Tír na mBláth
Irish Seisiún Newsletter
Thanks to our past editors - Mary Gallacher and Bill Padden Editor Tommy Mac Today's date and new proverb Monday, March 30, 2026

Attention session Players

There will be no Session next Sunday, Easter Sunday

Also

Sorry, session players,

There’s no break for you.

New set to learn..

Click here.

This Week’s Session 2

It was a small but mighty session today. In attendance were Tom, Pat, Grace, Paul, Pauline, Anita, Imer, Kevin Art, and Maureen.

Some of the tunes were: Banshee set, father Kelly set, Kilfenora set, Cameroonian set, Greenfields of Woodford, off she goes, kesh, out on the ocean, jig of slurs, Athol highlanders, Tarbolten set, lakes of Sligo set, lads of Laois set, Planxty Irwin, fanny powers, mossy banks set, lark in the morning, and Connaught man’s rambles.

Remember, no session next week due to the arrival of the Easter Bunny.

Art

 

Click on any image below to enlarge.

Sorry, Anita, you got cut out of my second shot.

Special Treat

The Abbey Tavern,

Caitlín Nic Gabhann/concertina

🌹 Caoimhín Ó Fearghaíl/guitar

🌹 waltz/reels:

sunday’s well (c.nic gabhann)

elevated

the shepherd’s daughter..

Click the photo above to view, and click the speaker for sound


Click either link to visit the site


.

“That’s How I Spell Ireland”

Saturdays at 7 to 8 PM EST.

You can listen on 88.7FM or WRHU.org.

For a request please text me on 917 699-4768.Kevin and Joan Westley

Note: Show will be preempted whenever the NY Islanders have a Saturday game

Old Ireland

 

Belfast shipyard. Was this the Titanic?????

Recent Mail

Travel in Ireland

FAVOURITE PLACES IN IRELAND

 

The Rock of Dunamase, County Laois. (See it on a map here.)

The Rock of Dunamase is a dramatic ruin sitting atop a 150-foot-high limestone cliff in County Laois.

First fortified in the 9th century and later rebuilt by the Normans, it was once an important stronghold guarding a major route through medieval Laois and has strong ties to the O’More or Moore surname.

Check out this virtual tour of The Rock for a close-up of this fantastic structure, or listen to this traditional air of the March of the King of Laois believed to have been composed for Rory O’Moore of Laois.

Never fear getting lost

while driving in Ireland.

Just ask a local for directions.

Click here

Click on the speaker icon after the video starts

You may not get to where you’re going,

but you’ll have a great experience.

Irish Language

Tír gan Teanga, Tír gan Anam:
A land without a language is a land without a soul.

Submitted by our own

Anita

Dia duit Tom, conas ata tu?
.
Missed you at the session again, but this Sunday for sure!
                                                            An t-Earrach (on tharrawk)  SPRING

Spring has sprung, and we couldn’t be happier about it.
.
The days are getting brighter, and it’s already starting to feel warmer in Ireland.
.
With every season, there are plenty of Irish words and phrases to learn and work into your daily life.
.
Any excuse to introduce Irish into our everyday lives is a great thing. That’s how we keep the language alive – using it as much as we can.
.
So, here are some Irish language words and phrases to introduce into your vocabulary for springtime.
.

Glanadh an earraigh

means spring cleaning!!!

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Tá an ghrian ag scoilteadh na gcloch

Pronunciation: taw on gree-an egg skwil-cha na gluck
The sun is splitting the stones, a good one for South Florida
.

Beannachtaí na Cásca oraibh

Pronunciation: ban-nak-tee na kaws-ka or-rev

Happy Easter!

.

Níl aon scamall sa spéir

Pronunciation neel ayn skom-mal sa spare

There’s not a cloud in the sky

.

Glanadh an earraigh

Pronunciation: glan-nad on are-ree
Sin e anois. Biodh seachtain iontach agaibh.
.
.
Slan agus beannacht,
Anita
What is your favorite seanfhocal?
Let me know, and I’ll write about it next week!

[email protected]

Free Irish Classes

The classes are over zoom and are held at 12:00 eastern time the 1 st Sunday of every month.

It is basic conversational Irish and open to learners of all ages, especially beginners.

All are invited.

Hope to see you there!

slan go foill. Le dea ghui,

Anita

click here to register

Travel Quiz

Can you identify this site 

and its location in Ireland

Send your guess to Tommy Mac at [email protected]

Answer in Next Week’s Newsletter

 

Last week’s answer

Kilcooly Cistercian Abbey

was founded in 1182, by Dónal Mór O’Brien, King of Thomond,

with monks from Jerpoint, County Kilkenny

This week’s Irish Recipe

Irish Fudge recipe

“Spend an afternoon baking these velvety squares of sweetness, then package them up with ribbons and string for a charming homemade gift.”

A \"Bread and Butter\" recipe for Irish fudge.

A “Bread and Butter” recipe for Irish fudge. Getty

 

Sweets for your sweet? Celebrate your loved ones with a Granny’s recipe for Irish fudge.

Ciara McLaughlin, the author of “Bread and Butter – Cakes and Bakes from Granny’s Stove,” wrote: “Granny delighted her family and friends with jars of handcrafted fudge at Christmas, and somehow the simple joy of receiving home-baked goods has yet to wear off!

“Skip the bustling shops and spend an afternoon baking these velvety squares of sweetness, then package them up with ribbons and string for a charming homemade gift.”

We think these sweet treats would be a perfect gift for your loved ones.

Irish Fudge recipe

Makes 20-25 pieces

Ingredients

  • 450g sugar
  • 100g butter 
  • 170g evaporated milk
  • 130ml whole milk
  • 1 tsp vanilla extract
  • 1 tsp salt

Method

Line a 7-inch/18cm square tin with baking paper.

Pour the sugar, butter, evaporated milk, and whole milk into a heavy-based saucepan.

Warm over low heat, stirring the mixture with a wooden spoon until silky, with the sugar crystals completely dissolved.

Increase the heat to a boil, and test the mixture as soon as it begins to bubble by placing one droplet in a glass of cold water. If the droplet forms a soft ball, then the fudge is ready. Alternatively, boil until the temperature reaches 115°C on a sugar thermometer.

Remove the pan from the heat and leave to cool for around five minutes, then stir in the vanilla and salt and beat vigorously with a wooden spoon until thick and no longer shiny.

Scrape the fudge into the tin and leave it on the worktop to cool completely before chopping it into small, bite-sized cubes.

“Bread and Butter”

This collection of home-baking recipes, handed down through Ciara McLaughlin’s family, brings cakes and bakes from Granny’s stove to your table.

From hearty potato bread to comforting crumble, from the warmth of fresh-baked scones to the joy of a well-stocked biscuit tin, from sticky puddings to foraged-fruit jams, these recipes make a lot from a little and combine seasonal ingredients with classic flavors.

Share the secrets of traditional Irish baking and create your memories with delicious recipes for every occasion.

You can learn more about “Bread and Butter – Cakes and Bakes from Granny’s Stove” by Ciara McLaughlin here.

