreign affairs “rests with” the Government, an official spokesman said, after the President called for the country to call out breaches of international law.

President Catherine Connolly said Ireland had an obligation to “speak plainly” about breaches of international law in the Middle East.

Her statement, made on International Women’s Day on Sunday, followed widespread bombing in the Gulf, including the US-Israeli bombing of Iran and the assassination of its former leader, Ayatollah Ali Khamenei.

“What we have witnessed in recent days in the Middle East, and beyond, are not political disputes.

“They are deliberate assaults on international law, the international laws that have underpinned global peace for 80 years.

“We must name them as such, without euphemism and without equivocation.

“Ireland is uniquely positioned to do precisely that.”

Ms Connolly argued that the “hard-won, peaceful resolution” to the Troubles in Northern Ireland “oblige us to speak plainly”, adding that the constitution affirms Ireland’s adherence to “pacific settlement of international disputes” and the “generally recognised principles of international law”.

Opposition parties who backed the President’s election campaign have called on the Government to condemn the US-Israeli strikes as breaches of international law.

 

Inside the Oireachtas is Ireland's national parliament.

 

Asked about Ms Connolly’s comments on Monday, a Government spokesman said: “Successive governments have always stood firm in support of international law, it’s especially important for a small country like Ireland.

“The Government fully respects the constitutional role and office of President Connolly, but it is important to recall that responsibility for international affairs rests with government.”

Additionally, asked if there was concern that Ms Connolly’s comments may impact Taoiseach Micheal Martin’s meeting with US President Donald Trump next week, the spokesman said: “No, the trip is going ahead.”

 

Taoiseach (Prime Minister) Michéal Martin and President Donald Trump, photographed at the White House in 2025.

 

Meanwhile, the spokesman said nothing was “being ruled in or out” in terms of interventions to rising energy prices, adding that there were “options” for direct intervention and an EU-level response.

Elsewhere on Monday, Tanaiste Simon Harris said Ms Connolly was “right to remind people of the horrors of war” as he defended the Government’s stance.

Asked if there was much difference between the Government’s position and Ms Connolly’s views, Mr Harris said: “No, I think the Government has been very clear and consistent that the current actions in the Gulf do not have a UN mandate.

“The Government has been consistent in its support for international law. I have huge respect for the President, I have huge respect for her mandate, her constitutional role and her office, and therefore her right to speak on issues of concern to her, and indeed issues of concern to the Irish people.”

 

Study Gaelic Literature and Culture online with University College Cork

Explore the stories, traditions, and cultural heritage of Ireland – from anywhere in the world.

The ancient Book of Lismore: UCC\'s MA Gaelic Literature and Culture online offers students the opportunity to explore the rich tapestry of Gaelic literary tradition, from the earliest Christian manuscripts to the modern era

The ancient Book of Lismore: UCC’s MA Gaelic Literature and Culture online offers students the opportunity to explore the rich tapestry of Gaelic literary tradition, from the earliest Christian manuscripts to the modern era UCC

 

The history of Ireland isn’t just found in archives or carved into ancient stones – it lives in the words, songs, and stories passed down over centuries. 

Now, wherever you are in the world, you can embark on an extraordinary literary journey from the comfort of your own home with University College Cork’s Online MA in Gaelic Literature and Culture.

This unique postgraduate programme offers something truly special: an opportunity to explore the rich tapestry of Gaelic literary tradition, from the earliest Christian manuscripts to the modern era, in a flexible, fully online format.

Whether you have a deep-rooted connection to Ireland, a passion for literature, or simply a curiosity about the cultural forces that shaped the Irish identity, this course is your gateway to understanding Ireland through its language, landscape, and legacy.

The Quad at UCC.

 

A journey across time, place, and imagination

What makes UCC’s MA in Gaelic Literature and Culture stand apart is its broad, cross-disciplinary approach. Taught by leading experts in the field, you’ll travel through time, tracing the voices of Ireland’s scribes, poets, and storytellers as they navigated mythology, spirituality, colonialism, and migration.

