Irish Seisiún Newsletter
This Week’s Session 2
Special Treat
Click below to watch, and click the speaker after the video starts for sound
Immerse yourself in the nostalgic sounds of traditional Irish music with this beautiful Irish melody that will transport you back to your childhood memories and the warmth of your first home. The soothing sounds of the accordion and guitar blend perfectly to create a sense of calm and serenity, evoking memories of times spent with loved ones. This Irish folk song is a heartfelt tribute to the memories of youth, with its gentle whistle and Celtic rhythms that will leave you feeling nostalgic and yearning for the simplicity of childhood. As you listen to this folk ballad, you’ll be reminded of the folk rock sounds that filled the air in Dublin’s Irish pubs, where traditional Scottish music and Irish folk music come together in perfect harmony. So sit back, relax, and let the sounds of this Irish folk music take you on a journey back to a simpler time, where memories of childhood and the love of family were all that mattered. With its mix of traditional Irish music and folk songs, this melody is sure to become a favorite, perfect for those looking for relaxing Irish music to unwind to.
This video features a repeating scene that evokes deep “memories” and a sense of “childhood” nostalgia. The serene visuals, accompanied by “calm music”, create a truly peaceful experience. It’s the perfect “chill music” for reflection, bringing a touch of “nostalgic music” to your day.
Find out what’s happening at Tim Finnegan’s this month.
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“That’s How I Spell Ireland”
Saturdays at 7 to 8 PM EST.
You can listen on 88.7FM or WRHU.org.
For a request please text me on 917 699-4768.Kevin and Joan Westley
Note: Show will be preempted whenever the NY Islanders have a Saturday game
Old Ireland

Posing for the camera
Late 1800s or early 1900s
Recent Mail

Travel in Ireland

The best wild places to visit in Ireland
Rugged rocks, unending hills, lush green trees, and the sea … these are some of the best wild places in Ireland!

From the mountain peaks to the dramatic windswept coasts, there’s nowhere quite like Ireland to get back to nature!
It’s been said that the “wilderness is healing, a therapy for the soul” and anyone who has spent time in the wilds of Ireland, taking in the fresh air and lush surroundings can surely attest to this.
In his comprehensive guidebook “Britain and Ireland’s Best Wild Places: 500 Essential Journeys,” Christopher Somerville traces the best wild areas around Britain and Ireland.
Below, we’ve selected our essential top ten wild Irish places, with the first eight being Somerville’s selections from Ireland for his top 50 best wild places in Ireland and Britain.
Beaghmore Stone Circles, Co Tyrone

Seven circles of stone, ten rows, and a dozen or so round cairns were positioned here in low-lying bog land in Tyrone during the mid-Bronze Age. They were first discovered by bog cutters in the 1930s and now are visible, though many more structures could still be beneath layers of the bog. The stone circles are believed to correlate with the summer solstice as well as the cycles of the sun and moon.
Umbra Dunes, Co Derry
Home to plentiful supplies of rare flowers, Umbra Dunes is reached by following a natural trail through wooded areas out to the Dunes. The backdrop to the Dunes is a stunning scenery of purple cliffs.
Sperrin Hills, Co Tyrone

This walking trail in Co Tyrone is the perfect spot for a nature enthusiast. With no roads and the aging shepherd’s paths fading back into the ground, the walk over the Hills is truly a naturally led one. The Hills form a natural barrier overlooking the lush Glenelly Valley.
Nephin Beg Mountains, Co Mayo

Author Christopher Somerville proclaims “You will never, ever forget the Bangor Trail if you decide to tackle it.” The 30-mile rugged trail through the Nephin Beg Mountains is “the loneliest hill track through the widest extent of blanket bog and the remotest mountain range in Ireland.”
Caher Island, Co Mayo

The “lonely and alluring” small slip 6 miles off the coast of Mayo holds “the simple beauty of a tiny, ancient church in ruins” with seemingly untouched markers and offerings around it. The difficult to access Caher Island is the stuff of myths – “feathers and fresh flowers lie in offerings, though you have seen no other boat.” Local people believe that the “sea itself” guards the tiny island and “will rise up against anyone foolish enough to take anything away.”
Aran Islands, Co Galway

Geographically an extension of Co Clare’s Burren district, the Aran Islands are “Irish-speaking islands, remote in the mouth of the bay.” Though the Islands are both physically foreboding and beautiful, the natives of the Islands are welcoming but not forthcoming with strangers. History and nature collide on this chain of three islands off the coast of Galway.
The Burren, Co Clare

“The Burren is without question the most magical place in County Clare,” writes Somerville. This old seabed that hoisted to the air and then scraped by icebergs comprises 500 square miles “of rounded gray hills and rocky coast on the southern shores of Galway Bay.” The area boasts floral rarities that attract botanists from around the world.
Great and Little Skellig, Co Kerry

Described as “an unforgettable experience,” Skelling Michael is 9 miles off of the Iveragh Peninsula in Co Kerry. Here, you’ll find an “emotional moment” at the summit of Skellig Michael where a monastery sustained itself for 500 years off of rainwater and fish caught in from the sea. The remains of 1,500-year-old crosses can be found still standing near the remains of the huts and churches the monks built before moving ashore.
Glenariff, Co Antrim

Described as “the most breathtaking piece of coastal scenery in Ireland” by Somerville, Glenariff offers a striking display of beautifully colored cliffs. The Glenariff Forest Park offers four walking tours, with the most dramatic being the Waterfall Trail. Somerville recommends going either early or late in the day to avoid distracting crowds and, if possible after it rains when “there is a magic in the woods.”
Old Kenmare Road, Co Kerry

An 11-mile trail that takes you through some of the most untouched and scenic pieces in Co. Kerry, the path originates near the south shore of Muckross Lake and brings you to an overlook to Peakeen Mountain and Knockanaguish. The trail brings you to encounter everything from glens to waterfalls, to ruins of old settlements.
* Originally published in 2015, updated in April 2023.
Irish Language
Tír gan Teanga, Tír gan Anam:
A land without a language is a land without a soul.

Submitted by our own
Anita

Dia duit, conas ata tu an seachtain seo?
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In 1922, the new Free State government made the Irish language an essential part of the curriculum for all National Schools after a dark history of exclusion and English-only instruction.
The year 2022 marked one hundred years since Saorsát Éireann came into being and constitutionally declared Irish as both its national and an official language. On January 1, 2022, the Irish language finally gained full status as an official language of the European Union, giving Irish equal status with the other twenty-three official languages of the EU. Also in 2022, Irish became an official language in Northern Ireland for the first time.
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Finally, as if to prove the mainstream appeal of the tenacious tongue, the 2022 film An Cailín Ciúin/The Quiet Girl became the first Irish-language film to be nominated for an Academy Award in the best international feature film category.
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It had been a century of struggle, but as Irish revolutionary Michael Collins had prophesied so hopefully in 1922:
Irish will scarcely be our language in this generation, nor even perhaps in the next. But until we have it again on our tongues and in our minds, [Ireland is] not free.
Michael Collins, The Path to Freedom, 1922.
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Free Irish Classes
The classes are over zoom and are held at 12:00 eastern time the 1 st Sunday of every month.
It is basic conversational Irish and open to learners of all ages, especially beginners.
All are invited.
Hope to see you there!
slan go foill. Le dea ghui,
Anita
click here to register
Travel Quiz
Can you identify this site
and its location in Ireland
Send your guess to Tommy Mac at [email protected]

Answer in Next Week’s Newsletter
Last week’s answer

This photo is the Cumdach Gospel book cover of St. Molaise, in the National Museum of Ireland in Dublin
This week’s Irish Recipe
Recipes inspired by James Joyce’s Dublin for Bloomsday
Throughout “Ulysses,” food symbolizes sex, and its rituals are interwoven with culture, customs and values.