 

Poem of the week

“The Donkey”,
by G K Chesterton

A poem for Palm Sunday

 The Donkey

When fishes flew and forests walked
And figs grew upon thorn
Some moment when the moon was blood
Then surely I was born.

With monstrous head and sickening cry
And ears like errant wings
The devil’s walking parody
On all four-footed things.

The tattered outlaw of the earth,
Of ancient crooked will;
Starve, scourge, deride me: I am dumb,
I keep my secret still.

Fools! For I also had my hour;
One far fierce hour and sweet:
There was a shout about my ears,
And palms before my feet.

 

Stories and Tales

Palm Sunday in old Ireland
by Bridget Haggerty

Irish speakers once referred to Palm Sunday as Domhnach an Iúir – Yew Sunday. That’s because the “palm” was most often a sprig from the yew tree or some other conifer such as a silver fir, spruce or cypress. In County Fermanagh, early on every Palm Sunday morning, a Protestant cut down sprigs of yew and placed them on his garden wall.

In the old days, families brought their own fronds of “palm” to the church to be blessed. While he didn’t have a Palm Sunday ceremony in his own church, it’s on record that this very considerate Protestant soul offered palms to his less than fortunate Catholic neighbors on their way to chapel.

It was expected that every member of a family would be present at Mass to receive a blessed palm in commemoration of Christ’s entry into Jerusalem. After Mass, the men and boys broke off a sprig and wore it all day in their hat or lapel. Often, it was worn for much longer.

In Spencer T. Hall’s Life and Death in Ireland, he writes: “…most of the men and boys I met had small bunches of palm in their hats or buttonholes (lapels), which they said had been consecrated by the priest, and which many of them wore or renewed for a nearly a fortnight afterwards.” In this context, we are assuming that the author is implying that renewal meant more blessings – perhaps on Good Friday, Easter and beyond.

As for the womenfolk and children, they brought their fronds home. A palm would be hung up in the house; one would be put out in the barn so that the animals could share in the blessing. And another would be set aside to be used as a sprinkler for Holy Water.

In many areas of Ireland, a palm stem was charred and a cross was marked on eggs set for hatching, while in parts of Galway and Mayo, a bit of palm was shredded and mixed through the seed grain. In any event, most families had extra eggs on hand because of the Lenten fast, so Palm Sunday was often the day that children called on neighbors and began collecting eggs for Easter.

The date on which Palm Sunday fell was also closely observed. If it coincided with St. Patrick’s Day, when “the Shamrock and Palm would be worn together”, it was said that something unusual would occur. This could be interpreted as ominous. The optimistics predicted an exceptionally fine summer or an end to Ireland’s troubles. They also made the same predictions when Palm Sunday fell on the feast of the Annunciation – March 25th.

 

From the Famine to Five Points – history of Irish pubs in the USA

“The Italians brought their restaurants; the Irish brought their pubs.”

Barney Flynn\'s bar, in Edward Mooney House, in Five Points, in 1899.

Barney Flynn’s bar, in Edward Mooney House, in Five Points, in 1899.

 

This is an extract from “Have Ye No Homes To Go To? The History of the Irish Pub” by Kevin Martin.

Before 1830, the majority of Irish immigrants to North America were Protestant. By 1840, they accounted for a little more than 10 percent. The 1830s and 1840s were the age of mass emigration of Catholics from Ireland to America. Leaving behind a desolate and famine-ravaged country, Irish Catholics arrived in staggering numbers.

Just under four million Irish people immigrated to the United States between 1840 and 1900, and more than 1.7 million of those left Ireland between 1840 and 1860. In each decade between 1820 and 1869, the Irish accounted for over 35 percent of all immigrants to America. From 1841 to 1850, the figure was 46 percent! After 1860, the figure gradually declined until it was just over 2.5 percent in the decade from 1911 to 1920.

Catholic immigrants overwhelmingly settled in urban areas; by 1920, 90 percent of Irish immigrants to the United States lived in cities and towns.

Three-quarters of the Irish immigrants in America lived in seven industrialized urban zones: Massachusetts, New York, New Jersey, Connecticut, Illinois, Pennsylvania, and Ohio. The vast majority of these immigrants ended up in low-paid, low-skilled jobs, but for some, saloonkeeping was seen as a path to financial success. The image of a saloon in Ireland and England is generally that of a high-Victorian-style establishment with ornate decoration and expensive furnishings, typically located in an urban setting.

The Crown Liquor Saloon in Belfast is perhaps the most famous and elaborate example. In America, the term was used to describe a wider range of establishments. The Irish, like other ethnic groups, sought to recreate their social environment in a new context.

The Italians brought their restaurants; the Irish brought their pubs. Some countries brought a cuisine; the Irish brought their alcohol. Emigration is recognized as a stressful process, and psychologists have long noted the propensity of stressed emigrants to revert to native comfort foods.

In America, at that time, most business areas were dominated by Protestants. Owning a saloon was a way for an Irish Catholic to gain a foothold in commercial life. The costs of entry were low, and many fine establishments evolved from humble saloons. However, the Irish did not have the pub trade all to themselves. German pubs with beer gardens and elaborate dance floors were popular with the social elites.

At the start of the American Revolution in 1775, there were saloons in Philadelphia called The Faithful Irishman, The Lamb, and Three Jolly Irishmen. By 1820, the Southwark part of the city was heavily populated by Irish immigrants, and of the eighty-three liquor licenses in the municipal area, thirty-one of them were held by recognizably Irish names. The situation in nearby Worcester was even more pronounced. By 1880, two-thirds of license applicants were Irish, even though they accounted for less than a third of the population. While just one-sixth of the city’s population was born in Ireland, half of the saloon keepers were Irish, and another 10 percent were Irish American.

As far back as 1868, Michael ‘King’ McDonald, the so-called ‘Gambler King of Clark Street’ was a powerful politician, saloon keeper and illegal gambling boss in Chicago. While German beer gardens tended to be frequented by the prosperous, the quality of Irish saloons varied.

Richard Lindberg, biographer of Michael McDonald and noted Chicago historian, wrote that they ran the gamut ‘from simple, unpretentious basement dives with dirt floors and wooden planks propped up by barrels to elegantly festooned showplaces like the kind Hal Varnell kept on Randolph Street.’

‘Prince Hal’ was a notorious gambler and political kingmaker who was later appointed warden of the Cook County Insane Asylum. The Chicago Inter-Ocean newspaper carried a report on his saloon, noting that it was ‘fitted up with the most skillful contrivances and appliances for the perpetration of crimes so dark they cannot be named.’

In her PhD thesis, ‘Emerald Pub to Silver Saloon: Building an Irish Saloon Community in the American Mining West,’ Michelle A. Charest studied saloon proprietorship in Virginia City, NV, in 1870. She found the Irish were the largest group of ethnic saloon keepers, followed by the Germans. Irishmen controlled eighteen saloons – 26 percent of the drinking establishments in the city – while Germans owned fourteen, or 19 percent of the total. However, the Germans were best represented when the total population was taken into account.

In 1899, John Koren studied crime figures in an attempt to see if the widespread vilification of the Irish in America as drunken criminals was statistically valid. The Irish ranked third, behind the Scottish and Canadian ethnic groups, and were on a par with the Polish, English, and American ethnic groups. He concluded that ‘Irish saloons stand for immoderate drinking and drunkenness in greater measure than any other.’

