Tír na mBláth
Irish Seisiún Newsletter
Thanks to our past editors - Mary Gallacher and Bill Padden Editor Tommy Mac Today's date and new proverb Wednesday, May 13, 2026

 

Lá na Máithreacha Sona Daoibh

Happy Mother’s Day

This Week’s Session 2

No session this week due to Mother’s Day

“Lá na Máithreacha Sona duit”

(pronounced: Law na Maw-her-aka Sun-a ditch),

which means “Happy Mother’s Day to you”.

See you all next week

 

But for Mother’s Day, listen to this…

Click here

Special Treat

Come By the Hills

Click below to watch and click the speaker for sound

Find out what’s happening at Tim Finnegan’s this month.

 

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Click here to view calendar

Click either event below to view

Finnegan’s supports us…Let’s support them!


Click either link to visit the site


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“That’s How I Spell Ireland”

Saturdays at 7 to 8 PM EST.

You can listen on 88.7FM or WRHU.org.

For a request please text me on 917 699-4768.Kevin and Joan Westley

Note: Show will be preempted whenever the NY Islanders have a Saturday game

Old Ireland

A hard but happy life

in Donegal

As told by a British BBC reporter

Click below to watch and click the speaker for sound

Recent Mail

Travel in Ireland

Click below to watch and click the speaker for sound after video starts

Irish Language

Tír gan Teanga, Tír gan Anam:
A land without a language is a land without a soul.

Submitted by our own

Anita

Dia duit aris Tom.
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Happy Mother’s Day (La na maithreacha sona daoibh)
(Law nah mah-racha sunna jeeve)
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To wish someone a Happy Mother’s Day, you say “Lá na Máithreacha Sona Duit”. “Lá na Máithreacha” means “Day of the Mothers”. “Sona” means “happy”, and “duit” signifies “to you”.

If you want to wish Happy Mother’s Day to a group of people, you need only say “Lá na Máithreacha Sona Daoibh”.

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Watch the video to practice your pronunciation of the phrase “Lá na Máithreacha Sona Duit”.

Eist leis an video ghearr seo chun an fuaimniu a fhoglaim
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Cupla focail ag baint leis an clann:
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Athair  (a-hir)  father
Mathair (maw-hir(  mother
Mac  (mack)  son
Inion  (ineen)  daughter
Tuismitheoiri  (tish-mi-hore-ee)  parents
Dearthair  (jer-har)  brother
Deirfiur  (jer-foor)   sister
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Biodh seachtain alainn agaibh go leir.
Slan go foill.
Anita
What is your favorite seanfhocal?
Let me know, and I’ll write about it next week!

[email protected]

Free Irish Classes

The classes are over zoom and are held at 12:00 eastern time the 1 st Sunday of every month.

It is basic conversational Irish and open to learners of all ages, especially beginners.

All are invited.

Hope to see you there!

slan go foill. Le dea ghui,

Anita

click here to register

Travel Quiz

Can you identify this site 

and its location in Ireland

Send your guess to Tommy Mac at [email protected]

Answer in Next Week’s Newsletter

Last week’s answer

Shellig Michael

This week’s Irish Recipe

Drop Scones

Pouring golden syrup over the top of a drop scone
Sweetened with golden syrup, these delicious pancakes are often called pocket pancakes.

Drop scones are small, thick pancakes, so named because they are made by dropping spoonfuls of batter on to a hot griddle or frying pan.

I loved drop scones when I was a little girl. Lemon and sugar pancakes, which are more like crêpes, featured on our Pancake Tuesday menu, but on other days we enjoyed these hot delicious treats, spread with golden syrup and melting butter.

The primary difference between regular scones and drop scones is that the first is made from a dough baked in an oven, and the latter is made from batter cooked on a hot griddle or in a skillet.

Prep Time: 20 minutesCook Time: 15 minutesTotal Time: 35 minutesServings: 
Calories: 245kcal

Ingredients

  • 2 cups all-purpose flour
  • ½ teaspoon salt
  • 3 teaspoons baking powder
  • 2 tablespoons golden syrup use corn syrup or white sugar if golden syrup is unavailable
  •  cups whole milk
  • 2 large eggs
  • 2 ounces butter for frying pancakes
  • 2 tablespoons honey to serve

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Instructions

    • Sift the flour, salt, and baking powder into a bowl.
      Dry ingredients for drop scones or pocket pancakes
    • Whisk the eggs, milk and golden syrup together in a pitcher until fully blended.
      Mixing beaten egg and milk into flour for drop scones or pocket pancakes recipe
    • Pour the wet ingredients into the dry and whisk together until smooth. Leave the batter to stand for 15 minutes.
      Whisking pancake batter in a bowl with a balloon whisk for drop scones or pocket pancakes
    • Melt a little butter on a frying pan or griddle. Drop two tablespoons of batter in circles on the pan. Space the pancakes apart so they do not stick together.
      Using a quarter cup measure to drop batter onto a hot skillet for drop scones or pocket pancakes
    • Cook for 2 to 3 minutes until the upper surface starts to bubble. Flip the pancakes over and cook for 1 to 2 minutes more until golden.
      Frying drop scones in a cast iron skillet for drop scones or pocket pancakes recipe
    • Re-butter the pan and continue to cook the drop scones in batches until the batter is gone.
      Golden cooked side of three drop scones in a black skillet
  • Serve hot with melting honey.
    Pouring golden syrup over the top of a drop scone

Poem of the week

In Memory Of My Mother

By Seamus Heaney

Photo AI generated for this poem by Tommy Mac

I do not think of you lying in the wet clay
Of a Monaghan graveyard; I see
You walking down a lane among the poplars
On your way to the station, or happily

Going to second Mass on a summer Sunday –
You meet me and you say:
‘Don’t forget to see about the cattle – ‘
Among your earthiest words the angels stray.