These Bloomsday Irish recipes will be perfect for your 2025 Bloomsday party and truly honor James Joyce and the Dublin that he knew.
Throughout Ulysses, Joyce shows how food is part of one’s daily life, future plans, and fantasies. It reflects social class and individual temperament and offers opportunities for interaction. It symbolizes sex, and its rituals are interwoven with culture, customs, and values.
During lunch, Bloom muses on the food choices of the “Crème de la crème,” contrasting them to the “hermit with a platter of pulse,” and concludes that food, like a dress, defines personality: “Know me come eat with me.” (Chapter Eight: Lestrygonians).
If your own peregrinations will not carry you to a site where Bloomsday is being celebrated, consider replicating Bloom’s lunch.
With a Gorgonzola cheese and mustard sandwich and a glass of Burgundy in hand, open a copy of Ulysses to the final chapter, Penelope, which Joyce devotes to the feminine regenerative principle of the universe.
In the final pages, Molly Bloom’s famous soliloquy, one long uninterrupted sentence describing her first amorous encounter with Bloom, ends with the word “Yes” – Joyce’s conclusive affirmation of life and the power of love.
Davy Byrne’s Pub’s Gorgonzola Sandwich
Davy Byrne’s Pub has been a Dublin landmark since its opening in 1889 and a landmark in world literature since Leopold Bloom stopped in for lunch on June 16, 1904. The Gorgonzola Sandwich is still on the menu.
“Mr. Bloom ate his stripes of sandwich, fresh, clean bread, with relish of disgust, pungent mustard, the fetid savor of green cheese. Sips of his wine soothed his palate … After all there’s a lot in that vegetarian fine flavor of things from the earth.”
(Ulysses, Chapter 8: Lestrygonians)

Ingredients
- Sliced soda bread
- A thick slab of Gorgonzola cheese
- Pungent mustard
- Sliced tomatoes
- Butter lettuce leaves
- Unsalted butter
- Fresh ground pepper
Method
Butter the bread, slather with mustard, layer with lettuce and tomato, add a thick slab of Gorgonzola cheese, and sprinkle with pepper.
Don’t skimp on the mustard. Bloom didn’t. “Mr. Bloom cut his sandwich into slender strips … He studded under each lifted strip yellow blobs.”
Liver Slices Fried with Crust Crumbs & Bacon
(The Joyce of Cooking, Alison Armstrong)
“Mr. Leopold Bloom ate with relish the inner organs of beasts and fowls. He liked thick giblet soup, nutty gizzards, a stuffed roast heart, liver slices fried with crumb crumbs, fried hen’s roes. Most of all, he liked grilled mutton kidneys, which gave his palate a fine tang of faintly scented urine.”
(Ulysses, Chapter Four: Calypso)
Ingredients
- 4 thin slices of calf liver
- 1 cup dry breadcrumbs seasoned with back pepper and paprika
- 4 slices smoked Irish bacon
- 2 medium onions, thinly sliced
- 1 tablespoon butter
- 1 cup beef broth
- 1 bay leaf
- 1 teaspoon cornstarch
Method
Dredge liver in seasoned breadcrumbs and set aside.
In a heavy skillet, brown bacon until limp but not crisp, then set aside on a warm plate. Gently cook the onion in the bacon fat until soft and set aside with the bacon.
Add butter to the skillet, increase the heat slightly, and sauté the liver on both sides. Reduce the heat, add beef broth, and a bay leaf. Cook slowly for 15 minutes.
When the liver is tender, set it aside with bacon and onions. Raise the heat to medium, sprinkle cornstarch into the pan juices, and stir until it has the consistency of gravy.
Pour “bogswamp brown trickles of gravy” over the liver slices, bacon, and onions.
Makes two servings.
* Originally published in May 2011. Updated in June 2026.
Poem of the Week

LOWER DRUMCONDRA
by Éilís Ní Dhuibhne
LOWER DRUMCONDRA
Griffith Park has beauty.
Willows, dandelions
And tumbling chestnuts
Choirs of children laughing.
In the bubbling river
a heron always stands
Watching, on a rock,
Like any artist.
These shining slopes
Are built upon a dump.
Once the Millmount hills
Were lumps of rubbish,
mouldy offal,Micky Mud.
How it must have stunk.
He spread his wings
And headed south
Through Dorset Street
and Eccles.
North Richmond which is blind.
And on and on
and on.
Sixteen moves
Before he reached the boat.
Not quite a house for every year.
But close.
When he was twelve
He lived on the riverside
He saw the heron,
legs delicate and long,
Enchanting midstream
In the land of tundish.
She stands in the river still
Sublime upon her rock
Listening to the best English
The ardent river song.
The Joyce’s house is gone.

About the poet
Éilís Ní Dhuibhne was born in Dublin in 1954 and is a graduate of UCD.
She lived for one year in Copenhagen, and otherwise has always lived in Dublin. She has two grown up sons and two grandchildren.
Eilis went to school to Scoil Bhríde, now in Ranelagh, and to Scoil Chaitríona, on Eccles Street. Then she studied at UCD, for almost ten years. She focused on literature and narrative studies, studying Pure English for the BA, doing an M Phil in Middle English and Old Irish, and finishing in 1982 with a Ph.D., dealing with the relationship of oral and written narrative. From 1978-9 she studied at the Folklore Institute in the University of Copenhagen as a research scholar, while researching her doctoral thesis.
Eilis worked in various jobs while she was studying – in Greene’s Bookshop, as a still room waitress on the Isle of Wight and on the Friesian Islands, in St James’s Hospital as a nurse’s assistant. For many years she worked as an assistant keeper, a librarian, in the National Library of Ireland. She has been lecturer in Creative Writing in UCD, and Writer Fellow at Trinity College. She was Burns Scholar at Boston College for Fall 2020.
She started writing short stories when she was a student and published her first story in the New Irish Writing Page in the Irish Press, in 1974 (the story was called ‘Green Fuse’), under the pseudonym Elizabeth Dean. For about ten years she wrote occasional short stories, many of which were published in the Irish Press. Her first collection of stories was published in 1988, Blood and Water, and since then she has written 25 books, including novels, collections of short stories, several books for children, plays and non-fiction works. She writes in both Irish and English. A list of the books is available on this website: see PUBLICATIONS on the menu on the left of the front page.
She has won several awards for her writing over the years. Among them are The Bisto Book of the Year Award, the Readers’ Association of Ireland Award, the Stewart Parker Award for Drama, the Butler Award for Prose from the Irish American Cultural Institute and several Oireachtas awards for novels and plays in Irish. The novel The Dancers Dancing was shortlisted for the Orange Prize for Fiction. In 2015 she was awarded the Irish PEN award for an outstanding contribution to Irish literature, and in 2016 she was given a Hennessy Hall of Fame award for lifetime achievement. Her stories are widely anthologized and translated. Her latest novel for young people, Aisling, was published in 2015; her Selected Stories were published in 2017 by Dalkey Archive Press, and a memoir, Twelve Thousand Days, in 2018. She recently published a collection of short stories, Little Red and Other Stories (Blackstaff Press 2020.
She was elected to Aosdána, the academy of Irish writers and artists, in 2004. She is a current ambassador for the Irish Writers’ Centre, and President of the Folklore of Ireland Society (An Cumann le Béaloideas Éireann).
Stories and Tales