A stereotype had been created, and any drunken act by an Irish person was an indication of the nation’s propensity for alcohol and criminality, while other ethnic groups with similar statistical profiles were ignored. Koren was an avowed teetotaler but did not envisage damnation for the drinkers. They were not a riotous company intent upon reducing themselves to drunkenness, but ‘a well-behaved group of men who play cards together, read, smoke and drink a glass of beer . . . in not a single one of the many such groups observed did drinking seem to be the most important thing.’

The Five Points area of lower Manhattan was once synonymous with Irish, poverty, violence, and alcoholism. In 1835, renowned frontiersman Davy Crockett visited the area. He compared the Irish of his acquaintance in the western states to the Five Pointers: ‘In my part of the country, when you meet an Irishman, you find a first-rate gentleman; but these are worse than savages; they are too mean to swab hell’s kitchen.’

Charles Dickens passed the same way in 1852, and referred to ‘hideous tenements which take their names from robbery and murder; all that is loathsome, drooping and decayed is here’. Jocelyn Green described the area in her 2014 novel “Yankee in Atlanta”: ‘If Broadway was Manhattan’s artery, Five Points was its abscess; swollen with people, infected with pestilence, inflamed with vice and crime. Groggeries, brothels, and dance halls put private sin on public display. Although the neighborhood seems fairly self-contained, more fortunate New Yorkers were terrified of Five Points erupting, spreading its contagion to the rest of them.’

The area was originally a pond, which the authorities filled in to build accommodation for the rapidly expanding immigrant population. However, the builders did not take into account the softness of the ground, and the tenements deteriorated quickly.

The Irish population in New York City rose from 961,719 in 1850 to 1,611,304 by 1860, and the vast majority of these newly arrived citizens were housed in these abysmal tenements. The buildings were often little more than outhouses. In the late nineteenth century, a report on tenement life around the Five Points counted one bathtub for 1,321 families and one water tap for a floor of apartments. It was an area heavily polluted by industry. Businesses using naphtha, benzene, and other flammables made fire a daily hazard. The area was notorious for the number of saloons, brothels, and groggeries – the majority of them owned by Irish and Germans.

According to Wilson’s Business Directory of New York City, the Sixth Ward had a population of 24,000 in 1860. There were 204 groceries and 169 saloons or porterhouses. The groceries – more commonly referred to as groggeries – were similar to the spirit grocers of the homeland. The New York Clipper – the first newspaper in the United States dedicated entirely to the entertainment industry – described a typical establishment as having ‘a grease-covered counter’ and ‘an inevitable bar’ at the back. Behind the bar, the setup was basic: ‘a score of tall necked bottles . . . a beer barrel stands in the extreme corner, and in these articles we have the most lucrative portion of the grocer’s trade, for no purchaser enters the murky store without indulging in a consolatory drink, be their sex as it may’. Billiard tables and prostitutes were common.

Crowne’s Grocery was the best known. It was, according to one of the local Protestant charitable organizations, ‘the most redoubtable stronghold of wickedness in Five Points if not in New York’, and was memorably described by George Foster in his 1850 book New York by Gas Light: ‘It is not without difficulty we should effect an entrance through the baskets, barrels and boxes, Irish women and sluttish housekeepers, white, black, yellow and brown, thickly crowding the walk right up to the threshold – as if the store were too full of its commodities and customers and some of them had tumbled and rolled outdoors.’

He noted piles of cabbage, potatoes, squashes, eggplants, tomatoes, turnips, eggs, dried apples, chestnuts, and beans piled around the floor. Hardware was also in evidence: ‘boxes containing anthracite and charcoal, nails, plug tobacco, etc, etc, which are dealt out in any quantity from a bushel or a dollar to a cent’s worth . . . firewood, seven sticks for sixpence, or a cent apiece, and kindling wood three sticks for two cents.’

He described the casks of molasses, rum, whiskey, brandy and all sorts of cordials. The latter, he said, were ‘carefully manufactured in the back room where a kettle and furnace with all the necessary instruments of spiritual devilment are provided for the purpose’. After describing a myriad of other foodstuffs available, he described the bar: ‘Across one end of the room runs a long, low, black counter armed at either end with bottles of poisoned firewater, doled out at three cents a glass to the loafers and bloated women who frequent the place.’

* Kevin Martin taught English, communications and cultural studies for twenty-five years. He is married with two children and lives near Westport, County Mayo. He loves pubs, travel and reading. 

Have Ye No Homes To Go To? The History of the Irish Pub” is published by The Collins Press and is available from www.collinspress.ie.

* Originally published in Sept 2016, updated in March 2026.

Titanic hero Irishman Thomas Andrews epitomized bravery as ship went down

Thomas Andrews, the chief designer of the Titanic from County Down, Northern Ireland, has been immortalized as a hero of the ship’s tragic tale.

Kate Hickey

@KateHickey_

Mar 25, 2026

Thomas Andrews Wikimedia Commons

Thomas Andrews, the County Down chief designer of the ill-fated ship, has been immortalized as the hero of the RMS Titanic’s tragic tale.

When the “unsinkable” ship struck the iceberg, it was Andrews who calculated how long it would take the ship to sink. On that dreadful night, he stayed on the sinking ship and helped others to escape the inevitable.

Andrews had been overruled on two key issues during the ship’s design. He wanted to double the number of lifeboats to 64 and wanted a double hull built extending up to the B deck, which would certainly have prevented the disaster.

After he died on 15th April 1912, his father received a telegram from his mother’s cousin, who had spoken with survivors in New York, seeing news of Andrews. The telegram was read aloud by Andrews Sr. to the staff of their home in Comber: “Interview Titanic’s officers. All are unanimous that Andrews is heroic unto death, thinking only of the safety of others. Extend heartfelt sympathy to all.”

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The newspaper accounts of the disaster labeled Andrews a hero. Mary Sloan, a stewardess on the ship, whom Andrews forced to enter a lifeboat, later wrote in a letter: “Mr. Andrews met his fate like a true hero, realizing the great danger, and gave up his life to save the women and children of the Titanic. They will find it hard to replace him.”

According to “Titanic Stories,” Andrews was “last seen throwing deck chairs into the Atlantic in a desperate bid to save lives.”

John Stewart, a steward on the Titanic, reported that Andrews was last seen in the first–class smoking room staring at a painting, “Plymouth Harbour,” above the fireplace, his life jacket lying on a nearby table. The painting depicted the entrance to Plymouth Sound, which the Titanic had been expected to visit on her return voyage.

The survivors of the tragedy reported that Andrews met his fate with bravery, and as the horror unfolded around him, he saved other men’s wives and children in the full knowledge that he would never see his own wife, child, and family again.

Read more

His great-nephew, John Andrews, said, “He epitomized the nature of all [the people] that helped save a lot of people’s lives on that night.”

The Down man was on board the RMS Titanic’s maiden voyage as part of a group of skilled men called “the guarantee group.” They were on board the ship to handle any snags and ensure standards were high. None of the group survived.