And I think of you walking along a headland
Of green oats in June,
So full of repose, so rich with life –
And I see us meeting at the end of a town

On a fair day by accident, after
The bargains are all made and we can walk
Together through the shops and stalls and markets
Free in the oriental streets of thought.

O you are not lying in the wet clay,
For it is a harvest evening now and we
Are piling up the ricks against the moonlight
And you smile up at us  – eternally.

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Analysis (ai): The poem centers on maternal memory, rejecting conventional elegy by refusing imagery of death. Instead, it presents the mother in motion—walking, speaking, working—through rural Irish landscapes. Scenes like the lane among poplars and the June headland emphasize vitality over loss. The recurring motif of errands and daily tasks grounds the memory in domestic realism.

Diction and Tone: The language is plain and accessible, consistent with the poet’s shift away from early rural romanticism. The mother’s dialogue—“Don’t forget to see about the cattle”—uses everyday speech, contrasting with the spiritual suggestion of “angels stray.” This blend elevates routine into something enduring without idealizing it.

Stories and Tales

Couldn’t bet any better…..

A boat ride and a session.

Great Craic

Click to watch and click the speaker for sound

Céad Míle Fáilte, and welcome to your Letter from Ireland for this week. Here in County Cork, the last of the trees are coming into leaf, and the hedgerows are filling out into their full summer growth, almost overnight, it seems. The evenings are long, with a soft, lingering light that keeps you at the gate a little longer than you intended, reluctant to go inside just yet. I have a cup of Lyons tea beside me as I write, and I hope you’ll have something to settle in with too, as today’s letter may invite you to pause for a while longer than usual.

So come with me now, and take in the view from a rock. Not a famous rock, not a place you’ll find in any guidebook, just a limestone outcrop at the top of a hill in north County Kilkenny, with a long view down over patchwork fields to where a river catches the evening light. The O’Brennan family, Ó Braonáin in old Irish, have been sitting on that rock for a very long time, and what they’ve seen from up there tells a deeper story of what it really meant for our Irish families to hold onto their place, to keep the land in their name, and to pass it from one set of hands to the next.

What Kathleen from Ohio Asked

Late last year, I received a note from Kathleen in Ohio. I have sat on it for quite a while as I was unsure how to answer at the time:

“I’ve traced my family back to County Kilkenny, O’Brennan on my grandmother’s side. When I look at the records, they appear in Griffith’s Valuation as tenants, renting from a landlord with an English name. But I keep wondering if that was always the case? Did my family ever actually own the land they farmed? I feel like there’s a whole story there I can’t quite see.”

Kathleen, there is a whole story there, and it stretches back much further than you might imagine. Now that you have given me a few months to reply, let me try to show it to you the way it was truly lived.

Cormac Ua Braonáin: Around the Year 650

Cormac Mac Airt Ua Braonáin makes a habit of climbing to the High Rock (the Ard Carraig) before any day’s work begins on a fine morning in the seventh century. The view from up there contains everything that his family possesses – or rather, everything that belongs to his people, which in his world amounts to the same thing. There are the fields below, the cattle on the upper pasture, and a cluster of homes where his extended kindred go about the business of the day.

Under ancient Brehon laws, this land belongs to the family as a whole and is held collectively by the kindred. When Cormac dies it will be redistributed among them according to rights that go back further than any living memory. The idea of a single man owning this ground, his name on a document giving him power over it, simply doesn’t exist in Cormac’s world and has never needed to.

So he stands on the Ard Carraig in the early morning quiet, looking out over land that has always been ordered this way, and feels that quiet, settled certainty that this is his family’s place. It is simply, unquestionably, theirs.

Art Ua Braonáin: 970

Art Ua Braonáin is on Ard Carraig when he notices them on the road below, a small Norse trading party out of Waterford, moving north with packhorses, heading for whatever market they have arranged in the interior. He watches them the way he can watch everything from up here: carefully but without particular alarm.

His grandfather’s generation knew real alarm. They were the years of the raiders – fast, violent, the monasteries burning, cattle gone before anyone had a chance to respond. But that world has settled into something different over the past two generations. The Norse have been in Waterford long enough now that they are simply part of the landscape, trading, intermarrying, and burying their dead in Irish ground. Some of them even speak Irish, or at least a version. Art has done business with one of their merchants at the seasonal fair, usually a fair exchange of cattle for ironwork, leaving each man satisfied.