Another special musical treat
The Sligo County Fleadh 2026, and here is a video from the concert with all-Ireland winners
Glor na dTon with Eiméar Mulvey dancing at the end
Your Tim Finnegan players also play these same tunes.
Why not join us for great music, food, drink, and a bit-o- craic every Sunday
Click below to view and click the speaker for sound
Céad Míle Fáilte, and welcome to this week’s Letter from Ireland.
We are at the end of a grand warm spell here in County Cork, the kind of week you’d nearly forget Ireland was meant to be a wet country. The windows are thrown wide and the blackbirds and starlings are full of chatter morning and evening. I’m sitting here with a cup of Barry’s tea, and I hope you’ll join me with a cup of whatever you fancy yourself as we start into today’s letter.
A Drop of Whiskey with Timmy O’Donoghue
If I’m honest with you, like many others, I’ve been feeling the weight of the world a bit this past while. The news has a way of arriving in the kitchen these days whether invited or not, and there are mornings I’d rather not open a newspaper at all.
I’ve been thinking about how to write about this without making it any heavier than it already is, and the answer came to me, as these things often do, in a sideways fashion. You see, a while back I asked our Green Room community a simple question. Who is the oldest Irish ancestor in your family tree?
The answers that came back have been a great pleasure to read. When I considered my own answer to the question, I gave it a fair bit of thought. Plenty of names came to mind, but the one who kept coming back to me was Carina’s grandfather, Timmy O’Donoghue.
Timmy was born in 1902 on a farm near the village of Banteer in north County Cork. He was the youngest of seven, and like so many Irish families of that time, saw the house slowly empty around him as brothers and sisters went to England and to America.
But Timmy stayed and worked that same land the whole of his life, marrying Julia and raising seven children of his own. He never learned to drive, preferring to ride a horse. He was never comfortable being away from his farm for any length of time, and saw no particular reason why he should be. He was hale and hearty to the end, and that end didn’t come until 2003 when he was a hundred and one.
Think for a moment about what passed over that one life. He was a boy during the First World War, fourteen at the time of the Easter Rising. He was a young man during the War of Independence, and in those years he carried messages for the local IRA, a runner along roads he knew even in the dark. He saw the Irish Civil War come the following year, setting neighbour against neighbour. He saw the making of the Irish Free State, and then the Republic. He saw a second world war from a neutral country, listening hard for news beside the kitchen wireless.
He saw more upheaval in his first fifty years than most of us will read about in a lifetime. And he lived to a hundred and one with, by my memory and every account in the family, a twinkle in his eye and the ability not to impose his troubles upon others.
So this week I did a thing we can only ever do in our imagination. I pulled a chair up to Timmy’s kitchen table, and imagined a conversation in which I asked him what he made of the state of the world.
Come Into Timmy’s Kitchen
Let’s go into Timmy’s kitchen. The fire’s down low, with him in the chair nearest it, and me told to sit where I’d be warm.
“You’ll have a drop,” he’d say. Not a question, a visitor being a grand excuse to bring out the bottle of whiskey. He poured a hefty measure and added some water. Then, once we were settled, I leaned in a bit, on account of his hearing not being what it was.
“Timmy, I came to talk to you because I’m in a small bit of a knot about the state of things. You saw the whole century turn over. Wars, and a country torn in two, and remade again. Were you not afraid the whole time of where it was all going?”
He took a while. Not because he didn’t know, but because he wasn’t a man to rush at an answer.
“I was mostly afraid of being late for the milking, that I remember well. The night I was sent over the road with a message for the men, I was more in dread of my mother finding my bed empty than of anything that might be on the road. Isn’t that a strange thing to carry sixty years?”
“But the bigger things, Timmy. The War of Independence and the Civil War after it. Were they not always with you?”
He went quiet at that, and I knew not to push.
“We didn’t talk about it much, after. There were men I knew on the two sides of it, and then it was over and we still had to live up the road from one another. So we let it lie. We were the better for letting it lie, I’d say.”
“And nothing of it stayed with you?”
“Plenty stayed, but it stayed in its own corner. I’d the animals to be tended and a wife above and seven children running in and out, and a man only has so much room in him. If I’d let it all in, there’d have been no room left for them.”
“It’s the news that has me, Timmy. There’s so much of it, all at once, from everywhere.”
“What’s the news?”
“The wars. The politics. The state of the climate. I’d hardly know where to begin.”
“Sure the world was always ending. There was always a man outside the church on a Sunday who’d tell you so. But trouble never comes in the door all in the one go, the way it does off that television.
“In my time, it came in a room at a time, if it came at all, and you dealt with the room you were standing in. The animals in the fields below never read the paper. They wanted the same things off me in 1921 as they did in 1971. There was a power of comfort in that, though I’d not have called it comfort at the time. I’d have called it work.”
“You make it sound easy.”
“I do not, boy. I’d say it was the work of a lifetime to keep the bigger things out long enough to be of use to the smaller ones. You’d not always manage it, but you’d try again the next day.”
“What kept you at the trying?”
“What was in front of me. The cows. Julia. The seven little ones. The hedge that needed trimming. If you tend to what’s in front of you long enough and well enough, you don’t have much spare for the rest of it. I’d not call that philosophy. I’d call it Tuesday.”
I laughed at that, and he let me.
“And if I’m honest with you, Timmy, the worry isn’t really for me. It’s for the young ones. The grandchildren.”
He nodded for a long time. The fire crackled.
“That’s a different thing. That one doesn’t go away on you, and I’d not insult you by saying it would. But here’s what I’d say to it. The young ones don’t need you to have the world figured out. They need you not to hand them the whole knot. They learn faster by looking at you than anything you’d ever tell them.”
“So I’m to put the knot down.”
“You’re to put it down for the bit you can. And then pick it up again later if you must, but somewhere they won’t have to carry it. That’s all anyone ever did. We were no braver than ye. We just let fewer troubles into the kitchen.”
He looked toward the window, the light was going.
“Drink that so I can pour you another one. You’re nursing it like a cup of tea.”
I have thought about this imagined hour a great deal this past week, and what strikes me is what Timmy would not have said. He would not have told me it was all going to be grand. He lived through too much to insult another with that. He would not have told me the world was safe, because he knew well it was not.
What he had instead was something more useful. He had the room he was in. He had the animals and fields that asked the same of him every year, regardless of whose flag was flying over the courthouse. His attention reached about as far as he could walk before his dinner, and it went down deep rather than wide. The enormous things passed over him in the way the weather passes over a hill, leaving the hill still there after.
So, here’s my question for this week:
When you feel challenged, when the news is too loud or the year has been too long, which of your Irish ancestors would you most like to sit with for perspective?
Not the most famous one. Not the one with the best documents. The one who, if you could pull a chair up to their fire, might steady you.
That’s it for this week.
Tóg go bog é. Go gentle on yourself, and on the news. The hill is still there.
Slán for now,
Mike.
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Mike & Carina
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Christy Brown and the remarkable life behind “My Left Foot”
The Irish writer and artist used only the toes of his left foot to create paintings, poetry, novels and a memoir that made him internationally known.