The “Titanic Stories” film said, “Upon his death, the Andrews family received many cables and letters praising the comfort and courage he showed to others before the Titanic sank.”

When Helen Reilly Barbour’s husband, Andrews, failed to return, she was heartbroken. Their story is one of true romance. Eventually, Reilly Barbour remarried and had four more children, but she always kept his letters, photographs, and mementos of their courtship and love.

Vera Morrison, Reilly Barbour’s daughter from her second marriage, has also kept alive his memory.

The Titanic leaving Queenstown (Cobh) in County Cork.

Speaking to BBC “Newsline,” she said her mother “never really spoke about it, and she never mentioned the tragedy.

“But on one occasion, I was talking to her, and she said that she hoped that the wreck would be left as a memorial to all the people who died on the ship.

“I think she was totally devastated – and she was so very fond of Tommy’s parents.

“She described them as being her second mother and her second father. She was just trying to console them when she herself must have been devastated.”

Morrison’s mother said her own father, Henry Harland, would probably have known Andrews through the shipyard. Both men were privileged apprentices, which meant they were paid to learn every job and skill involved in building ships.

Andrews, Harland, and their beloved Helen were all from the most prosperous families in Northern Ireland at the time.

Morrison told the BBC she truly believed her mother had always loved Andrews, and he was her favorite.

“She was obviously very, very fond of him.

“I think it was a true love match. He must have been brilliant.

“But the other thing that comes out so often is his real affection for the workers.

“He told Nellie when they were driving out of the shipyard one day together that all the workers who were coming out were his mates. He was so very popular and dearly loved, I think, by so many people.”

Read more

Morrison still has her mother’s engagement ring, from Andrews, which she wore until her death.

She said Andrew’s proposal to Reilly Barbour didn’t go as planned. On March 25, 1906, Andrews wrote Helen a letter apologizing for having shocked her by asking her to marry him the evening before. Eventually, she recovered from the shock and the pair were married on June 23, 1908, in Lambeg Parish Church, outside Lisburn.

After their honeymoon in Switzerland, they took up residence at “Dunallan”, 12 Windsor Avenue, Belfast. This building is now the home of the Irish Football Association (IFA). It was here they had their first child, a girl, nicknamed Elba.

Morrison said “I’ve often been asked why wasn’t my mother on the Titanic with her husband. I never knew if it was because my mother was ill or Elba was ill.

Five years after Andrews died on the Titanic, Reilly Barbour married Morrison’s father, Henry Harland. Morrison is their youngest child.

Not only was Thomas Andrews a hero and a gentleman, but also a romantic and loving husband and father.

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* Originally published in 2016. Updated in March 2026. 

Did you know the Irish have 90 words to describe potatoes?

We know it’s a stereotype, but the Irish really do love potatoes so much so that the humble spud has had quite an influence on the Irish language!

The Irish have a way with words, even when it comes down to describing a potato!

The Irish have a way with words, even when it comes down to describing a potato! iStock

 

The potato, for better or worse, has played a major role in Irish life and as such, despite being a vegetable, it’s had quite an influence on Irish culture and even on the Irish language.

Such was the relationship between the people of Ireland and the lowly spud that a simple search of the Irish terminology database téarma.ie will uncover no fewer than 90 different terms involving the word potato (though, granted, not all are completely linked to the edible kind).

The need for greater speed was obviously important when discussing potatoes, as several concepts relating to the food that would require a phrase or string of words to describe in English are mashed down to one-word terms in Irish.

The main Irish word for potato is “práta” (prawh-tah) and it’s this word that is used most of the time. There are loads of other options, however, if you wish to be more precise.

We take a look at some of the most spud-tacular words.

1. Paidrín (pad-reen)

Meaning: very tiny potato

Sadly, the word paidrín is also the Irish term for the rosary. Could this be a reflection on your need for a prayer if your potato crop turned out to be small?

2. Sliomach (shli-muck)

Meaning: very wet potato

Even the sound of this word makes us think of something mushy.

3. Creachán (cray-cawn) / Sceidín (shced-een) / Póirín (pour-een)

Meaning: very small potato

The term “creach” by itself means a loss or a pity, perhaps another nod to the need for large potatoes. “Póirín” can also mean “small round stone.”

4. Caldar (kal-dar) / Peil  (pell)/ Cnap (k-nop)

Meaning: very big potato.

“Peil” is also the Irish for football and if you add “caldar” before the words “fir” or “mná,” you can describe a big, robust man or woman.

5. Ionam (Un-um)

Meaning: Sweet potato

The sweet potato can also be called by its more literal term “práta milis” (milis meaning sweet) or práta Spáinneach (meaning Spanish potato).

6. Dradairnín (Drad-arh-neen / Screamhachóir (shcrave-a-core)

Meaning: small useless potato

The Irish were obviously very concerned with the potato crop turning out small and unusable.

7. Práta Breac (prawh-tah brak)

Meaning: semi-rotten potato

8. Sceallóga (shkal-og-gah)

Meaning: French fries (or chips in Ireland)

9. Sceallán (shkal-awhn) / Scoilteán (skull-tawn)

Meaning: potato set

 

A potato set is a potato or a part of a potato used as a seed.

10. Brioscáin (bris-kawn) / Criospaí (chris-pee)

Meaning: potato chips (crisps in Ireland)

11. Smoladh (smul-ah) / Dúchan (doo-can)

Meaning: potato blight/disease.

Smoladh is the term used to describe a potato disease today, but dúchan is a more historical term for the blight that hit potato crops in Ireland in the 1840s and was blamed for the Great Hunger.

12. Langán (lan-gawn) / Scealbhóir (shcel-vore) / Logán (log-awn)

Meaning: portion of a potato left after removing sets.

These three terms refer solely to the part of the potato that remains after a portion is removed to be used as a seed.

13. Falcaire (fal-k-ra)

Meaning: old seed-potato.

A seed potato is a potato that has been planted and used for the production of seeds (like a potato set). Falcaire specifically refers to the potato once it has been used for this purpose.

14. Brúitín (brew-teen)

Meaning: mashed potato.

“Brú” means to force or to put pressure on.

15. Sámhaí (saw-vee)

Meaning: couch potato.

 

Ok, so this is not an exact description of a potato, but we still thought it was a cool word. Use it on any lazybones who can’t get up from the couch and see their looks of confusion.

H/T: tearma.ie

* Originally published in 2015. Updated in 2026.

 

Did You Know These 7 Authors Were Irish?

Reading famous literature is such an amazing experience. But did you know many world-famous authors were Irish?

Realizing that someone decades, hundreds, or even thousands of years ago wrote something that can still bring us into a new world, touch our hearts, engross us, and teach us important lessons is so inspiring.

Whether you’re into the classics or prefer something a little more modern, you’ve probably heard of a lot of Irish writers without knowing it!

Here, I’m going to share a list of 7 authors you probably didn’t know were Irish. Some are considered British writers, but all seven were born in Ireland.

Let me know if any of these were a surprise to you!