This course isn’t limited to the borders of Ireland – it follows Gaelic literature’s global journey, examining how the stories and songs of Gaelic Ireland evolved across the centuries and resonated across continents.

From the illuminated manuscripts of early Christian Ireland to the poetic laments of the 17th and 18th centuries and the cultural revival of the modern era, the course reveals how literature reflects, preserves, and shapes identity.

Students will have access to primary sources rarely explored in university programmes, including manuscript materials housed in Ireland and abroad. These invaluable texts unlock a deeper understanding of how historic events, landscape, and the Irish diaspora have shaped Gaelic literary traditions.

A corridor in the West Wing of UCC.

 

Study from anywhere, at your own pace

The MA in Gaelic Literature and Culture is designed to fit around your life.

One of the greatest strengths of this programme is its accessibility. Delivered entirely online and taught through English (with texts in translation), the MA welcomes students from all backgrounds. No prior knowledge of Irish is required.

Whether you’re a working professional, a lifelong learner, or an Irish diaspora member keen to reconnect with your heritage, you can complete this course full-time in one year or part-time over two years.

You’ll choose from modules designed to offer both depth and variety. For those new to the language, a module in Irish for Beginners is available, giving you a direct link to the sound and structure of the language behind the literature. Other modules explore the beauty of Gaelic folksong, where lyrics, melody, and memory intertwine to tell stories of love, loss, and rebellion.

You’ll also delve into the meaning behind Ireland’s placenames – living echoes of ancient beliefs and battles. Whether it’s Clontarf (‘Cluain Tarbh’ – the meadow of the bulls) or Gougane Barra (the rock-cleft of Barra), the landscape itself becomes a map of history and myth, waiting to be read.

A programme with global appeal

Among those who chose to study the course is bestselling author Rick Riordan, creator of the Percy Jackson series. The Boston-based writer enrolled at UCC in the hope that Irish legends might inspire his next bestseller.

Author of the Percy Jackson series, Rick Riordan.

 

“Before I turned to Irish myth, I wanted to be sure I had done as much research as possible, even though I knew the stories fairly well,” Mr. Riordan said. “Being a full-time writer and based in Boston, I wouldn’t have been able to study Irish mythology in Ireland for an extended period of time, but UCC’s online Gaelic literature MA provided me with everything I needed. It truly is a fantastic program for anyone interested in Irish history, literature, language, or mythology.”

“UCC allowed me to immerse myself in the subject, interact with students from all around the world, and have access to the finest faculty available for Gaelic studies, all at my own pace and on my own schedule. There is no other program like it in the world, to my knowledge,” Rick Riordan said.

Reflecting on the broad appeal of the degree and the paths graduates take after completing it, Dr Ken O Donnchú, Course Director of the MA in Gaelic Literature and Culture, said: “Gaelic literature opens up a deep understanding of Ireland’s cultural imagination and how it continues to shape public life today. Graduates of this programme go on to pursue careers in heritage, local history, broadcasting, and the wider media sector. Others bring this knowledge into education, research, and creative practice. What unites them is a strong grounding in Ireland’s literary and cultural traditions, and the confidence to apply that understanding in a professional context.”

Your journey into the heart of Ireland begins here!

Find out more about the Online MA in Gaelic Literature and Culture at University College Cork here.

The surprising reason JFK Jr found himself at a funeral in County Laois

JFK Jr shocked both his family and the world when he attended the funeral of convicted IRA member Patrick Kelly.

Carolyn Bessette and John F. Kennedy, Jr.

Carolyn Bessette and John F. Kennedy, Jr. Getty Images

 

Fans of the new Hulu series Love Story will be well acquainted with John F. Kennedy Jr’s romance with Carolyn Bessette, but viewers might not be as familiar with his history in Ireland.

Just like his famous father, John loved the country, having begun visiting regularly as a child, alongside his sister Caroline.