Christy Brown, the Dublin-born writer and painter best remembered for “My Left Foot”, built a singular body of work while living with cerebral palsy. Using the toes of his left foot, he wrote, painted, and communicated in a way that transformed him from a symbol of endurance into a major creative figure in his own right.
Irish artist and writer Christy Brown, who was born in Dublin on June 5, 1932, and died on September 7, 1981, is remembered by many as the character Daniel Day-Lewis played in the Oscar-winning film “My Left Foot.”
But Christy Brown, the writer and painter, deserves closer inspection than a film can allow. The complexities of his life, together with his struggle to be understood – and taken seriously – have only recently come to light, although they underpin everything he created.
Christy Brown was born with cerebral palsy. The condition was isolating, but it also informed his determination to become a singular chronicler of the human spirit. He produced hundreds of paintings in addition to writing over a thousand letters, a classic memoir, four novels, and four books of poetry – all with the toes of his left foot, the only limb he had muscular control over. So how did he manage to achieve all this?
How Christy Brown started creating art
Christy Brown was born on June 5, 1932, after a three-day labor in Dublin’s Rotunda Hospital. He was the twelfth of 22 children born to Bridget and Patrick Brown, of whom 13 survived. The Browns lived in a small terraced house.
Christy’s father was a bricklayer, and many of his sons followed him into that profession. When asked by a journalist if he ever wondered what his life would have been like without his “terrible handicap”, Christy laughed and said, “I know. I would have been a good bricklayer like my father.”
determined that Christy was a ‘mental defective’ who should be placed in an institution. Parts of his brain were damaged due to a lack of oxygen at birth, but although physically impaired, his mind functioned perfectly. Bridget insisted he would not be sent away. Her daughter Anne said later that Bridget “always knew there was something there; she saw that light in his eyes. And she brought out that brightness, that spark.”
At the age of five, Christy snatched a piece of chalk from his sister’s hand with his left foot and began writing with it. Christy never had any formal education, but with support from his mother, he gradually learned to write and communicate. Bridget also provided primary care for Christy whilst raising twelve other children and struggling to make ends meet. (When actress Brenda Fricker won an Oscar for playing Bridget Brown, she said, “Any woman who gives birth to twenty-two children deserves one of these.” Christy would have agreed. He dedicated the book on which the film is based to Bridget.)
As a child, Christy went on mischievous escapades with his brothers and sisters in his ‘chariot’, a go-kart called Henry. They gave him a cigarette, which he ate whole, and used Henry to hide stolen fruit when the police came by. A few years later, Christy learned to use a paintbrush between his toes.
Katriona Maguire (née Delahunt) was training to be a social worker at the Rotunda Hospital when she met Bridget, who was recuperating after the birth of her thirteenth child. Katriona was fascinated by Bridget’s stories of Christy and went to visit the boy who painted with his toes. Christy fell in love with Katriona. It was with her encouragement and financial assistance that he took his first trip abroad, to Lourdes, in 1948. Katriona would give support to Christy throughout his life; their letters to each other are a poignant record of a long and remarkable friendship.
How Christy Brown started to write
At the age of 18, Christy decided to write his life story. It took him four years to complete. After surrendering the use of his left foot, he had to rely on a scribe. His brothers and sisters reluctantly did the brunt of this work. Christy’s sister Ann recalls receiving a kick from his left foot whenever she misspelled a word.
After writing 400 pages of “The Reminiscences of a Mental Defective.” Christy asked Dr. Bob Collis for help, unaware that he was himself a published writer. After trawling through the long-winded manuscript, Collis discovered a sentence that he described as “a rose among a lot of weeds.” Collis agreed to assist but demanded that Christy first read someone more modern than Charles Dickens.
Collis and Katriona Maguire arranged for Christy to receive some basic education through the local church. He also started speech therapy with Dr. Patricia Sheehan, which improved his ability to communicate with people outside his family. Christy finally completed his memoir at the age of 22, but not before evicting his brother Francis from the study, tearing off his shoe and sock, and writing the whole thing with his left foot.
“My Left Foot” was published in 1954. Christy would soon become internationally recognized as a writer of great distinction, although he came to regret My Left Foot and the fact that he would be remembered by the world for the ‘miracle story’, rather than for more serious work.
In 1956, he decided to end his physiotherapy so he could spend more time writing, but he also turned to drinking – often in a pub in Kimmage with family and friends. He would increasingly come to rely on drink, both to write and to reconcile himself to the world.
Christy acknowledged that he would never have the same talent for art as he did for writing, but he painted throughout his life. He was one of the first members of Arnulf Stegmann’s Disabled Artists Association, which paid Christy a monthly sum in exchange for producing several paintings each year. He was frustrated by the time this took away from his writing, but he produced hundreds of paintings that portray his struggles, epiphanies, and feelings of isolation as keenly as his literature did, particularly as he grew older.
Bridget Brown died in September 1968. Distraught, Christy buried himself in work and completed his novel “Down All The Days” in 1969. The mother of the central character is heroic, but the novel explores disturbing themes of domestic abuse, poverty, alcoholism, and death – perceived through the watchful eyes of the unnamed central character, silent and crippled. Christy’s masterpiece is unstinting in its depiction of working-class Dublin life while making perceptive observations about the human spirit. Shocking, indeed ground-breaking, this remarkable novel was the subject of lavish praise in the literary world.
To promote the book, Christy appeared on the David Frost Show in New York in 1970. Asked what he would do now that he was a famous author, Christy gulped his drink and said he would buy a pub. Later in the interview, he advised viewers of the show simply to “love life.”
Women played a key role throughout Christy’s life. He dedicated his first collection of poetry, “Come Softly To My Wake” (1971), to his sister Ann, for “helping to keep the ship afloat.” His relationship with a married American called Beth Moore helped him maintain some stability whilst writing “Down All The Days”, and the book is dedicated to her, “who, with such gentle ferocity, finally whipped me into finishing this book.”
Beth wrote to Christy in 1954 after reading an excerpt of “My Left Foot” in Good Housekeeping, and their relationship developed when Christy first traveled to the United States in 1960. Beth, her husband, and Christy were together in Ireland and America several times, but the affair was strained by the distance and nature of the relationship. Christy severed all ties in 1972 before marrying Mary Carr, a decision that shocked many of those closest to him.
The Christy Brown ending of the film “My Left Foot” does not include
In the film “My Left Foot,” Mary is a nurse who agrees to go out with Christy, and their wedding date appears on screen before the end credits. The reality was rather more complex. Mary Carr allegedly had affairs with men and women, abused alcohol and prescription drugs, and seldom reciprocated Christy’s love because “she wasn’t that kind of person,” according to Christy’s brother Seán. His writing and painting suffered after a few years of marriage, and some critics have alleged that Mary’s failure to support his work led to Christy’s rapid decline.
Whatever the complexities of the relationship, it is certain that after his marriage to Mary, Christy succumbed to the isolation he had been fighting his whole life. She was often away in London, leaving Christy alone to complete his third book, “A Shadow On Summer” (1973), which told the story of his romance with Beth Moore. The couple moved to Kerry in 1975, and Christy rarely saw his family. His novel “Wild Grow The Lillies” (1976) was not well received, and although he continued to write poetry, he would never complete another novel or play. In the last few years of his life, Christy Brown led a troubled existence.
When he and Mary moved to England in 1980, Christy’s family believed he had gone missing. He became isolated, often sleeping alone downstairs. On September 7, 1981, Christy choked to death while eating dinner. He was 49 years old. Members of his family – particularly Ann, who had cared for him and knew how easily food could get stuck in his throat – blamed Mary’s drinking and neglect. Upon hearing of his death, the Irish writer Ulick O’Connor observed, “Christy’s roots were in Dublin, and he needed the oxygen of family life and his own people around him to enable him to breathe.”
Although the end of Christy Brown’s story was tragic, his work and indeed his life remain inspirational. In addition to producing ground-breaking literature, he was a testament to what humans are capable of in the face of adversity. However, it is important that he is remembered in his own right as a talented artist and writer.
Thankfully, there is no danger that Christy will be forgotten. He is celebrated in Ireland and around the world, remembered in songs by U2 and The Pogues, and immortalized in the Oscar-winning film “My Left Foot.”
* This article was originally published in November 2015 to coincide with an exhibition entitled “Dear Christy” created by The Little Museum of Dublin. Updated in June 2026.
The mysterious history of the song “She Moved Through the Fair”
The haunting Irish folk song was famously sung by Sinéad O’Connor in the Micheal Collins movie, but no one is entirely sure who wrote the lyrics.