Head shot of a man

Oscar Wilde Image Credit

Oscar Wilde

Oscar Wilde was an author who wrote poetry, books, short stories, fairy tales, and plays in the 1800’s. His best-known book is The Picture of Dorian Gray, which was published in 1891, only 9 years before Wilde’s death in 1900, and his most popular play is The Importance of Being Earnest, which was published in 1895.

His subsequent works won numerous awards, even though they were produced during the last decade of his life.

Wilde was known for being flamboyant and creative, and was thrown in jail for being part of the LGBT community near the end of his life, because that lifestyle was not accepted in English culture at the time.

C.S. Lewis

C.S. Lewis is a prominent 20th century Christian author. His most famous work is The Chronicles of Narnia, but he also wrote Mere ChristianityThe Screwtape Letters, and many other books.

Although he is known for his new life in England, it is a little-known fact that he was born in Ireland!

He was Anglican, and enjoyed writing allegories that taught Christianity through fiction, as well as theology books.

Flannery O’Connor

Flannery O’Connor is a 20th century short story writer. She wrote a book of short stories called A Good Man is Hard to Find in 1955, and another short story collection called Everything that Rises Must Converge in 1965.

Although Flannery spent her formative years in America, both of her parents were of Irish descent. They were both Catholic immigrants to the United States, and you can visit her childhood home to this day in Savannah, Georgia, since she is one of the most famous of all Irish-American writers.

W. B. Yeats

William Butler Yeats is a 20th century poet who is known for being a very prolific poet. Some of his most famous poems are The Second Coming, Leda and the Swan, The Stolen Child, and He Wishes for the Cloths of Heaven.

W. B. Yeats lived from 1865-1939, and before his death he won the Nobel Prize for Literature in 1923. He is known as one of the greatest poets of all time.

Jonathan Swift

Jonathan Swift was an author who lived from 1667-1745. If you thought he was British, that makes sense, because he did spend a lot of his life in England, but he was born in Dublin, Ireland. He wrote Gulliver’s Travels and A Modest Proposal, two pieces of Irish writing which you are likely familiar with.

He also wrote poetry, essays, and political satire. In fact, Gulliver’s Travels is known as a satirical evaluation of English culture and politics.

Eoin Colfer Irish Children's Author
Eoin Colfer

Eoin Colfer

If the classics aren’t your cup of tea, this one’s for you! Eoin Colfer, the bestselling author of the Artemis Fowl series, which got high praise in the last decade, along with the recent novel Iron Man: The Gauntlet, is an Irish author that is well-known in recent years! He was born in 1965, and is still alive and writing today.

If you or someone you know is a superhero fan who hasn’t read his Iron Man sequel, it’s something you should definitely check out! The book takes place in Ireland, and draws some information from Colfer’s own experiences, so it’s a good modern option for people who want to connect with their Irish heritage.

Ironically, Colfer said his book is much more likely to gain traction in America than in Ireland, as Irish heritage is less interested in superhero stories. This makes it the perfect book for Irish Americans!

We previously featured Colfer’s middle grade novel, The Dog Who Lost His Bark.

James Joyce

James Joyce is known as one of the top Irish authors in all of history. He wrote Ulysses and Portrait of the Artist as a Young Man in the 20th century, and he is known for being a part of the modernist avant-garde movement in Irish literature.

He also wrote a collection of short stories called Dubliners, about normal people in Irish society based on his personal stories from middle-class life in Dublin at the time.

All of these authors are important figures in Irish history. Which of the authors on this list surprised you?

Tommy Mac here…This is why it is so important that we all help support Tim Finnegan’s.

By sponsoring our music sessions and other Irish cultural programs, they are keeping our heritage alive just as the Cobblestone has done in Dublin.

Support Finnegan’s – They support us!

 

Dublin pub’s fight for Irish music traced in new short documentary

A new short documentary traces how The Cobblestone in Dublin didn’t just preserve the soul of traditional Irish music, but redefined the law to protect it.

The Cobblestone in Smithfield, Dublin.

The Cobblestone in Smithfield, Dublin. NO18 Films

 

A short documentary charting the landmark legal victory that saved The Cobblestone pub has been shared by Dublin-based NO18 Films.

The newly-released documentary is the second in NO18 Films’ “Made in Dublin” series, which is dedicated to the artisans, rebels, and characters who define the living fabric of Ireland’s capital city.

Following the success of the series premiere featuring George Horn Ltd, the latest episode turns its lens toward The Cobblestone in Smithfield, a space that is far more than a public house; it is a global institution for Irish music.

“Made in Dublin” is an ongoing documentary series that captures the stories of local craftsmanship and community at a time when the city’s independent spirit faces unprecedented pressure. Through intimate storytelling, the series poses vital questions about Dublin’s future while documenting the preservation of its past.

“Made in Dublin: The Cobblestone” traces a multi-generational journey of cultural defiance. It begins in the 1930s, when Tom Mulligan’s father arrived in a Dublin where traditional music was pushed to the fringes and “Irishness” was often a source of social exile. Decades later, Tom established The Cobblestone in a derelict corner of Smithfield, creating a vital refuge for the tunes his father once carried in secret.

Still from "Made in Dublin: The Cobblestone." (NO18 Films)

 

For 40 years, the pub has served as a beacon for musicians, defined by heritage, resilience, and community. However, the film documents the recent threat that nearly silenced the session: a proposed nine-story hotel development that would have gutted the building.

The documentary captures the historic “funeral march” that saw thousands take to the streets, leading to a groundbreaking ruling by An Bord Pleanála, Ireland’s planning board. In a landmark victory for the arts, “established culture” was cited as a legal imperative to deny planning permission, ensuring the music would remain.

Still from "Made in Dublin: The Cobblestone." (NO18 Films)

 

“With ‘Made in Dublin,’ we step away from the globalised aesthetic to celebrate the raw, rhythmic pulse of our own streets,” Simon J. James, director of the series, says.

“The Cobblestone isn’t just a building; it’s a heartbeat. To lose it would be to lose a piece of the Irish collective identity.”

Caddy Munnelly, producer of the episode, adds: “The Cobblestone represents the soul of Smithfield.

“This story is a reminder that culture is not just something we inherit; it is something we must actively protect. This documentary is a tribute to the resilience of a community that refused to let its history be built over.”

Audiences are invited to view “Made in Dublin: The Cobblestone” now at NO18films.com or on YouTube and join the conversation on the importance of protecting Dublin’s cultural institutions.

You can watch “Made in Dublin: The Cobblestone | The Fight For Irish Music” here:

Tommy Mac here. I visited Ireland in 1967 while on leave from the Army when this song was first released. In its first recording, the group started off by saying, “We’re gonna sing the Seven Drunken Nights, but we’re only allowed to sing five of them. So, here goes!”

When Dubliners’ “Seven Drunken Nights” was banned for being too rude

The Dubliners’ iconic song “Seven Drunken Nights” was once banned by Ireland’s national broadcaster RTÉ due to the song’s sexual content.

The Dubliners pictured in 1970.

The Dubliners pictured in 1970. Getty

 

A 2021 documentary examined how the Dubliners’ iconic song “Seven Drunken Nights” was once banned by national broadcaster RTÉ because of its sexual nature. 