He watches the party until the road bends them out of sight, then turns his eyes back to his own fields. The barley is coming on well in the lower ground. The cattle are fat this year and his children are healthy.

What his grandfather feared has become, in the way of things, a normal morning on the road below. While the world may keep bringing surprises to his doorstep, what endures is the farm with the long view from the rock.

Éamonn Ó Brennan: 1400

What the Normans brought with them has changed everything. They come not to raid but to own, bringing with them a trickery (what they call the rule of law) designed to make that ownership permanent. The occupy land held by charter, enforced by English law, granted by a king whose authority the Brehon tradition has never recognised. In Kilkenny, the great Norman Butler family has established itself with a thoroughness and force that is hard to argue with, and the landscape was reorganised around him accordingly.

Éamonn’s family was not significant enough to be swept aside entirely – the Normans coveted the larger Gaelic chieftainships, and a hillside farming family of modest standing has a certain useful invisibility. Éamonn still farms the same land, but pays his dues in someone else’s name, to men who answer to the Butler earls. The fields themselves are unchanged and the High Rock is where it has always been. You pay what is demanded, he has concluded, and you keep the farm, and hold onto what you can. A practical man is Éamonn.

Thomas O’Brennan: 1655

Cromwell’s settlement strips Catholic landowners across Leinster with a thoroughness that still takes the breath away. In north Kilkenny, the change takes vivid local form, as the lands around the local town of Castlecomer pass to men like Christopher Wandesforde. He then brings in settlers from Yorkshire to mine, build, and reshape the land. Thomas watches some of the great families load their carts and move west under armed escort, headed for Connacht, and he watches the new men arrive with their deeds and their certainty.

But the commissions have their sights set on the substantial holdings, and a small tenant farmer on a north Kilkenny hillside is beneath their notice – needed, in fact, to keep working the land that now appears in someone else’s rent book. The name on the deed has changed, and the man Thomas pays his rent to has never walked these fields and very likely never will. But he is still here, and the farm is still here. Some nights he climbs to the High Rock in the dark and sits for a while – reminding himself of the things that never change.

Ned Brennan: 1850

When the Griffith’s Valuation surveyor comes to the door, the man who answers is Ned Brennan, the Irish prefix of “O” long since worn away in the records. The surveyor writes it all down carefully: Edmund Brennan, tenant. Moneenroe. Landholding: fourteen acres. Landlord: Charles Wandsforde. Ned watches the pen move across the page and says nothing.

He has come through the worst years in the 1840s, when the potatoes failed and the roads filled with the dying and the leaving. While north Kilkenny did not suffer as the west did, no part of Ireland came through untouched, and Ned knows which graves in the churchyard are new and which farms in the townland stand empty. He is still here, his children are alive, and the land is producing again – fourteen acres, with a tenant’s entry in someone else’s rent book. The farm a little smaller than in his father’s time, but still the same hillside, and the same High Rock at the top of the upper field, and the same long view to the river. He closes the door on the surveyor and goes back to work.

John Brennan: 1911

The solicitor’s office in Castlecomer smells of coal smoke and old paper, and John Brennan sits at the table with his two sons looking at a document unlike anything his family has ever signed. The Wyndham Land Act of 1903 made government loans available to tenant farmers to buy their holdings. The repayments were to be spread over decades and, more often than not, less than the rent they’d been paying anyway. John has walked his thirty two acres, field by field, in the weeks since, turning the sums over in his head until he was satisfied that it made sense.

He picks up the pen and signs his name on the line. Walking home that evening, they stop at the farm gate and look up the slope to where the High Rock sits against the fading sky. He doesn’t climb it tonight, sure there’ll be plenty of time tomorrow for that, when the news has properly settled. But they stand at the gate for a long while, looking up at the same outline against the same sky their family has always known. Tomorrow it will all be back in the family in a way it hasn’t been for a very long time.

James and Aoife Brennan: Today

All the trouble in the Middle East has caused the fertiliser prices to go through the roof, and James Brennan is sitting on Ard Carrig with his daughter Aoife, looking down at the farm and doing the kind of arithmetic that modern farming asks of you – input costs up, returns uncertain, and government paperwork seemingly designed to wear you down. But he is not a dramatic man, not even remotely, and simply sees the numbers for what they are.

Aoife arrived back to her Moneenroe home after her agricultural science degree, which surprised some people in the parish but didn’t surprise James at all. She always had a grá for the land, and now has her eye on a site for a new house in the corner of the upper field. A lovely spot, sheltered from the west but with a long view south, and she and her fiancé Ciarán have decided that this is the place for them.

“I want to call the new house Ard Carrig,” she says – not quite asking, but wanting to hear the name said aloud to someone who would understand why it matters.

James looks at the limestone beneath them, and out across the fields to the river catching the evening light in the valley below, the same view that has been here longer than any record can reach, the same ground that Cormac stood on before the sun was up, that Thomas climbed to in the dark to reassure himself the world hadn’t entirely ended, that James’s great-great-grandfather stood below while a surveyor wrote tenant in a ledger. Aoife wants to put a name on it, to call the house after the place her family has stood for thirteen centuries.