The haunting Irish song is shrouded in mystery because no one is entirely certain who is behind the moving lyrics.
“She Moved Through the Fair” is a traditional Irish folk song, and its lyrics were first published in Hughes’ Irish Country Song in 1909.
In the song, a man sees his lover move away from him through a field after she tells him that, since her family will approve, “it will not be long, love, till our wedding day.” She returns as a ghost at night; her death is unexplained, but she repeats the words “it will not be long, love, till our wedding day”, leading us to believe the couple will be reunited in the afterlife.
Mysterious History
In a letter published in The Irish Times in 1970, Longford poet Padraic Colum stated that he was the author of the song (except for the final verse). Colum claimed that he and the Irish composer Herbert Hughes collected the tune in County Donegal and wrote verses to fit the music.
However, another music composer, Proinsias Ó Conluain, wrote to The Irish Times that he had recorded a song called “She Went Through the Fair”, sung by an old man who told him that “the song was a very old one” and that he had learned it as a young man from a basket-weaver in Glenavy.
Since 1970, there have been many variations and recordings of the song, including Sinéad O’Connor‘s version, which was used on the soundtrack of the film Michael Collins.
She Moved Through the Fair Lyrics
My love said to me
My mother won’t mind
And me Father won’t slight you
For your lack of kind
Then she stepped away from me
And this she did say
It will not be long love
Till our wedding day.
She stepped away from me
And she moved through the Fair
And fondly I watched her
Move here and move there
And she went her way homeward
With one star awake
As the swans in the evening
More over the lake.
The people were saying
No two e’er were wed
But one has a sorrow
That never was said
And she smiled as she passed me
With her goods and her gear
and that was the last
that I saw of my dear.
I dreamed it last night
That my true love came in
So softly she entered
Her feet made no din
She came close beside me
And this she did say
It will not be long love
Till our wedding day.


Ireland’s “forgotten” hunger striker, Joe Murphy,
honored 106 years on in US
More than a century after his death on hunger strike during Ireland’s War of Independence, the Cork republican has been honored in his Massachusetts birthplace of Lynn.

The Cork republican, born in Massachusetts in 1895, has been remembered in his birthplace, over a century after his death. A commemorative tree has been planted by Cork’s Lord Mayor, Fergal Dennehy, beside Lynn City Hall, in Massachusetts, marking an effort to restore his place in the history of Ireland’s independence struggle.
Joe Murphy was born Joseph Patrick Murphy in Lynn, Massachusetts, on May 10, 1895, to Irish parents Timothy Murphy and Nora O’Brien. The family returned to Cork when he was a young child and settled in Pouladuff, where he attended Togher National School, played with St. Finbarr’s, worked for Cork Corporation, and helped with the family market garden.
As a young man, Murphy became active in the Irish republican movement. He joined the Irish Volunteers in 1917 and served with H Company, 2nd Battalion, Cork No. 1 Brigade, taking part in the conflict that followed the rise of Sinn Féin and the War of Independence in Cork. He was arrested in July 1920 on a charge of possessing a bomb and was jailed in Cork Gaol.
Overshadowed death
Like other republican prisoners of the period, Murphy joined the mass hunger strike after the British authorities removed political status from republican prisoners. He stayed on hunger strike for 76 days and died in Cork Gaol on October 25, 1920, aged 25.
The same day as Terence MacSwiney’s death in Brixton Prison. Murphy’s death was long overshadowed, even though he was one of 22 Irish Republicans to die on hunger strike in the 20th century.
“Forgotten local hero”
At this week’s ceremony in Lynn, Cork Lord Mayor Fergal Dennehy said, “It was a poignant and deeply meaningful moment,” while later adding that it was “a huge honor” to see Murphy recognized in the city of his birth.
In earlier recognition at home, Cork Lord Mayor Mick Finn described him as “almost a forgotten local hero,” and Murphy’s grand-niece Shirley Kelleher said he was “an ordinary man who made an extraordinary sacrifice.”
Murphy’s sacrifice has been marked repeatedly in Cork over the years, including the naming of Joe Murphy House, the unveiling of a memorial plaque in Pouladuff, and the posthumous award of a Service Medal in 2019.
The Lynn tree now adds a transatlantic tribute to a man whose life began in Massachusetts, was shaped in Cork, and ended in the struggle for Irish freedom.
The Irish “mudcrawlers” who fled to Wales during the Great Hunger
The tragic story of the Irish “mud crawlers” who fled to Wales during the Famine.

The tragic story of the Irish “mud crawlers” who fled to Wales during the Famine.
During the 1840s a great number of Irish, fleeing the Famine, began arriving in the town of Newport, in southeast Wales, in the United Kingdom.
A growing trade route existed across the Irish Sea, between Newport, which exported coal, and Cork, which would often export potatoes to Wales. However, by the 1840s, a large number of desperate Irish began making their way over to Newport on the cargo ships.
At the time, the Monmouthshire Merlin newspaper commented on “the alarming and lamentable appearance of the streets of Newport, crowded with many hundreds of famishing Irish.”
According to local historian Terry Underwood, author of the book “Foul Deeds and Suspicious Deaths in Newport,” some Irish families thought that, for around £3 a head, they’d be starting new lives in America, but they instead they ended up in Newport.
Newport authorities were dismayed ay the number of Irish coming into the port and employed watchmen to stop any unwanted immigrants coming into the town. The watchmen were told to tell the Irish to get back on the ships and return to Cork.
However, some of the captains of the ship decided they would take the impoverished Irish as far as the mouth of the river, near St. Brides.
Here the Irish families would jump overboard, crawling through the thick muddy banks to the shore, rather than return to a life of starvation in Ireland. The frequent sight of the mud-covered Irish earned them the nickname of “mud crawlers” among the locals.
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Sadly, many of the Irish, including children, were too weak from hunger to make it through the mud and a number of them didn’t make it to the shore.
According to Underwood, bodies of both adults and children, thought to have been Irish who didn’t make it to land, have been found in the foundations of buildings that were built along the river.
“These are the remains of our Irish cousins who drowned in the mud, unable to take refuge amongst us without endangering their lives,” he wrote.
* Originally published in 2020, updated in Sept 2024.
Inspiring emigrant letters home to Ireland
from America in the Famine era
Sense of loss of family acute in the letters of Irish emigrants, but there was hope, too, in the New World.

Almost all who left Ireland during the 19th century never saw their homeland again. Letters home are the only way we can experience what they went through.
Kerby Miller featured many such letters in his groundbreaking “Emigrants and Exiles.”
Cathy Greene. Brooklyn, New York. To her mother in Ballylarkin, County Kilkenny. August 1st, 1884
My dear Mamma,
What on earth is the matter with ye all, that none of you would think of writing to me? The fact is I am heart-sick, fretting. I cannot sleep the night and if I chance to sleep I wake with the most frightful dreams.
To think it’s now going and gone into the third month since ye wrote me. I feel as if I’m dead to the world. I’ve left the place I was employed. They failed in business. I was out of place all summer and the devil knows how long. This is a world of troubles.
I would battle with the world and would never feel dissatisfied if I would hear often from ye. And know candidly things are going on but what to think of how ye are forgetting me. I know if I don’t hear from ye prior to the arrival of this letter at Ballylarkin I will be almost dead…
I sometimes think you would come here and that health would fail and like almost all the Irish, drop off one by one. There is no place like home if one could at all live there but if not don’t hesitate about coming here.
I trust ye are well and that my frightful dreams won’t be realized.
Cathy