Released in 1967, the song “Seven Drunken Nights” proved enormously popular in both Ireland and the United Kingdom after it was banned by RTÉ due to its raunchy content.

It became a regular feature on the popular pirate radio station, Radio Caroline, and charted at number seven in the UK singles charts, while it jumped to number one in the Irish charts. The Dubliners also performed the song on the TV show “Top of the Pops”.

The song, which takes place over seven nights, follows a husband who returns home drunk from the pub to find his wife in bed with another man. On each occasion, she comically invents a wild story to throw her unsuspecting husband off the scent.

The song’s sexual content saw it banned by the national broadcaster in an era dominated by Catholic conservatism.

“Cosc – Seven Drunken Nights” aired in 2021 on RTÉ One and examined the banning of the famous song.

The 1960s were swinging in progressive places like London or San Francisco, where the “Summer of Love” had taken hold by the time “Seven Drunken Nights” was released in 1967. However, Ireland was a drastically different place that was still under the thumb of a nanny state and church that viewed any discussions about sex as immoral and sinful.

Thus, the story of a drunken husband coming home to an adulterous wife was simply too controversial at the time, with many listeners finding the song offensive.

“In 1967 Ireland or parts of it were living in the ’30s when you couldn’t mention such things as S.E.X…..you could spell it but you certainly couldn’t say it,” Dubliners frontman, Ronnie Drew, once said.

The band was secretly delighted by RTÉ’s decision to ban the song due to the enormous publicity that the story generated and they even penned a letter to then-Taoiseach Jack Lynch asking him to intervene by forcing RTÉ to lift its ban.

The publicity led to the Dubliners topping the charts in Ireland, while they also played at the iconic Royal Albert Hall in the United Kingdom off the back of the song’s success.

“I’m sure whoever was responsible in Radio Éireann would say now weren’t we terrible gobshites,” Ronnie Drew said.

* Originally published in 2021, updated in March 2026. 

News From Ireland

Michael Flatley hired ex-police to examine huge loans at firm for his shows, court hears

Michael Flatley has hired a private detective to investigate spiralling loans worth millions of euros on the books of a company he established to run his “Lord Of The Dance” tour, a court has heard.

Michael Flatley in front of the 3Arena in Dublin, announcing details of the 30th anniversary celebrations of \"Lord of the Dance\".

Michael Flatley in front of the 3Arena in Dublin, announcing details of the 30th anniversary celebrations of “Lord of the Dance”. RollingNews.ie

 

Belfast High Court was presented yesterday with sworn evidence from the former garda fraud squad member as Mr Flatley won back control of the European leg of the tour.

The court heard allegations from ex-garda [Irish police] Denis O’Sullivan of a stand-off in Croatia over a live show, concealed bank records, and an unauthorised St. Patrick’s Day performance in London.

The tour had already been the focus of a heated legal battle earlier this year between Mr Flatley and Switzer Consulting Ltd, which finally culminated in an agreement allowing the Riverdance star to stage the Dublin premiere last month.

However, Judge Ian Huddleston was told that Switzer had allegedly breached undertakings it had then made not to interfere with the tour, and that Mr Flatley’s production team had been barred from entering an arena in Zagreb yesterday.

He was also told that Switzer had tried to take control of the costumes, had collected a €300,000 advance fee from an Eastern European promoter, and had tried to undermine confidence in the production among suppliers, crew, cast and promoters.

In addition, the judge heard that Switzer had staged a “Lord Of The Dance” show at Annabel’s Club, Mayfair, London, on St. Patrick’s Day, which took place without Mr Flatley’s consent.

The allegations were made in an ex-parte hearing, at which only Mr Flatley’s side were represented. Switzer can apply to the court to respond.

During the hearing, the judge was told that Mr Flatley had hired a private detective due to his concerns about his financial situation, following his involvement with Switzer Consulting, the Northern Irish company which had been contracted to run the tour.

In a sworn statement before the court, Mr O’Sullivan, of Merrion Square, Dublin 2, described himself as a forensic fraud and asset tracing consultant, specialising in complex fraud investigation and asset identification, tracing and analysis, who had previously served in An Garda Síochána.

He said that in late October 2025, he was asked to assist the Flatley family in understanding their assets and liabilities following their involvement with Switzer.

 

Michael Flatley "Lord of the Dance".

 

‘The Flatley family’s core concern was when Switzer Consulting took over management of their financial affairs in the second half of 2022, borrowings stood at approximately €4million,’ he said.

‘By mid-2025 those borrowings had spiralled to €17million. The family was unable to obtain any explanation for this increase.’

Mr O’Sullivan said he had been met with ‘deliberate theatrics’ from Switzer when seeking to examine the Flatley accounts and bank statements.

He claimed: ‘In 46 years of professional experience, I have never encountered obstruction of the kind I have faced in this matter.

From the outset I have been met with abuse, false allegations and outright dishonesty from the directors of Switzer Consulting and those acting on their behalf.’

He added: ‘For five months I have been seeking the bank statements of Switzer Consulting to which the Flatleys are entitled. My investigation has established that one of the Switzer Consulting directors has purchased several properties since taking over the Flatley business affairs.

‘Mr Armand Lako, a director of Switzer, confirmed to me in early 2025 that they had purchased a property in Citywest, Dublin, previously sold by the Criminal Assets Bureau and formerly associated with a major international organised crime group, for approximately €1million.

‘When I became aware of this we sought to obtain a reconciliation of Mr Flatley’s financial records in order to ensure that he did not inadvertently have any part in this.’

Mr O’Sullivan also told how he had travelled to a Zagreb arena yesterday, arriving at 7.30am, together with the production team, comprising some ten to 12 staff members, with one articulated lorry and additional 40-foot trucks and containers present on the arena grounds.

 

Michael Flatley.

 

‘Upon arrival, a member of arena staff who identified himself as being in a middle management role informed us that the team would not be permitted access to the arena, stating that he was awaiting further instructions,’ he said. He said the production team could not gain access to the arena to produce tonight’s show.

After Zagreb, the tour is scheduled to move to Hungary, Romania, Bulgaria and Germany.

Mr Flatley himself also swore an affidavit, which was put before the court yesterday by his barrister, David Dunlop. He outlined the previous legal disputes, culminating in the undertaking given by Switzer in February that it would not interfere with or obstruct him from making use of the intellectual property and rights to Lord Of The Dance.

Switzer also undertook to make the new stage and costumes available to him. Mr Flatley said: ‘Since the order was made, [Switzer] have actively contacted my dancers, crew, and production staff, pressuring them to perform exclusively for Switzer and falsely denying my legal rights to the production.’

He said Switzer had also ‘wrongfully interfered with and assumed control of key categories of property… all of which are necessary for the production’.

Mr Flatley alleged that Switzer and its directors ‘have engaged in a calculated, deliberate and ongoing campaign to flout the court’s authority’. He said the Zagreb arena has a capacity of over 20,000 and that 80% of tickets have been sold.

Following the hearing, Judge Huddleston ordered that Switzer must not interfere with or disrupt the Lord Of The Dance – 30th Anniversary Tour.

The judge said it must not interfere with any members of the cast, crew or production staff, or assert any authority, ownership or entitlement over the show.