While it is widely known that the US president’s son was fond of a visit to his grandfather’s native Wexford, perhaps his most shocking trip to Ireland came in his adult life when he was spotted attending a funeral in County Laois.

He caused quite a stir both in his family and across the world, as he was there to mourn the death of Patrick Kelly, who was a convicted IRA man serving a 25-year prison sentence.

 

President John F. Kennedy and Jacqueline Kennedy with Caroline and JFK Jr. (Getty Images)

 

JFK Jr hadn’t informed any of his high-profile family members about the trip, which infuriated his uncle, Senator Ted Kennedy.

However, JFK Jr made it clear he was attending the funeral in a ‘private, working capacity as editor of the magazine George,’ according to the Irish Independent.

George was a trendy political magazine that John had set up in September 1995, alongside Michael B Berman. On June 18, 1997, Irish embassy officials commented on the ordeal.

‘John F Kennedy Jr was present for the funeral of the late Patrick Kelly in Co Laois. The attached report appeared in today’s New York Post, a Murdoch-owned tabloid which is hostile to the Kennedy family,’ it read according to archives from State Papers.

 

John F Kennedy Jr. (Getty Images)

 

‘I understand that this story was also reported in the Irish papers. I understand that Mr Kennedy did not alert any of his family members that he was going to Ireland,’ it read.

‘The purpose of the visit was apparently professional – Mr Kennedy is apparently doing an article for the trendy political magazine, George, of which he is editor.

Notwithstanding this fact, I understand that Senator Kennedy’s office is surprised that Mr Kennedy undertook the visit without giving prior notice and that, in their view, he should have left himself open to controversy by being present at the funeral of Mr Kelly,’ the briefing read, according to the Irish Independent.

So there you have it, it wasn’t all glitz and glamour in New York for John F. Kennedy Jr, he is also well acquainted with Irish funerals and the bright lights of Laois!

* This article was originally published on Evoke.ie.

 

 

WATCH:

Cillian Murphy issues stern warning for Peaky Blinder movie viewers

Cillian Murphy has issued a stern warning for those heading to see the Peaky Blinders film in the coming weeks.

Cillian Murphy at the IFTAs 2026.

Cillian Murphy at the IFTAs 2026. IFTAs

 

“Peaky Blinders: The Immortal Man” hit theatres last week, with a short two-week period for fans to get a chance to see the flick on the silver screen.

Following the cinema release, the show sequel will be released on Netflix.

Cork’s Cillian Murphy reprises his role as the beloved Tommy Shelby for the film, while fellow Irish actor Barry Keoghan joined the cast.

A synopsis for the film reads: “Birmingham, 1940. Amidst the chaos of WWII, Tommy Shelby is driven back from a self-imposed exile to face his most destructive reckoning yet.

“With the future of the family and the country at stake, Tommy must face his own demons, and choose whether to confront his legacy, or burn it to the ground. By order of the Peaky Blinders…”

While the first screenings of the film get underway, Cillian Murphy had ample advice for those heading in.

A message from the star is shown at the screenings telling people to keep spoilers to themselves.

Cillian can be heard saying, “Spoilers are terrible. Keep it to yourself. By order of the Peaky Blinders.”

 

It comes not long after the Birmingham premiere of the film got underway, with Murphy and his co-stars taking to the red carpet at the Symphony Hall last week.

Channelling one of his most beloved characters, the Cork native looked innately dapper, sporting a black suit with a dark brown shirt and matching scarf.

Also in attendance was Fontaines D.C., with frontman Grian Chatten heavily involved with the soundtrack for the film.

The singer provided a cover of Massive Attack’s “Angel”, as well as his own new song, “Puppet”.

Peaky Blinders: The Immortal Man is in cinemas now, and will launch on Netflix on March 20.

Watch the trailer for “Peaky Blinders: The Immortal Man” below:

* This article was originally published on Extra.ie.

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