Mary McLean Walsh. Describing the emigration of her family from County Leitrim to Canada in the summer of 1832. Written or dictated to her daughter, Sarah Kirwan in Ottawa.
On the tenth of May, 1832, my parents with their eight children sailed from Ireland to America; and, although the other passengers fared very well, and notwithstanding I was a perfectly healthy Irish girl of sixteen, during the whole voyage of one month, I was ill….We were much relieved to be landed in Quebec but imagine our feelings at finding ourselves in a plague-stricken city; where men, women and children, smitten by cholera, dropped in the streets to die in agony, where business was paralyzed, and naught prevailed but sorrow mingled with dread and gloom.
…people passed us, each holding, between their teeth, a piece of a stick, or cane about the length of a hand, and as thick as the stem of a clay tobacco pipe, on the end of which was stuck a piece of smoking tar. We learned this was used as a preventative.
My father, seeing my weakness, engaged rooms nearby… the following morning I was advised to dress, and walk slowly on the wharf, which I did; and was passing a heap of coal there when, suddenly, blinded and speechless, but conscious, I fell against it. The captain of our ship who was standing near talking to another gentleman, ran forward and raising my head told his friend to bring from the ship, as quickly as possible, a tumblerful of brandy with a teaspoon of red pepper stirred through it…
I was now in a veritable house of torture, where the most appalling shrieks, groans, prayers and curses filled the air continually.
As if in answer to this, day and night, from the sheds outside came the tap, tap, tap of the workmens’ hammers, as they drove the nails into the rough coffins, which could not be put together hastily enough for the many whose shrieks subsided into moans which gradually died away into silence not to be broken.
Whose poor bodies were then carried to the dead-house in the hospital yard, confined, piled on the dead cart and hurried off to what was called the cholera burying ground; where, so great was the mortality at the time, corpses were buried five and six deep with layers of lime between, in one grave.
All the medical men’s efforts to save were futile, until I fell into their hands. And as I slowly, but surely, recovered such interest was centered on my case that four doctors, at a time would stand bending over me, noting anxiously, each symptom of returning health. In spite of their watchfulness, however, I twice managed to disobey orders.
On a long table in the ward in crocks each with a little dipper beside it stood the drinks allowed us – brandy and water, lemon juice and water without sugar and very thin gruel without salt, but none of these satisfied me, for my bed was near the window, through which could be seen a well and this set me dreaming often with tear-filled eyes of mother’s well far away, over whose low brim some big old country roses drooped, seeming to impart their fragrance to the limpid deliciousness beneath. And I craved incessantly for one drink of clear cold water.
So, one day when my mother who regardless of all danger to herself, had braved the horrors of the hospital, to help nurse her four children – three sick of cholera, and one of small-pox, which also was raging in 1832 – had gone away for a much needed rest, I coaxed the nurse to gratify my longing…
Finally my pleadings touched her so that she brought me a small cup of water, which I drank greedily. It had no bad effect whatever and the doctors in spite of all their watchfulness detected nothing unusual.
A little later, enlisting the sympathies of the nurse, who had helped in my former venture in what I persuaded her was a good cause she bound me to secrecy and smuggled in a cupful of warm broth, which I swallowed and in a few hours was once more on the verge of the grave.
As mine was the case on which the doctors’ hopes hung, this relapse caused them much distress: the head physician declaring, angrily that some one had tampered with me; but ill as I was all efforts to make me divulge were useless: and the nurse a big, jolly Irishwoman, declared when we were alone that I was a ‘little brick’ and that she was proud of her countrywomen.
My disobedience very nearly cost me my life, but a good constitution triumphed and six weeks from the time of entering the hospital I was sent to the recovery sheds adjoining where sad to say, some, who were cured of cholera contracted small-pox and returned to the hospital and died.
While in the recovery sheds we were allowed daily, the juice of six lemons and a handful of peppermints. My father brought me a fresh supply of both each morning and at the end of a week was told he might take me away.
As I walked for the last time in the hospital yard, I saw, burning there, cholera-tainted rich velvet and silk gowns, costly bonnets and shawls, children’s clothing the rags of the poor, gorgeous uniforms, boots with spurs attached and all else which formed a pile almost as high as an ordinary house.
As I watched the flames creep upward, I realized that, before me was indeed a shocking proof of the ravages of the plague. And breathing a prayer for the souls of the dead, who had once worn those garments, I took my father’s arm and set out, all sadness giving way to the joyful anticipation of a family reunion, not knowing that my own sisters’ and brothers’ clothes were in that burning pile I had left behind, until I met my Mother, dressed in deep mourning, her pretty face sad and care-worn when she told me I was the only one of her four sick children who had survived.

Robert Smith in Philadelphia to his parents in Moycraig, County Antrim. August 14, 1844.
..I now hold a respectable situation in this city as a custom house officer….I have the honor of being appointed through my own merit. We have in the Custom House 200 officers and there are only three Irishmen in that office and I am one of those.
I owe to that the stand that I have taken the political field. I am a Democrat out and out and take the platform for the cause against monarchy and aristocracy. I am for free Republican government.
…our city has been nothing but the scene of bloodshed. The origin of this awful scene was respecting a party of native American citizens forming themselves into a body to deprive all foreigners of their rights and privileges guaranteed to them by the constitution.
And they pitched their spite upon the Irish Roman Catholics and at one of their meetings the Irish rose against them and there was a great number shot on both sides. There were a great many Roman Catholic churches and nunneries burned in the city and as many as fifty killed in one riot. There were 20 cannons discharged in one night by the military.
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The following is a letter from Ireland. Michael and Mary Rush from Ardnaglass, County Sligo write to their father, Thomas Barrett, in Carillon, Ontario. September 6th, 1846.
Dear Father and Mother,
Pen cannot dictate the poverty of this country at present, the potato crop is quite done away all over Ireland and we are told prevailing all over Europe. There is nothing expected here, only an immediate famine…
Now, my dear parents, pity our hard case, and do not leave us on the number of the starving poor, and if it be your wish to keep us until we earn any labor you wish to put us to we will feel happy in doing so.
If you knew what danger we and our fellow countrymen are suffering, if you were ever so much distressed, you would take us out of this poverty Isle. We can only say the curse of God fell down on Ireland in taking away the potatoes, they being the only support of the people. Not like countries that have a supply of wheat and other grain.
So, dear father and mother, if you don’t endeavor to take us out of it, it will be the first news you will hear by some friend of me and my little family to be lost by hunger, and there are thousands dread they will share the same fate…
So I conclude with my blessings to you both and remain your affectionate son and daughter.
Michael and Mary Rush
P.S. For God’s sake take us out of poverty and don’t let us die with the hunger.