“Sure that’ll be grand,” he says.

They sit together in the evening quiet, the farm spread out below them, still held.

What This Means for Your Search, Kathleen

When you found your Brennan ancestors listed as tenants in Griffith’s Valuation, you weren’t seeing the natural order of things, but the result of centuries of dispossession. The Griffith’s valuation of the 1850s merely provided a snapshot – taken just as the reversal of that dispossession was beginning.

Your ancestors weren’t tenants because they had no deep connection to the land, but tenants because the land was taken from them. They stayed anyway, because it was still theirs in a way that couldn’t be written in a deed.

Thank you so much Kathleen for a question that led us all the way back to a hillside in Kilkenny and a rock with a very long memory. How about the rest of our readers – have you found land records for your own Irish family? A Griffith’s entry, a landlord’s name, or maybe a Land Commission file?

That’s it for this week,

Slán for now,

Mike.

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Mother’s Day in Ireland

Mothering Sunday in Old Ireland

by Bridget Haggerty from www.irishcultureandcustoms.com

In Ireland and the UK, Mothering Sunday or Mother’s Day is always on the fourth Sunday of Lent. In the USA and other countries, it is celebrated on the second Sunday in May. Whenever you honor the matriarch of your family, the origins and customs of her special day are fascinating.

The earliest Mother’s Day celebrations can be traced back to the spring festivities of ancient Greece, in honor of Rhea, the Mother of the Gods. In Rome, the most significant Mother’s Day festival was dedicated to the worship of Cybele, another mother goddess. Ceremonies in her honor began some 250 years before Christ was born. This Roman religious celebration, known as Hilaria, lasted for three days – from March 15 to 18.

As Christianity spread throughout Europe, Mother’s Day celebrations were held on the fourth Sunday in Lent – Laetare Sunday or mid-Lent Sunday – and they were adapted to honor the Virgin Mary and also the “Mother Church.” Custom began to dictate that a person visit the church of his/her baptism on this day and people attended the mother church of their parish, laden with offerings.

Eventually, the custom of making donations to one’s Mother Church expanded to include honoring one’s own mother; young people, such as servants and apprentices, were given the day off to visit their mothers and take gifts of food, which sometimes included a special “mothering cake.” Often, this would be a very rich fruit-laden concoction called a simnel cake. They would also bring her bouquets of spring flowers which were blessed in church first. And, it was customary for sons and daughters to take on the mother’s chores.

By 1935, the custom of keeping Mothering Sunday had lapsed in Europe, but was revived again after World War II. It came as a complete surprise to this writer to learn that its revival was brought about through the influence of American servicemen stationed overseas. In honoring their mothers on the 2nd Sunday in May, which had been instituted in the USA in 1907, they brought back for the people of Ireland, Great Britain and other European countries, the centuries old tradition of paying homage to mothers, but, as in the old days, Ireland and her geographic neighbors reverted back to keeping it on the 4th Sunday in Lent. This difference in dates caused me a lot of grief when I first came to the United States. Many a letter from my dad chided me for forgetting ‘mam’s day. Eventually, he caught on and would let me know ahead of time when it was. Of course, there were no cards available in the shops here, but I later learned to buy several at a time.

It doesn’t take much to please a mother – mine was just so happy to hear from me, I could have sent a greeting on fly paper! I can also still remember the gifts we used to give her when I was just a girl – and her predictable reaction: To the inevitable dark blue bottle of Evening in Paris – “ye can’t have too many of these.” Or, if the resources would allow, perhaps a set of Yardley Soaps: “And won’t I be cleaner than the Queen herself.” Then, many years later, when she’d be given something nice to wear: “A fine buckle is a great addition to an old shoe.”

For the most part, she was happiest when she could put her feet up and let my dad and my brothers bustle about the house – and make a horrible mess of her kitchen. From the burned eggs on cold toast for breakfast to a very unbalanced dinner of sausages and mash (mashed potatoes) followed by a Lyons Swiss Roll (jelly roll spongecake) for dessert, we did our best to make her day off as nice as we could. I’d give anything to be able to do that again; I miss her so very much.

Which brings me to a lovely email I received from my good friend Judith Flynn. Think on this, if you’re lucky enough to have your mother still here with you. It’s not Irish – but, the advice is universal:

Click below to watch and click the speaker for sound

Hibernian history contest highlights Irish contributions

as part of America 250 celebration

AOH revives its historic essay contest to spotlight the Irish influence on America’s founding ahead of the nation’s 250th anniversary.

The Ancient Order of Hibernians in America has announced the return of its long-running History Essay Contest.

The Ancient Order of Hibernians in America has announced the return of its long-running History Essay Contest. AOH

 

The Ancient Order of Hibernians in America (AOH) has announced the return of its long-running History Essay Contest, reviving a tradition that stretches back more than a century and placing a renewed spotlight on the often overlooked role of the Irish in the founding of the United States as the nation approaches the 250th anniversary of its independence.