A trial of the full dispute between Switzer and Mr Flatley has yet to be given a hearing date.

* This article was originally published on Extra.ie.

Depopulation of rural Ireland threatens hearts communities

Irish language TV station, TG4’s show “Iniúchadh” examines falling enrolment, shrinking GAA numbers and the growing strain on remote communities across rural Ireland.

Investigative journalist Kevin Magee.

Investigative journalist Kevin Magee. TG4

 

A new investigation by Kevin Magee examines how rural decline is reshaping daily life, with the Irish National Teachers’ Organisation warning that more than 70 primary schools could face pressure if current trends continue. The programme also hears from GAA leaders and rural development experts who say Ireland’s overall population growth is masking sharp losses in its most remote areas.

More than 70 rural primary schools are at risk of closure if the current trend of rural depopulation continues, according to Ireland’s largest teachers’ union, the Irish National Teachers’ Organisation (INTO).

The prediction is made by the General Secretary of the INTO, John Boyle, in an edition of TG4’s flagship current affairs programme “Iniúchadh” TG4, which examines the impact of rural decline in remote parts of Ireland.

The documentary “Bánú na Tuaithe” (“Rural Depopulation”) presented by the award-winning investigative journalist, Kevin Magee, and airing on Wednesday, March 25 at 9.30 pm, explores the pressing question: Is rural Ireland really dying?

According to the latest data from the Department of Education and Youth, the number of children enrolling in primary schools across the country fell by 6,470 in 2025.

Eleven primary schools have closed permanently since June 2025 due to falling rolls, with others now facing an uncertain future. According to the INTO, the problem is getting worse.

Speaking in Irish, Mr Boyle said: “If things continue the way they are, more than 70 schools will come under pressure. These small schools are located at the heart of the area, at the heart of the community, and if they close them, like the post office and other places, there will be no heart left in these communities. It is therefore extremely important to the Irish National Teachers’ Organisation that the government properly supports small schools.”

 

Ruth Brophy.

 

One obvious solution is to decrease the teacher-pupil ratio in specific schools that are under threat, according to Mr. Boyle.

“They have to support small schools, and they can do that by reducing the number of children in classes. The class sizes in this country are larger than anywhere else in Europe,”  he said.

In addition to its impact on schools, the documentary examines how rural depopulation is affecting cultural and sporting life in parts of Ireland, following what the GAA termed “the decimation and erosion of rural life .”

South Kerry GAA board carried out an analysis of the decline in school enrolment numbers in its area. It was calculated that there has been a 41 per cent fall in the combined primary school population at 13 national schools in the 28-year period from 1993 to 2021. The board has predicted that certain clubs “will have major difficulty fielding underage teams” in the future.

South Kerry GAA board chair Joseph McCrohan said: “If you want to measure a GAA club and you want to measure what’s going to happen to a GAA club in the next number of years, take a look at the primary school. If you’ve kids in primary school, you’ll have football teams, hurling teams. If you don’t, you’re in trouble. ”

This year, five south Kerry clubs, Reenard, Waterville, Dromid, Cahersiveen and Valentia had to join together to field an under -14 boys’ team.

 

Joseph McCrohnan.

 

GAA footballer Caoimhín Ó Fearghail from Cashel GAA in Newtowncashel in County Longford told the programme that seven players or 30 per cent of the team that won the Longford County Intermediate Championship in 2009 are now living abroad.

“Lots of the lads have gone to Australia, America and Canada. Every rural club is struggling for numbers, and the club is worried about that — that people will want out or that they will emigrate,” he said

According to the latest 2022 census figures, the population of Ireland was 5.149 million, up 8% on the previous 2016 figure.

Sustainable rural development expert Professor Mary O’Shaughnessy from Cork University’s Business School says overall population growth figures can mask the extent of population decline in some rural areas.

 

Martha Gilheaney.

 

“The population in Ireland is at its highest since the 1850s and when we look at the population distribution, we can see that there’s been population growth in both urban and rural areas. But when we look at it more closely , what we do find is that the rural areas that appear to have grown are those that are closest to urban centers or closest to our cities.

“But there continues to be a decline in the numbers of population in rural regions that are more remote, that are more peripheral, that are particularly located along the western seaboard, and that are also in some parts of rural Midlands as well,” said Professor O’Shaughnessey.

* This episode of “Iniúchadh”, on TG4, will air on March 25, 2026, at 9.30pm. Check it out at on the TG4 Player.

 

Original historic US documents to go on display in Belfast this year

The Belfast exhibition will mark the first time that the documents have been on loan outside of the US.

Northern Ireland\'s Communities Minister Gordon Lyons pictured at a recent visit to the Library of Congress in Washington, DC with Dr Julie Miller, Curator of Early American Manuscripts at the Library of Congress.

Northern Ireland’s Communities Minister Gordon Lyons pictured at a recent visit to the Library of Congress in Washington, DC with Dr Julie Miller, Curator of Early American Manuscripts at the Library of Congress.

 

Original documents “highlighting the deep historical links between the United States and Northern Ireland” will be on display in Belfast later this year.

Documents relating to the commemoration of the 250th anniversary of the signing of the US Declaration of Independence will be shown in the ‘Voices Across the Atlantic: The Ulster Legacy in America’ exhibition in the Public Record Office of Northern Ireland (PRONI).

One document involves Derry native and Secretary to the Continental Congress Charles Thomson’s address to George Washington on his election to the first Presidency of the United States.

Another is one page of President Andrew Jackson’s second annual address, setting indigenous land clearance policy in the context of his forefathers’ migration. Jackson’s grandparents hailed from Carrickfergus.

A third document is a letter from the General Assembly of the United Presbyterian Church, a Scots-Irish congregational organization, to Abraham Lincoln opposing slavery.

 

The loan of the documents was announced this week by Northern Ireland’s Communities Minister Gordon Lyons, who recently visited the Library of Congress in Washington, DC, where he viewed the documents first-hand in specialist storage.

“I am delighted that my Department has secured the loan of some remarkable original documents that form an important part of America’s history,” Lyons said.

“They will be carefully transported across the Atlantic to feature in an exciting new exhibition celebrating the legacy created by the many thousands who left these shores for America in the late 1700s.

“This will be the first time in history that the documents have been on loan outside of the USA.

“This has been achieved through direct engagement between my officials and the Library of Congress over several months, with my recent visit sealing the deal in person.”

Lyons added: “I encourage everyone to come along later in the year to explore these documents and much more.

“The exhibition in PRONI is one of the events that will help Northern Ireland commemorate the deep historical and ongoing connections that exist between here and the USA.”

Dr. Kevin Butterfield, Acting Chief of the Manuscript Division at the Library of Congress, commented: “The Library of Congress is happy to play a role in this exhibition by loaning materials that can help people in Northern Ireland learn more about the rich and complex history of the founding of the United States. It’s a history shaped in important ways by people from Ulster, as these documents bring to life.”

PRONI’s ‘Voices Across the Atlantic: The Ulster Legacy in America’ exhibition will take place at its headquarters in Titanic Quarter, Belfast, this autumn. More details will be announced in due course.