A family fleeing home during the Great Hunger.
Thomas Reilly, Albany, New York, to John M. Kelly, Dublin. April 24th, 1848
Dear John,
I am going to renew our correspondence and ungenerous should I be if I failed, in doing so, to express the deep regret I feel at being separated from you. Perhaps, this is the only way in which I shall ever again converse with you, perhaps it is, alas. This moment how my heart sinks, and tears start into my eyes.
I am a slave in the land of liberty…. Nothing save death could lull the storm which is raging in my mind. When I took out your prayer book in the chapel today, I thought my heart would break, not because it is weak, but, friendless, deserted and lonely….
There are Irish Volunteers preparing in America to invade Ireland in case of an emergency. My name is enrolled on the list and we are drilling ourselves for the occasion. Perhaps, I will return to Ireland with green flag flying above me. I care not if it becomes my shroud. I have no regard for life while I am in exile.
We expect to muster 50,000 men in a short time, God send them soon. If that force were shown on the southern coast of Ireland, we would quickly march to the city of Dublin and set it ablaze.
25th day. I ceased writing on Sunday evening to learn the light exercise and the several military squares. The mod by which we will be sent to Ireland is to go to France first. This is a project which I think will be hardly carried out, tho there are plenty of volunteers proposing themselves.
Since I began this letter there were one hundred houses burned in this city.
I will now give way to some of my adventures. I left Dublin on the 19th Feb. I arrived in Liverpool on the 20th, took out my passage tickets the same day, did not sail for America until 1st March….
Well I set sail and our ship, the ‘Patrick Henry,’ was resolved to bring us to the South Sea Islands instead of to New York. We had the two first days very fair and rounded the Irish coast like a sea gull, the wind followed in our wake for three days on the Atlantic.
The forth day the Monsters of the deep showed their heads, the Captain said we would have a storm, and truly Boreas spent his rage on us that night. We were tumbled out of our berths, the hold was two feet full of water, a leak was gaining an inch a minute on us, our topsails were carried away, the most of male passengers were all night reliving each other at the pump and in the morning I left my hammock at seven o’clock to look at the terrible sea. …
How will I describe a gale on the Atlantic as follows…. At five o’clock p.m. all hands were tuned up close reef sail, not a stitch of canvass to be seen spread, six o’clock wind right ahead, the vessel lying to a rolling from side to side like a heavy log as she was, the passengers quaking with fear.
Ten o’clock, the scene below no light, the hatches nailed down, some praying, some crying some cursing and singing, the wife jawing the husband for bringing her into such danger, everything topsy turvy, – bar- rels, boxes, cans, berths, children rolling about with the swaying vessel, now and again might be heard the groan of a dying creature, and continually the deep moaning of the tempest.
The scene above, bare poles, thunder and lightning, the ship almost capsized, lying on her beam, sheets of water drenching her decks, the sea swelling far above her masts, engulfing her around, and huge billows striking her bows and sides with the force and noise of a thousand sledge hammers upon so many anvils.
The ship receding with every wave, sometimes standing perpendicularly on her stern and shaking like a palsied man and then plunging decks and masts under water and raising to renew the same process. She would screech with every stroke of the waves, every bolt in her quaked, every timber writhed, the smallest nail had a cry of its own.
One o’clock in the morning, not a soul on the deck, standing upright, oh mercy one of our masts has gone over the side, bulwarks stoved in, 30 tons of water washing the decks from stem to stern. The Captain is panic struck. Tom Reilly is waiting on the quarter deck to get into the life boat.
The captain speaks, carpenters cut away the broken spars, look out for the next spar, here it comes, The Mizen top is carried away. The ship lurched on her side and lay in a state of distress until day light.
We had 15 storms one greater than another.
26th day. Dear John,
I forgot to tell you, my ship was foundered on a sandbank within two days sail of New York. She ploughed thro six feet of sand. The vessels going to New York generally cross the banks of Newfoundland which are northerly but I kept southerly and therefore passed thro the stream of the Gulf of Florida.
Curious sights are to be seen in the gulf, the phosphoric lights, sparkling like diamonds, the varied colors of the firmament, occasionally a shark, moving majestically thro the water and other different things too numerous to mention.
We had severe weather in the gulf, yet we were fortunate. An unfortunate vessel from New Orleans bound for Liverpool was struck by lightning. She was laden with cotton, it took fire. Oh that was an awful sight. Our ship was far in the distance but the Margaret of Newry saved the crew of the burning craft, a great deal of property consumed.
She burned down to her coppers and resembled a pillar of fire all night. Was not that a poor sight on the wide sea. It shocks me even now. Several other affairs happened but how can I relate them here, with a heart bowed down by weight of care. After a voyage of five weeks we landed in New York….
I would advise no one I have regard for to emigrate unless the persons interested to come have friends before them, who will receive them and snatch them from all the evils of Society. You would hardly believe were I to tell you, all the trials, cheats plots and chicanery of every kind which I had to overcome.
If a man has seven senses, it would take 500 senses largely developed to counteract the sharpers of Liverpool and New York. It would be worth the teaching for a man to come here. The women, (I mean the Irish) are great slaves in this country. Oh the profligacy of some are awful.
I was in the worst company human nature could produce since I left Dublin – robbers, swindlers, pirates, smugglers and swearers and the worst of the lot was an Irishman, but his conduct does not impurely reflect on his countrymen. If it did, what was to become of me?
I found a generous black the other day and I roaming in a wood. He brought me into his boolie (bualtin, Gaelic for little house,) and although I shared his hospitality the smell of him gave me a headache. I had a rifle with me. He fired several shots and did not once miss his aim. I left him alone in his glory and came home.
I wrote to my mother. If she bids me to go home I will go. If not I will wander along the pleasant valleys of the Mississippi, pay a visit to New Orleans, the battlefield of General Jackson, and if I live, return to the land of my birth next spring.
Write and answer quickly – tell me the whole status of affairs and one request I ask of you is to show this letter to my mother….
I have no intention to stop in Albany. The Irish volunteers expect to go to Canada to raise the standard of revolution. If they do I will go along with them…
I now send my devoted aspirations to Mrs. Kelly. My running away without seeing her, whom I prized more than tongue could tell, has caused me many a gloomy hour since we partied. She forgives me. I was not aware my departure would be so sudden.
At all events I did not wish to see her on the night of the 19th as my nerves were braced and tho’ the tumult within was intense had I gone to her house my iron heart would melt. It was enough for me to see you on the beach, all lonely…
I am going to the mountains, my native element, this afternoon. Send me the United Irishman, or the Nation.
So farewell, the dearest companion of my last years. I sigh to close our long divided conversation. I shall think of you in my hours of melancholy.
Thomas O’Reilly
Peter Connolly in Fort Smith, Arkansas to his father Thomas Connolly in Carrickmacross, County Monaghan. May 11th, 1848
My Dear Parents and Brothers,
…I got such a shock by the news contained in your letters that it weighs heavy on my mind ‘till this minute.
It would not be so much so if I had been able to send help to my suffering friends and to a moral certainty it would have been on the road before now only for a loss I sustained about the middle of April last, which was $100 worth of wood which I had on the bank of the Arkansas river to sell to the steam boats but unfortunately the river overflowed its banks in April and took from me the labor of six months at least.
My most sanguine hopes of making a little money and assisting my distressed parents and brothers being thus cruelly frustrated I got on a steam boat as soon as I could with my family and left the place where I experienced so much mortification.
I saved as much of the wood as paid for my passage up the river to Fort Smith and I am now living in an Irishman’s house. He has no family and is well off as to living. He makes us welcome to make it our home ‘till we make a home for ourselves which I hope in God will be in the latter end of next fall.
I can get 3 shillings a day British currency for my labor, without diet and everything I need to live on is so cheap that it costs but very little to support a man and his family here.
Indian corn 1 shilling per bushel; bacon two and a half pence per pound; flour one penny per pound; Irish potatoes one shilling per bushel; a good cow and her calf for 20 shillings to eight shillings; I might say pigs for nothing. Recollect that this is the price in this town – a town very little less than Carrickmacross in size…
I address myself to my friends. I would say to them come here one and all and don’t hesitate one moment about coming, but how mortifying is the idea that my friends must be debarred from the privileges of such a country as this merely for the want of funds.
50 shillings a head being the fare to New Orleans. Is it, or can it be possible, that the times are so bad that this sum cannot be realized by any person that wanted to come to America? But I believe that there are a great many people in Ireland so trifling as not to come here even if they could.
* Originally published in 2015, updated in June 2026.
News From Ireland
O’Sullivans in West Cork break Guinness World Record
with huge clan gathering
The June Bank Holiday reunion in Castletownbere drew O’Sullivans from around the world and set a new Guinness World Record for the largest gathering of people sharing the same surname.