The contest, once a cornerstone of AOH educational outreach, had been paused in recent years as the organization pursued other history initiatives. Its revival comes at a particularly symbolic moment, as the United States approaches the 250th anniversary of its independence.

“We recognize the importance of engaging young people in one of our core missions—the perpetuation of the history and traditions of the Irish people,” said AOH National President Sean Pender.

“Bringing back our traditional essay contest allows students to sharpen their research and writing skills while exploring the profound impact of Irish men and women on America’s founding.”

The Ancient Order of the Hibernians.

 

Open to eleventh- and twelfth-grade students enrolled in public or private high schools across the United States during the 2025–2026 school year, the contest invites participants to examine the contributions of individuals of Irish heritage to the birth of the United States. While essays need not focus directly on the Ancient Order of Hibernians, submissions should align with the organization’s mission, values, and traditions. They must be grounded in documented historical evidence, including primary sources where available.

According to AOH National Historian Dan Taylor, Irish support for American independence was rooted in lived experience. Many of the ideals enshrined in the Declaration of Independence and later the U.S. Constitution—natural rights, equality before the law, and representative government—had long been denied to the Irish under British rule. This year’s contest, according to Taylor, allows students to examine Lord Mountjoy’s famous lament that the British had lost the American Colonies “by Irish immigrants” whose “valor… determined the contest.”

“The foundational assertion that all men are created equal stood in stark contrast to the Penal Laws imposed on Ireland,” Taylor notes, citing Edmund Burke’s famous description of those laws as having been crafted “for the debasement [in the Irish people] of human nature itself.”

Taylor also points to President John F. Kennedy’s observation that “freedom is the commodity the Irish have valued most highly—and the commodity that Ireland has exported most widely.”

Students are encouraged to explore these themes by focusing on a specific Irish man or woman whose actions or ideas helped shape the United States at its founding, illuminating the often under-told Irish dimension of America’s revolutionary story. Essays will be judged based on historical accuracy, adherence to topic, originality, organization of material, grammar, and spelling.

Entries must be submitted by June 15, 2026, with winners to be announced on Independence Day. Two essays will be selected for scholarship awards: $3,000 for first place and $1,500 for second place.

Complete contest rules and the official entry form are available on the AOH website.

Visit AOH.com for more information and to submit your essay!

Check out the AOH’s video “At America’s Founding, Irish Hands Were at Work”:

Click below to watch and click the speaker for sound

On This Day: Easter Rising leader John MacBride executed in 1916

John MacBride’s involvement in the Easter Rising was, it seems, serendipitous.

John MacBride.

John MacBride. RTÉ Press / 1916

 

On this day, May 5, in 1916, Easter Rising leader John MacBride was executed for his role in the rebellion.

The Easter Rising took place over five days in Dublin in 1916 and forever changed the course of Irish history. To commemorate this anniversary, writer and historian Dermot McEvoy produced 16 profiles of the Irish Rebel leaders who were executed one hundred and one years ago and who, gradually, have come to be seen as heroes.

Between May 3 and 14, 1916, 15 leaders of the Rising were court-martialed by the British Army under General John Maxwell and convicted. IrishCentral will look at the leaders – from James Connolly to Joseph Mary Plunkett – and share their stories.

John MacBride

John MacBride was born in County Mayo in 1865, became interested in Irish Republican politics, and then left for South Africa to make his fortune in the gold mines. He fought against the British during the Boer War—a point not lost on British General John Maxwell of Easter Rising fame/infamy, who was also a participant in the Boer War on the British side—then fled to France because he feared returning to Ireland at that time. In Paris, he met Maud Gonne, whom he married, and they had a son, Seán.

The marriage was a tumultuous one, and MacBride eventually returned to Ireland. At this point, he was impoverished and having trouble with alcohol until he secured a position with the Dublin Corporation. He was not a member of the Irish Volunteers or intimately involved with the IRB leadership, although he knew many of the players. In an iconic photograph, he can be viewed between Pearse and Clarke at the O’Donovan Rossa funeral oration at Glasnevin Cemetery in 1915.

John MacBride (Public Domain)

 

His involvement in the Rising, it seems, was serendipitous. According to his statement at his trial, he just kind of stumbled upon the revolution: “On the morning of Easter Monday, I left my home at Glengeary with the intention of going to meet my brother who was coming to Dublin to get married. In waiting around town, I went up as far as Stephen’s Green, and there I saw a band of Irish Volunteers. I knew some of the members personally, and the Commander [MacDonagh] told me that an Irish Republic was virtually proclaimed. As I knew my rather advanced opinions, and although I had no previous connection with the Irish Volunteers, I considered it my duty to join them. I knew there was no chance of success, and I never advised or influenced anyone else to join. I did not even know the positions they were about to take up. I marched with them to Jacob’s Factory. After being a few hours there I was appointed second in command and I felt it my duty to occupy that position. I could have escaped from Jacob’s Factory before the surrender had I so desired, but I considered it a dishonorable thing to do. I do not say this with the idea of mitigating any penalty they may impose but in order [to] make clear my position in the matter.”