“Lost memoir” sheds light on former Taoiseach’s views on JFK, America

“Seán Lemass: The Lost Memoir” covers the former Taoiseach’s time as a politician from 1923 to his resignation in 1966.

October 16, 1963: President John F. Kennedy and Taoiseach Sean F. Lemass at a reception in the Mayflower Hotel, Washington, D.C..

October 16, 1963: President John F. Kennedy and Taoiseach Sean F. Lemass at a reception in the Mayflower Hotel, Washington, D.C.. Public Domain / Abbie Rowe. White House Photographs. John F. Kennedy Presidential Library and Museum, Boston

 

In the Lemass family home in Co Wicklow, there is a box with the seal of the President of the United States on it. 

Inside is a collection of photographs taken from Seán Lemass’s visit to Washington DC in October 1963 to meet President John F Kennedy, a month before Kennedy was shot dead in Dallas.

Lemass’s 10-day trip to the United States was a reciprocal one following Kennedy’s historic visit to Ireland in June of that year, the first by a sitting American president.

The photograph album was a private gift from Kennedy and is much cherished by the Lemass family.

 

(Courtesy Lemass Family Archive)

 

The two visits in 1963 were highlights of Lemass’s time as Taoiseach between 1959 and 1966. Though he was only Taoiseach for seven years, his predecessor Éamon de Valera had effectively ceded all economic policy to Lemass on Fianna Fáil’s return to power in 1957.

 

(Lemass Family Archive)

 

These recordings amount to the most candid political memoir ever produced by a senior Irish politician. Lemass was famously blunt. When asked a straight question, he gave a straight answer.

 

"Seán Lemass: The Lost Memoir," edited by Ronan McGreevy, is now available via Amazon.

 

In his time as Taoiseach, he met with two American presidents, Dwight D Eisenhower and Kennedy. “Each time I was very conscious of the fact that I was talking to the most powerful man in the world. Even if he was an idiot, he was still the most powerful man in the world and on his decisions rested the fate of mankind,” he told Ryan at a time when American presidents were generally thought of as sane.

Eisenhower, he said, was a man who was not a natural politician and therefore a front-rank US president. However, “you could not help but like him. I met him again when he had ceased to be president and he still was the same very attractive personality to whom you were drawn immediately; there was a warmth there.

“He was not an aggressive protagonist of any particular point of view and this helped to draw people towards him.”

His portrait of Kennedy is very telling. He liked him, but saw him as somebody who had cultivated a carefully managed façade.

“Kennedy also had charm and was a strongly attractive personality. I always felt, however, that he had a motive for everything he did. There was a certain noticeable reservation in his attitude, a mind working away behind the outward facade of the charming personality.

“One could detect that his mind was working but one could not know what it was producing. Kennedy’s eyes were the most striking, they were almost expressionless; even when he was joking or laughing, he was coldly calculating the effect he was having on listeners.”

Nevertheless, he got on well with Kennedy and believed he would have gone on to have become a great president, both because of his capacity to analyse and deal with problems and his brilliance as a communicator.

“Seán Lemass: The Lost Memoir” covers Lemass’s time as a politician from 1923 to his resignation in 1966. Lemass was famously reticent about his time during the Irish revolution, though I have added a chapter about his early years with new information not previously available to his biographers, including the revelations that he accidentally shot his baby brother Herbert dead in 1916.

One of the few times Lemass mentions the Easter Rising in the book is in his recall of Kennedy visiting the graves of the executed leaders of the Rising in Arbour Hill.

“I must confess I got a tremendous personal satisfaction when he, the president of the United States, laid the wreath on the graves at Arbour Hill. He was the first president or head of state to do this.

“Since then, there have been several others, but you would have had to be alive in 1916 to realise the real significance of this event – the head of the greatest state in the world coming to pay honour and respect to the men who had been shot at that time.”

 

June 28, 1963: President John F. Kennedy (center) attends a wreath laying ceremony at the Arbour Hill Cemetery in Dublin, Ireland; Taoiseach (Prime Minister) of Ireland, Seán Lemass, walks beside President Kennedy. Also pictured: Air Force Aide to the President, Brigadier General Godfrey T. McHugh; Minister for External Affairs of Ireland, Frank Aiken; U.S. Chief of Protocol, Angier Biddle Duke; and Ambassador to Ireland, Matthew H. McCloskey (all walking behind the President). (Public Domain / Cecil Stoughton. White House Photographs. John F. Kennedy Presidential Library and Museum, Boston)

Lemass was extraordinarily prescient that Europe’s dependence on the US security umbrella could lead to problems in the future. Ireland, he stressed, was militarily unaligned, not neutral. In any confrontation between “East and West, we will be on the side of the West. Ireland will side with democracy against any socialist or totalitarian system. But we consider we could give more service to the West outside a formal alliance.

“Once we are in the area of common political policies, we must have a common defence policy. I, personally, would not at all disagree with de Gaulle that Europe must be capable of an independent defence, if this is feasible, because there is a great deal of sense in his contention that when the chips are down, America would not commit suicide for the sake of Europe.”

Though Lemass sought and achieved good relations with the United States, his government adopted an independent foreign policy, which frequently riled the State Department. In 1957, Ireland agreed to support the entry of China into the United Nations, much to the chagrin of the Americans who had just fought the Korean War and were adamant that Communist China could not be allowed to join the UN. The decision incurred the wrath of the Irish-American head of American Catholicism, Francis Spellman, who warned he would ‘raise the devil’ because of that decision.

Lemass backed the Minister for Foreign Affairs, Frank Aiken, in his stance at the UN on the issue. “I was quite certain we were right; I felt the role we had to play in the United Nations and similar organisations was to get rid of all the false conceptions prevalent at that time, which meant that a small country could attend the United Nations while a quarter of the world’s population was not allowed representation.”

“Seán Lemass: The Lost Memoir,” edited by Ronan McGreevy, is published by Ériu Press, priced at $40 on Amazon. 

 

Jokes

The only difference between a tax man and a taxidermist

is that the taxidermist leaves the skin.


— Mark Twain

Funnies From My Wife

Funny Headlines

How much of our tax money went into this study!!!!!

Times when you might be excused for using foul language

What could possibly go wrong????

Funny Statue Photos

No thanks….I quit.

Funny Signs

Good night to you all….Tommy Mac

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Welcome to

Tír na mBláth

Tír na mBláth is one of hundreds of branches throughout the world of Comhaltas Ceoltóirí Éireann (CCÉ) pronounced “kol-tus kyol-tori air-in“, the largest group involved in the preservation of Irish music, dance and song.

Our board and membership is made up of Irish, Irish descendants, and all those who support, celebrate and take pride in the preservation of Irish culture.

We also aim to promote good will and citizenship.

Interested in belonging to Tír na mBláth? Feel free to download our membership form

Facebook page is at Tír na mBláth

Our meetings and several events are held at Tim Finnegan’s Irish Pub in Delray Beach Florida.

Well, that's it for this week.

Slán abhaile

Pronunciation: slawn a-wol-ya

Meaning: Safe Home

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Sláinte, Tom Guldner (Tommy Mac)

Slán agus beannacht, (Good-bye and blessings)

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