More than 1,800 O’Sullivans and Sullivans gathered in Castletownbere over the June Bank Holiday weekend, turning a long-planned clan reunion into a new Guinness World Records title. The West Cork crowd surpassed the previous mark of 1,488, set by the Gallaghers in Letterkenny, Co Donegal, in 2007.
The long-awaited event brought the O’Sullivan name back to the Beara Peninsula, which organizers describe as the ancestral home of the O’Sullivan Beare clan. What began as a world record attempt became a wider celebration of family, history, and place.
Before the final count, participants were asked to prove their connection to the surname with identification at Beara Community School and were then issued numbered cards for the tally. Guinness officials later confirmed a final total of 1,848 after more than 3,000 people had registered, with poor weather keeping some away.
Guinness World Records adjudicator Pravel Patel broke the great news from a podium on the pitch, declaring: “The current record stands at 1,488 so with a total of 1,848, you are the Guinness record title holders for the largest gathering of people with the same surname. Congratulations, you are all officially amazing.”
Organizer Jim O’Sullivan said, “It was an achievement to get people down here from all over Ireland because we are peripheral, but got people from the UK, Australia, New Zealand, and America too, so we’re very happy.
“We made it – I don’t know how long we’ll hang on to the record – we’ll get a week out of it anyway I suppose,” he told the Irish Times.
“Somebody else might take it on next year so we might have to come back and do it all again next year but we’ll enjoy the record for the moment, for sure.”
Fianna Fáil’s for Cork South West Christopher O’Sullivan expressed his pride at breaking the world record. He told the Irish Independent, “Very proud to be an O’Sullivan. Thank you to all the Ó’Shuileabháns, Ní Shúileabháns, Sullivans and O’Sullivans who made the world record possible. Huge gratitude also to the organizers. The O’Sullivan motto is ‘we stick together’. In Castletownbere it really felt like being part of one big family.”
Independent councillor Finbarr Harrington spoke about the O’Sullivans/Sullivans rich history in the Beara Peninsula.
He said “Their story is one of resilience, leadership, and a strong connection to a place, with the legacy of the O’Sullivan/Sullivan clan continuing to inspire pride both at home and across the world.”
“Breaking a world record that had been held by the Gallaghers since 2007 is an extraordinary accomplishment. It was a memorable day that will be remembered for many years to come. The gathering is a fitting tribute to the strength of family ties, the importance of heritage, and the lasting bond that unites O’Sullivans and Sullivans wherever they may live,” he added.
The weekend had been billed as more than a record bid, with lectures, guided tours, music, Irish dance, pub gatherings, and a time capsule ceremony all part of the program. IrishCentral reported ahead of the event that celebrations would also include family-friendly activities across the peninsula, and official tourism listings described the gathering as a homecoming for the clan.
Boxer dies swimming for his life across Liffey to escape knife attackers
A talented boxer who died after trying to escape a knife attack by swimming across part of the River Liffey in Dublin has been named as Thomas Griffin.

Mr Griffin, who was in his 30s, was attacked at the War Memorial Gardens at Islandbridge by a group of men at around 10.20pm on Saturday.
It is understood he suffered two blade injuries, including one to his face, before he tried to escape his attackers.
Mr Griffin managed to make his way to safety by crossing to the Chapelizod Road end of the river, close to the Garda Boat Club, where emergency services tended to him.
He was then rushed to the hospital, but died from his injuries a day later. Gardaí are now awaiting the results of a post-mortem examination of Mr Griffin’s body to help them with their inquiries.
Tributes have been paid to the deceased, who was from Ballyfermot in Dublin.
Daithí Doolin, Sinn Féin councillor for the Ballyfermot area, urged anyone with any information about Mr Griffin’s death to come forward to help his family get answers over what happened that night.
He said: “I want to send deepest sympathy to the family and friends of Thomas Griffin. His death was tragic, made worse by the questions that surround his untimely death.
“I would appeal to anyone who saw or heard anything on Saturday night, in or around Memorial Gardens, to please contact the Gardaí. It is hugely important that the family find out what happened to Thomas. His family and friends deserve to know what happened to their loved one.”

Professional boxer Luke Keeler also shared his heartfelt sympathies to the Griffin family after the loss of their loved one.
He wrote online: “RIP to old friend Thomas Griffin, one of the very best fighters to come out of St. Matthews Boxing Club and Ballyfermot. Thoughts with his family.”
Another mourner added: “One of the best. You will be missed more than ever.” Compounding the agony for the family, Mr Griffin lost his brother in a similar incident that occurred 12 years ago.
In 2014, James Griffin, who was 26 at the time, was stabbed to death during a club event at the Celtic Gladiators Private Members Club in Ballyfermot.
During this incident, James Griffin was stabbed up to ten times in the neck and around the body. His attackers fled in a taxi, and his murder remains unsolved.
In a chilling echo of his brother’s death, Thomas Griffin’s killers are also understood to have left the Islandbridge area in a taxi, as gardaí attempted to hunt them down.
Security sources said that they believed the latest death in the capital was down to a disagreement between Thomas Griffin and people who were known to him.
Gardaí are now gathering CCTV from the area in order to identify the taxi that picked up the men who fled the area. They are also attempting to establish who was in the area at that time and why a group had assembled at the War Memorial Gardens in the first place.
A source said: “Mr Griffin was attacked by at least three other people, so far as gardaí know so far. He obviously felt so scared for his life that he jumped into the river and swam for his life.
“He made it to the other side and by that time the emergency services had been notified. They went to his assistance but, unfortunately, he passed away less than 24 hours later.”
They added: “Gardaí are looking at this investigation as part of a local disagreement between Mr Griffin and others at the park. This does not have any hallmarks of a random attack.
“He was known to gardaí and had several convictions, most notably for bringing gardaí on a high-speed chase while intoxicated and was jailed for over two years. This was back in 2021.
“He had 46 previous convictions, including for assault causing harm, road traffic and public order offenses.”
In a statement, a Garda spokesman said: “Gardaí in Ballyfermot are investigating all the circumstances surrounding a number of incidents at the War Memorial Gardens in Islandbridge, and on the Chapelizod Road in Dublin on the evening of Saturday, May 30, 2026.
“Gardaí and emergency services attended following reports that a male had swam across the River Liffey to lands adjacent to Chapelizod Road, following an alleged incident of assault in the vicinity of the War Memorial Gardens at approximately 10.20pm.
“The male, aged in his 30s, was treated at the scene by personnel from the Dublin Fire Brigade before being removed by ambulance to St James’ Hospital, where he subsequently passed away on Sunday, May 31, 2026.
“A post-mortem examination will be carried out. The investigation is being carried out under a senior investigating officer.
“Gardaí are appealing for any witnesses or anyone with information in relation to this incident to come forward.”
Wolfe Tones star Brian Warfield
sells home in a bid to fund “passion project”
The Wolfe Tones singer Brian Warfield has revealed he was forced to sell his holiday home in a bid to finance his new musical.

“Celtic Exodus, The Musical” is the singer’s passion project that he has been working on for ten years.
The show is set to run for four weeks in the historical Round Room at the Mansion House in Dublin for four weeks from July 22 until August 20.
Brian said: “I was determined that it was going to come to fruition, because I have a passion to tell the story of Ireland, as we have done with The Wolfe Tones.
“I’ve written like 250 songs for The Wolfe Tones over the years with original music.
“I wrote a CD-ROM about the Irish famine, pre-famine, what went on, what Ireland was like, what we lost during the famine, which is important, and then a day-by-day account of what was happening in our enduring, like people fighting for legislation and all that kind of thing.”
“Celtic Exodus The Musical” tells the story of two star-crossed lovers in 1840s Ireland who must battle famine, hostile landlords, and a bitter family feud before joining the massive wave of emigrants fleeing to the New World.
Often described as the Irish equivalent of “Les Misérables”, the production combines a gripping story of resilience with traditional dance, cinematic staging, and a soundtrack adapted from The Wolfe Tones’ beloved catalog.
Through a pal, Brian was introduced to ShinAwiL boss, Larry Bass, who told him he needed to have a “heap of money” to put it on stage.
“Well, I’d say by the end of this run, I’ll have to put in about €500,000. I sold a holiday house in Wexford two years ago.”
He said that while The Wolfe Tones are not ‘exactly broke’, they paid “52 percent to the taxman.”
Brian said he got around €300,000 for the holiday home, and the rest of the money is from his own finances.
“I’ve been putting money in day by day. I have to have to pay the guys, you know, music etc.”
* This article was originally published on Extra.ie.
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