According to William T. Cosgrave, who succeeded Arthur Griffith as the President of the Executive Council of the Irish Free State in 1922 and was the father of the future Taoiseach, Liam Cosgrave: “John MacBride told me…that his life-long prayer had been answered. He said three Hail Marys every day that he should not die until he had fought the British in Ireland.”

According to Father Augustine, who heard his confession and gave him communion, MacBride was “quiet and natural” and “knew no fear.” When they came to take him away, he requested that he not be blindfolded or handcuffed, but these things were denied him. As he stood before the firing squad, he said: “Fire away. I have been looking down the barrels of rifles all my life.” He died at 3:47 a.m.

His estranged wife, Maud Gonne, when she heard the news of his death in Paris, said: “He made a fine heroic end which has atoned for all. It was a death he had always desired.”

Maud Gonne (Getty Images)

 

In Dublin, the Archpoet Yeats—who had unsuccessfully battled MacBride for Gonne’s affections—cast a more jaundiced eye on MacBride. However, by the end of the summer, he too had found some greatness in his erstwhile rival. In “Easter 1916,” he wrote about MacBride:

This other man I had dreamed

A drunken, vain-glorious lout.

He had done most bitter wrong

To some who are near my heart,

Yet I number him in the song;

He, too, has resigned his part

In the casual comedy;

He, too, has been changed in his turn,

Transformed utterly:

A terrible beauty is born.

There is one more footnote to John MacBride’s legacy. The son he had with Gonne, Seán MacBride, first followed in his father’s footsteps and was Chief of Staff of the IRA in the 1930s. After that, he became a politician, was elected TD, and served as Minister for External Affairs in the John Costello coalition government, which declared the Irish Republic in 1949. He went on to be a founding member of Amnesty International and won the Nobel Peace Prize in 1974 for his work on behalf of human rights. And in what might have made both his lefty-leaning parents smile, he added the Lenin Peace Prize in 1975. He died in Dublin in 1988.

*Dermot McEvoy is the author of “The 13th Apostle: A Novel of a Dublin Family, Michael Collins, and the Irish Uprising and Irish Miscellany” (Skyhorse Publishing). He may be reached at [email protected]. Follow him on his website and on Facebook.

* Originally published in May 2016. Updated in May 2026.

News From Ireland

Two Irish trapped on cruise ship after fatal virus outbreak

Two Irish people are on board a stranded cruise ship in the Atlantic Ocean where three passengers have died following a hantavirus outbreak.

The MV Hondius is currently unable to dock to let passengers disembark until the exact strain of the hantavirus is identified and an evacuation plan is drawn up.

The MV Hondius is currently unable to dock to let passengers disembark until the exact strain of the hantavirus is identified and an evacuation plan is drawn up. Getty

 

The MV Hondius was travelling from Argentina to the Cape Verde islands near west Africa when three passengers passed away and two crew members became seriously ill.

The ship is currently unable to dock to let passengers disembark until the exact strain of the virus is identified and an evacuation plan is drawn up.

A spokesman for Ireland’s Department of Foreign Affairs stated on Monday that it “is providing consular assistance” after the ship’s operator confirmed that two Irish people were among the 23 nationalities on board.

In a statement, cruise operator Oceanwide Expeditions said that two crew members require urgent medical care and are displaying acute respiratory symptoms, one mild and one severe.

Hantavirus is usually transmitted to humans from rodents and can cause respiratory and cardiac distress.

Fatality rates from the pathogen vary around the world but some strains are deadly in up to 40% of cases.

A Dutch passenger died aboard the ship over three weeks ago, on April 11, and was removed from the Hondius on April 24 when it docked at the island of St Helena in the South Atlantic Ocean, Oceanwide Expeditions said.

The passenger’s wife disembarked with his body, and three days later, the ship was informed that the woman had also passed away.

Irish woman Ann Lane is currently aboard the ship and stated on Monday that the passengers are staying calm because “we can’t really do anything at the moment”.

Speaking to The Irish Times, Ms Lane said: “Now the ship’s doctor and a member of the expedition staff are sick on board. The doctor had been treating everybody day and night, really dedicated to what he was doing.

“He has been sick quite a few days, maybe since last Thursday. The real shock was when the first people died because we just didn’t know what this was.”

Ms Lane said the news of the death of the Dutch couple, aged 70 and 69, was an “awful shock”.

She continued: “Then another person died, a woman, and her body is still on the ship. It’s terribly sad, really awfully sad.”

US travel blogger Jake Rosmarin, who is on the boat, released a tearful plea for support, telling his 44,000 followers on Instagram: “We’re not just a story, we’re not just headlines, we’re people.”

The content creator from Boston added: “There’s a lot of uncertainty, and that’s the hardest part.”

Oceanwide Expeditions said in a statement that it’s unconfirmed whether the two deaths are connected to hantavirus until testing can be carried out. “On April 27, another passenger became seriously ill and was medically evacuated to South Africa,” the statement said.

“This person is currently being treated in the intensive care unit in Johannesburg and is in a critical but stable condition. This passenger is of British nationality. A variant of hantavirus has been identified in this patient.

“On Saturday, May 2, another passenger on board died. The cause has not yet been established. This passenger was of German nationality.”

Medical evacuation requires permission from local health authorities at Cape Verde, which is 650km west of the African coast.

The tour operator stated that it is working closely with international authorities, including the World Health Organization and relevant embassies, and is considering sailing to the Canary Islands, over 1,600km away.

Oceanwide Expeditions added that it was in close contact with the families of the 61 crew members and 88 passengers aboard.

There are currently no vaccines or specific medications to combat the various hantaviruses, meaning that treatment consists solely of attempting to relieve the symptoms after they appear.

The World Health Organization’s Europe director, Hans Kluge, has stated that the virus “is not easily transmitted between people”.

“The risk to the wider public remains low. There is no need for panic or travel restrictions,” he said.

* This article was originally published on Evoke.ie. 

New “Valerie’s Law”

to allow courts to strip spouse-killers of parental rights

Legislation that would allow courts to strip or restrict the guardianship rights of parents convicted of killing their partner is set to be approved by Cabinet tomorrow.

Valerie French Kilroy was killed by her husband James Kilroy in June 2019.

Valerie French Kilroy was killed by her husband James Kilroy in June 2019. Supplied

 

Minister for Justice Jim O’Callaghan will seek Cabinet approval for the Guardianship of Infants (Amendment) Bill 2026, which is expected to become law before the end of the year.

The legislation does not provide for the automatic removal of guardianship, with courts required to assess whether a parent has failed in their duty and whether an order is in the child’s best interests.

The legislation will be known as “Valerie’s Law” in honor of Valerie French, 41, who died after she was stabbed, beaten, and strangled by her husband James Kilroy, 51, when she came home from a night out in 2019.

A draft of the Bill proposes to require the Child and Family Agency, Tusla, to apply to the District Court within six months of the conviction of a guardian for murder or manslaughter of another guardian of the child.

This application must be made where the agency has reasonable cause to believe the convicted guardian has failed in his or her parental duty to such extent the child’s safety or welfare is likely to be prejudicially affected.

An order may be made by the court, which will be suspended and take effect once an alternative arrangement is in place, either a care order under the Child Care Act 1991 or the presence of another guardian of the child.

The court must consider both the failure of duty and the best interests of the child before making such an order. An order may either restrict the convicted guardian’s powers and duties or remove them from office as a guardian.

 

Minister for Justice Jim O’Callaghan.

 

The court may impose such conditions as it considers necessary in the best interests of the child relating to the review of the order. The provisions will also apply to cases where convictions occurred before the law comes into force.

They also allow for similar applications where a parent is convicted of a serious violent offense against the child’s other parent, which affects the child’s care arrangements.

Mr. O’Callaghan said that the country’s laws must reflect the gravity of these offenses.

“This is about the welfare and protection of children. Progressing this Bill has been a significant priority for me since taking office,” he said.

Minister O’Callaghan said that he believes issues arising around guardianship of children in a situation where one parent kills the other “should not be regarded as a matter of private law to be determined between the families concerned, but should be regarded as a child protection and welfare issue arising in the public law arena”.

He said the legislation “upholds a fundamental principle that those convicted of the most serious crimes should not retain automatic legal authority over the children they have left behind.”

“I want to thank and commend David French for his advocacy in honor of his sister Valerie. Today we think of the French family,” he added.

* This article was originally published on Extra.ie. 

 

Curracloe Links brings a new golf chapter to Wexford

A seaside golf project in County Wexford is taking shape beside one of Ireland’s best-known beaches, and it is already drawing attention from golfers who follow the island’s links stories closely.

Curracloe Links, Wexford.

Curracloe Links, Wexford. Tourism Ireland

 

The course is part of Neville Hotels and sits alongside Ravenport Resort in Curracloe, about two hours from Dublin Airport and within easy reach of one of the country’s most storied coastal stretches. The official Curracloe Links site says bookings are available from April 1, 2027, signaling that the project is moving from vision to reality.

What makes Curracloe Links stand out is the setting. Tourism Ireland says the design team at Fry and Straka is shaping a course that will reflect the natural character of the land, while Irish Golfer reported that the project was conceived as a world-class seaside links adjacent to Curracloe Beach.

The architecture story is built around the kind of terrain golfers dream about, with sandy ground, firm turf, long sea views, and natural bunkering that should reward both imagination and precision.

That setting matters because Curracloe has long been a destination in its own right. Discover Ireland describes Curracloe Beach as a long white sandy beach in County Wexford that stretches from Raven Point to Ballyconigar near Blackwater, with hilly dunes, a nature trail, Raven Point Wood, and wildlife including red squirrels and grey seals.

 

Curracloe Links, Wexford.

 

The beach is also known to many movie fans for its role in the opening scenes of “Saving Private Ryan”, giving the area a rare mix of cinematic history and natural beauty.

For those visiting the area to golf, that combination is especially appealing because it blends golf, coast, and culture in one compact corner of the country.

Visit Wexford says the county promotes itself as the sunniest corner of Ireland and highlights its 250 kilometers of beaches and coastline, with Curracloe among the standout names. In other words, Curracloe Links is not arriving in a blank landscape. It is joining a place already known for beach walks, summer light, big skies, and a shoreline that has helped define Wexford’s identity for generations.

 

 

Irish police officer lauded after diving into canal

to save five-year-old girl

A Garda (Irish police officer) sergeant has been hailed a hero after diving into Dublin’s Royal Canal to rescue a five-year-old girl.

Sergeant Daniel Eccles, based at Pearse Street station, with Livie.

Sergeant Daniel Eccles, based at Pearse Street station, with Livie. Gardai / X

 

Sergeant Daniel Eccles, based at Pearse Street station, was cycling to work along the canal at Charleville Mall on Tuesday evening when he spotted the young girl, named Livie, cycling her bike straight into the canal.

Livie had been with her brother and parents, who were a short distance away at the time.

Without hesitation, Sergeant Eccles dumped his own bike and jumped into the Royal Canal to reach Livie, who was under the water.

He brought the child to the surface and to the side of the canal, where her father was able to take her out of the water.

Gardaí confirmed that everyone is well following the incident.

“Gardaí are committed to keeping people safe,” the force said in a statement.

 

Sergeant Daniel Eccles, based at Pearse Street station, with Livie’s family.

 

The rescue took place at approximately 6.30pm on Tuesday April 28, along a stretch of the canal that runs through Dublin’s north inner city.

The Royal Canal towpath is popular with cyclists, joggers and families, particularly during the brighter evenings.

It’s the latest in a series of incidents highlighting the quick-thinking actions of off-duty and on-duty Gardaí in emergency situations.

Sergeant Eccles’ actions have drawn widespread praise on social media since the story emerged.

“The thought of losing that little sweetheart gives one the shakes,” one person said.

“Garda actions saved the family and community a lifetime of trauma.

“Relief knowing this loving family have a new friend forever.”

* This article was originally published on Extra.ie.

 

Chris O’Dowd to play IrishCentral founder Niall O’Dowd

in Terry George’s “Ceasefire”

Terry George’s “Ceasefire” is being described by filmmakers as “the true story of a courageous Irish-American journalist,” Niall O’Dowd.

Chris O\'Dowd (L) will play Niall O\'Dowd in \"Ceasefire.\"

Chris O’Dowd (L) will play Niall O’Dowd in “Ceasefire.” Getty Images / Irish Voice

 

Chris O’Dowd is set to play Niall O’Dowd, the Co Tipperary-born founder of the Irish Voice newspaper and IrishCentral, in Terry George’s new political thriller “Ceasefire.”

The movie has been acquired by Bankside Films, who are handling worldwide sales and will be introducing the film to buyers in Cannes.

After moving to the US from Ireland, O’Dowd co-founded Irish America Magazine in 1985, and went on to found the Irish Voice newspaper in 1987 and IrishCentral in 2009.

He also acted as intermediary between Sinn Féin and the White House at a critical period in the Irish peace process.

The filmmakers said in a statement this week that the movie “is the true story of a courageous Irish-American journalist [O’Dowd] who gambles everything to broker a secret backchannel between the Irish Republican Army and a wary Clinton administration… But as bombings, political betrayal, and mistrust close in, he risks his life to secure a lasting ceasefire between the deadliest enemies.”

 

Niall O'Dowd.

 

Aside from O’Dowd playing O’Dowd, the cast is stacked with major names: Jane Fonda will play Jean Kennedy Smith, Ciarán Hinds will portray businessman Bill Flynn, and John C Reilly is set to play Bruce Morrison. Tom Hollander has also joined the ensemble in a role that has not yet been confirmed.

Oscar winner Terry George, whose credits include “Hotel Rwanda,” “In The Name Of The Father,” “Some Mother’s Son,” “The Promise,” and “The Shore,” wrote the screenplay and will direct the film.

In a statement, George said: “’Ceasefire’ is about the fragile, dangerous, often invisible work required to end conflict. It’s about the belief that dialogue can triumph over violence. It’s a message and a story that is dramatic, moving, and vital. I am honored to tell it.”

The upcoming film is produced by Trevor Birney for Fine Point Films (“Saipan,” “Kneecap,” “No Stone Unturned”) and Patrick O’Neill for Wildcard (“Saipan,” Kneecap”).

The do said: “The war in Northern Ireland was an intractable conflict. After 25-years, any hope for an end to the violence had all but gone.

“The story behind the process that led to peace is thrilling and emotional and a critical contemporary reminder that individuals – not governments – can bring about change that can save the lives of innocents caught up in a war they didn’t want.

“Terry is one of Ireland’s greatest filmmakers and he has assembled an amazing cast for the film. We are beyond excited to be going into production on ‘Ceasefire’ later this year.”

Stephen Kelliher of Bankside Films, who are handling worldwide sales and will be introducing the film to buyers in Cannes, added: “We are delighted to be working with Terry George and his incredible cast to bring this compelling story to audiences around the world.

“It’s a story which has incredible relevance in the world today whilst being a thrilling story of one man’s enormous personal endeavour to bring about peace in a world where conflict has become ingrained.”

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